Below Her Mouth (2016)
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- Not Rated
- 1h 34min
- Drama, Romance
- 28 Apr 2017 (USA)
- Movie
- 1 nomination.
- See more »
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Complete, Cast awaiting verification
Erika Linder | ... |
Dallas
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Natalie Krill | ... |
Jasmine
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Sebastian Pigott | ... |
Rile
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Mayko Nguyen | ... |
Joslyn
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Tommie-Amber Pirie | ... |
Quinn
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Melanie Leishman | ... |
Claire
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Andrea Stefancikova | ... |
M.J.
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Daniela Barbosa | ... |
Desiree
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Elise Bauman | ... |
Bridget
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Jocelyn Hudon | ... |
Model / Nikki
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Karl Campbell | ... |
Security Guard
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Stasia Caz | ... |
Bartender
(as Anastasia Marinina)
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Ian Matthews | ... |
Roofer Willy
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John White | ... |
Roofer Matt
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Jennifer Krukowski | ... |
Exotic Dancer #1
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Dawne Furey | ... |
Exotic Dancer #2
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Aneesa Badshaw | ... |
Exotic Dancer #3
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Rest of cast listed alphabetically: | |||
Rachelle Beinart | ... |
Rachelle Ashe - Jasmine's Mother (uncredited)
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Sophie Blumenthal | ... |
Extra (uncredited)
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Lindsay Christopher | ... |
Bar Girl (uncredited)
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Taylor McKay | ... |
Woman (uncredited)
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Sherry Nelson | ... |
Model (uncredited)
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Laura Faye Smith | ... |
Andrea Vianca Annette Descate (uncredited)
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Lauren Vandenbrook | ... |
Wedding Planner (uncredited)
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Directed by
April Mullen |
Written by
Stephanie Fabrizi | ... | (written by) |
Produced by
Melissa Coghlan | ... | producer |
Jen Gillespie | ... | producer assistant |
Music by
Noia |
Cinematography by
Maya Bankovic | ... | director of photography |
Editing by
Michelle Szemberg |
Editorial Department
Walt Biljan | ... | colorist |
Orlee Buium | ... | first assistant editor |
Jodie Moore | ... | digital intermediate producer |
Dave Oliver | ... | on-line editor |
Yanay Penalba | ... | post intern |
John Pyke | ... | digital intermediate conform editor |
Alanna Smith | ... | post intern |
Casting By
Jason Knight |
Production Design by
Faye Mullen |
Costume Design by
Zeina Esmail |
Makeup Department
Melissa Gordon | ... | makeup artist |
Shawna Lee | ... | makeup artist |
Keirsten Morris | ... | key makeup artist |
Jessica Shannon | ... | key hairdresser |
Eleanor MacVeigh | ... | daily make-up (uncredited) |
Production Management
Emma Sanders | ... | post-production supervisor (as Emma Sanders Finlayson) |
Erin Smithee | ... | production manager |
Douglas Wilkinson | ... | post-production supervisor |
Second Unit Director or Assistant Director
Jen Gillespie | ... | trainee assistant director (as Jennifer Gillespie) |
Filomena Guarasci | ... | first assistant director |
Lyndsay Leahy | ... | second assistant director |
Andrea Luff | ... | third assistant director: daily |
Art Department
Cristal Buemi | ... | art production assistant: part one |
Andi Clifford | ... | on set dresser |
