Cast overview, first billed only: | |||
Laetitia Dosch | ... | Paula Simonian | |
Souleymane Seye Ndiaye | ... | Ousmane | |
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Grégoire Monsaingeon | ... | Joachim Deloche |
Jean-Christophe Folly | ... | Médecin urgences | |
Nathalie Richard | ... | La mère de Paula | |
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Arnaud de Cazes | ... | L'infirmier |
Zirek | ... | L'épicier (as Ahmed Zirek) | |
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Philippe Lasry | ... | L'invité hispanophone |
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Marie Rémond | ... | Anne |
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Jean-René Lemoine | ... | L'invité travaillant dans le champagne |
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Bélinda Saligot | ... | La femme des photos |
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Philippe Vincent | ... | Le gérant de l'hôtel |
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Agathe Desche | ... | La vétérinaire |
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Philippe Ferreira Gonçalo | ... | Vendeur Cash Converters |
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Lou Valentini | ... | Géraldine, la manageuse lingerie |
Broke, with nothing but her cat and doors closing in her face, Paula is back in Paris after a long absence. As she meets different people along the way, there is one thing she knows for sure: she's determined to make a new start and she'll do it with style and panache. Written by morroviolet
Seen at the Viennale 2017: Laetitia Dosch rescued this movie from absolute impassibility. To follow female young women with close-up camera through their daily life is a new trend. I guess, it has something to do with new camera techniques. Because faces of people can tell stories of their own, somebody can make easily a "character study" instead of a well told story with interesting characters. I appreciate that such movies are a psychological help for up-growing young girls (I hope they find their way to pictures like this). But for an adult they are quite boring.