Trapped in a lab and stuck in a time loop, a disoriented couple fends off masked raiders while harboring a new energy source that could save humanity.
Director:
Writer:
Stars:
Awards:
- 1 win & 3 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
| Robbie Amell | ... |
Renton
|
|
| Rachael Taylor | ... |
Hannah
|
|
| Shaun Benson | ... |
Sonny
|
|
| Gray Powell | ... |
Father
|
|
| Jacob Neayem | ... |
Brother
|
|
| Adam Butcher | ... |
Cuz
|
|
| Tantoo Cardinal | ... |
The Pope
|
|
| Nicolas Van Burek | ... |
News Anchor (voice)
|
|
| Jamie Spilchuk | ... |
Mobius Common (voice)
|
|
Directed by
| Tony Elliott | ||
Written by
| Tony Elliott | ... | () |
Produced by
| Ian Bricke | ... | executive producer |
| John Finemore | ... | producer |
| Kyle Franke | ... | producer |
| Priscilla Galvez | ... | associate producer |
| Elizabeth Grave | ... | co-producer |
| James Hoppe | ... | executive producer |
| Michelle Knudsen | ... | co-producer |
| Matt Levin | ... | executive producer |
| Mason Novick | ... | producer |
| Nick Spicer | ... | executive producer |
| Jeremy Kipp Walker | ... | executive in charge of production |
| Mary Anne Waterhouse | ... | co-producer |
Music by
| Keegan Jessamy | ||
| Bryce Mitchell | ||
Cinematography by
| Daniel Grant | ||
Editing by
| Kye Meechan | ||
Editorial Department
| Darcy Arthurs | ... | digital imaging producer |
| Frank Biasi | ... | digital intermediate editor |
| Margaret Hutz | ... | digital imaging technician |
| Angela Jekums | ... | first assistant editor |
| Brett Trider | ... | colorist |
Casting By
| Angela Demo | ||
Production Design by
| Oleg M. Savytski | ||
Art Direction by
| Shelley Silverman | ||
Costume Design by
| Patrick Antosh | ||
Makeup Department
| Traci Loader | ... | key makeup artist / makeup department head |
| Larissa Palaszczuk | ... | assistant makeup artist |
| Sandy Sokolowski | ... | key hair stylist |
| Josie Stewart | ... | assistant hair stylist: daily |
Production Management
| Andrew Cullen | ... | production manager |
| David Huband | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Andrew McNeill | ... | second assistant director |
| Ross Vivian | ... | third assistant director |
Art Department
| Rogue Espiritu | ... | set dresser |
| Mike Gibb | ... | set dresser (as Mike Gibbs) |
| Dan Harris | ... | on-set carpenter |
| Nicole Johnson | ... | property master |
| Connie Kaneko | ... | on set dresser |
| Tanya Lemke | ... | assistant property master |
| Jason McQuarrie | ... | set designer |
| Crystal Silden | ... | on set dresser |
| Sasha Vojvodic | ... | set dresser |
Sound Department
| Gray Aletter | ... | sound editor |
| Rolando Duque | ... | boom operator |
| Robert Fletcher | ... | sound mixer |
| Dave Fritz | ... | adr recordist |
| Allan Fung | ... | supervising sound editor |
| Jesse Gillingham | ... | dialogue editor |
| Richard Harkness | ... | sound effects editor |
| Melissa Hinton | ... | sound editor |
| Scott Hitchon | ... | assistant re-recording mixer |
| Kyle D. Krajewski | ... | adr mixer |
| Brent Robichaud | ... | epk audio |
| Virginia Storey | ... | foley artist |
| Paul Williamson | ... | re-recording mixer |
| Mike Woroniuk | ... | re-recording mixer |
| David Yonson | ... | foley mixer |
Special Effects by
| David Antonacci | ... | special effects assistant |
| Jared Campbell | ... | special effects builder |
| Derek Liscoumb | ... | special effects supervisor |
| Kirk Middleton | ... | special effects key |
Visual Effects by
| Kevin Chandoo | ... | visual effects supervisor |
| Jean-Paul Ear | ... | compositor: Technicolor / texture artist: Technicolor |
| Hardave Grewal | ... | visual effects artist: Technicolor |
| Robin Nozetz | ... | visual effects producer |
| Matt O'Sullivan | ... | motion graphics |
| James Rumas | ... | digital compositor |
Stunts
