On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.
Told in three interconnected segments, we follow a young man named Takaki through his life as cruel winters, cold technology, and finally, adult obligations and responsibility converge to test the delicate petals of love.
A high-school girl named Makoto acquires the power to travel back in time, and decides to use it for her own personal benefits. Little does she know that she is affecting the lives of others just as much as she is her own.
Mitsuha is the daughter of the mayor of a small mountain town. She's a straightforward high school girl who lives with her sister and her grandmother and has no qualms about letting it be known that she's uninterested in Shinto rituals or helping her father's electoral campaign. Instead she dreams of leaving the boring town and trying her luck in Tokyo. Taki is a high school boy in Tokyo who works part-time in an Italian restaurant and aspires to become an architect or an artist. Every night he has a strange dream where he becomes...a high school girl in a small mountain town.Written by
In truth, the most competitive area of fiction is not invasions from outer space or talking dogs or impossible missions but rather the most basic narrative of all, the love story.
And this is also the most overcrowded field, and the most difficult to do right.
This film, this story, is extraordinary. It reminds me of MY SASSY GIRL, a love story from Asia that captured the imagination of the world and has almost become a franchise, it's been copied so many times.
It also brings to mind Richard Matheson's classic BID TIME RETURN, another love story for the ages that uses time juxtaposition. (Done as the movie SOMEWHERE IN TIME, 1980).
I already gave this the highest rating on the IMDb.
The animation is stunning and complimentary to this one-of-a-kind tale.
All things considered, I would like to avoid the ongoing arguments about which Japanese animation studio is better, or worse, than the other.
I prefer to simply be grateful that Japanese anime exists at all, because I cannot imagine any other country producing something this moving, this powerful, in graphic form.
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