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Metacritic reviews
I Don't Belong Anywhere: The Cinema of Chantal Akerman
70
Metascore
5 reviews · Provided by
Metacritic.com
75
Slant Magazine
Clayton Dillard
Slant Magazine
Clayton Dillard
The documentary is an attempt to capture something of Akerman's infectious spirit and thirst for worldly experience, as both an artist and a human being.
75
Boston Globe
Peter Keough
Boston Globe
Peter Keough
Akerman, though, is her own best spokesperson as she discusses her films at locations where they were shot.
70
The New York Times
Nicolas Rapold
The New York Times
Nicolas Rapold
Ms. Lambert’s film builds nicely, staying in tune with the ordinariness and intimacy explored in Ms. Akerman’s boldly rendered films.
70
Los Angeles Times
Sheri Linden
Los Angeles Times
Sheri Linden
Within the doc's brief running time, Lambert sculpts a discerning overview of the artist and her filmography.
67
The A.V. Club
Ignatiy Vishnevetsky
The A.V. Club
Ignatiy Vishnevetsky
Ironic, given what a deeply personal filmmaker she could be, that the film that best shows her brilliant intellect and insight isn’t her own.
See all 5 reviews on Metacritic.com
See all external reviews for I Don't Belong Anywhere: The Cinema of Chantal Akerman
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