| Derek Bujalski | ... | fire stunts (2016) |
| Janine Canillas | ... | stunt double: Rachael Taylor (as Janine Parkinson) |
| Anthony Ferri | ... | assistant stunt coordinator / stunt double: Robbie Amell |
| Plato Fountidakis | ... | stunt double: Sonny |
| Mic Jones | ... | stunt coordinator |
| Paul Rapovski | ... | stunt coordinator |
| E. Nova Zatzman | ... | stunt safety |
Camera and Electrical Department
| Tom Comet | ... | drone pilot |
| Jesse Cree | ... | camera trainee |
| Russ De Jong | ... | steadicam operator |
| Michael Gibson | ... | still photographer |
| Chris Harmsworth | ... | gaffer |
| Ram Jeyam | ... | daily grip |
| Benjamin J. Leigh | ... | second assistant camera |
| Nabil Milne | ... | key grip |
| Rafi Mishan | ... | first assistant camera |
| Matt O'Sullivan | ... | 24 frame playback operator |
| Graeme Potts | ... | epk camera |
| Chris Reilly | ... | first assistant camera |
Casting Department
| Shyree Mezick | ... | casting associate |
Costume and Wardrobe Department
| Amanda Wood | ... | assistant set supervisor |
Location Management
| Kyle O'Connor | ... | location manager |
| Mark Pinnock | ... | location P.A. |
Script and Continuity Department
| Winnifred Jong | ... | script supervisor |
Additional Crew
| Cynthia Amsden | ... | unit publicist |
| Ian Bricke | ... | Studio Executive |
| Jack Byrnes | ... | Assistant to James Hoppe |
| Alana Carithers | ... | assistant: Mason Novick and Michelle Knudsen |
| Brooke Davies Casanova | ... | assistant: John Finemore and Elizabeth Grave (as Brooke Davies) |
| Anthony Costa | ... | production accountant |
| Linda Darras | ... | post production accountant |
| Huma Khan | ... | netflix legal counsel (uncredited) |
Thanks
| Paul Almond | ... | special thanks |
| Trevor Astbury | ... | special thanks |
| Nate Bolotin | ... | special thanks |
| Craig Milne | ... | special thanks |
| Tim Nye | ... | special thanks |
| Gabe Scarpelli | ... | special thanks |
| Arnotz Zakai | ... | special thanks |
Production Companies
- Netflix (presents)
- Lost City
- XYZ Films
- MXN Entertainment (in association with)
Distributors
- Netflix (2016) (World-wide) (video) (VOD)
Special Effects
- Technicolor Creative Services VFX Toronto (visual effects)
Other Companies
- Alliance of Canadian Cinema, Television and Radio Artists (ACTRA) (acknowledgement)
- Nabet 700 (acknowledgement)
- SAG-AFTRA (acknowledgement)
Storyline
| Plot Summary | |
| Plot Keywords | |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
|
Additional Details
| Also Known As |
|
| Runtime |
|
| Country | |
| Language | |
| Color | |
| Aspect Ratio |
|
| Filming Locations |
Box Office
| Budget | $2,000,000 (estimated) |
Did You Know?
| Trivia | While the main male character explains how time is looping he draws several circles on a virtual white board. He mentions that time loops every 3 hours 14 minutes and 15 seconds. The ratio of a circle's circumference to its diameter, is commonly approximated as 3.1415, commonly known as Pi. See more » |
| Goofs | Sonny saves Cuz from being electrocuted in the loop no. X, but this should not be possible, since the loop begins from the short circuit Cuz makes by electrocuting himself. Therefore the loop should always start from Cuz being already electrocuted. The characters assumed it was Cuz's death, but another character noted that one quickly kicked Cuz away from the machine, therefore saving his life, but may have had enough contact to re-start the time-loop. See more » |
| Movie Connections | Referenced in Time Loop-de-Loops (2018). See more » |
| Quotes |
[first lines]
Renton: You okay? [flex-cuffs zipping] Father: That guy you fried with your clever little trap? That was our cousin. Brother: Cuz. Father: That's Brother. Sonny. You can call me Father. And you two? You two are the kids. See more » |