Jennifer Sciarrino | ... | art production assistant: part two |
Juliann Wilding | ... | property master |
Sound Department
Davi Aquino | ... | foley recordist |
Andre Azoubel | ... | adr recordist (as Andrew Azoubel) |
James Bastable | ... | adr recording mixer |
Matthew Chan | ... | re-recording mixer |
Kathy Choi | ... | dialogue editor |
Jesse Fellows | ... | assistant sound re-recording mixer |
Sandra Fox | ... | foley artist |
Paul Germann | ... | sound effects editor |
Krystin Hunter | ... | sound effects editor |
Michelle Hwu | ... | assistant sound editor |
Julia Innes | ... | boom operator |
Camille Kennedy | ... | boom operator |
Kyle D. Krajewski | ... | adr recordist (as Kyle Krawjewski) |
Martyne Morin | ... | sound mixer |
Erika Schengili-Roberts | ... | sound mixer |
Kevin Schultz | ... | foley recording mixer |
Jane Tattersall | ... | sound effects editor |
Cynthia Thibault | ... | boom operator |
Veronica Valentini | ... | A.D.R |
Don White | ... | foley recording mixer |
Alexander Åslund | ... | audio post project manager (as Alex Aslund) |
Special Effects by
Mark Ahee | ... | special effects supervisor |
Caitlin Foster | ... | special effects technician |
Visual Effects by
Gary Couto | ... | visual effects supervisor (as Gary J. Couto) |
Stunts
Marco Bianco | ... | stunt rigger |
Alison Reid | ... | stunt coordinator |
Camera and Electrical Department
Simona Analte | ... | best boy electric |
Briana Blades | ... | key grip: daily |
Clara Chan | ... | camera trainee |
Russ De Jong | ... | steadicam operator: daily |
Sophie Giraud | ... | still photographer: behind the scenes |
Sue Johnson | ... | camera operator: b camera |
Cait Lusk | ... | key grip |
Heather McDowell | ... | data management technician |
Nathan Riddell | ... | data management technician: daily |
Augustina Saygnavong | ... | first assistant camera: b camera |
Anya Shor | ... | gaffer |
Cheryl Sileikis | ... | first assistant camera: a camera |
Erin Simkin | ... | still photographer: behind the scenes |
Sabrina Spilotro | ... | best boy: daily |
Ruzanna Sukiaysan | ... | camera trainee |
Heather Weigel | ... | best boy: grip |
Casting Department
John Buchan | ... | casting: Toronto |
Jesse Griffiths | ... | casting assistant |
Jason Knight | ... | casting: Toronto |
Roisin McGilly | ... | background casting |
Yesi Ramirez | ... | casting: Los Angeles |
Costume and Wardrobe Department
Jade Braithwaite | ... | costume intern |
Julianne Costigan | ... | assistant costume designer |
Amanda Gairdner | ... | costume assistant |
Sarah Lake | ... | on-set wardrobe |
Location Management
John Mactaggart | ... | assistant location manager |
Quincy Morgan | ... | location manager |
Holly O'Brien | ... | location manager |
Andrea Phillips | ... | assistant location manager |
Nicholas O. Wagner | ... | location assistant |
Script and Continuity Department
Jennifer Capraru | ... | script supervisor (as Capraru. Jennifer) / script supervisor |
Transportation Department
Gillian Ashton | ... | driver |
Kara Czestochowski | ... | head driver |
Jacqueline Koka | ... | driver |
Additional Crew
Sara Basso | ... | epk: producer/director/videographer |
Gina Boulougouris | ... | assistant accountant |
Jen Gillespie | ... | production assistant |
Daniel L. Goldenberg | ... | legal counsel |
Madison Helpert | ... | assistant production coordinator |
Clayton Kelly | ... | production office assistant |
Seana O'Neill | ... | production coordinator |
Sabreena Peters | ... | unit coordinator |
Natalie Reynolds | ... | director assistant |
Christine Rochon | ... | production coordinator |
Wendy Saffer | ... | publicist |
Miranda Wanamaker | ... | production assistant |
Darren Wilson | ... | production accountant |
Ginnie Woodley | ... | craft service |
Mark Stevens | ... | account manager (uncredited) |
Production Companies
- Serendipity Point Films
- Distant Horizon
- Téléfilm Canada (in association with)
- Ontario Media Development Corporation (OMDC) (in association with)
- The Movie Network (TMN) (in association with)
- Gunpowder & Sky
Distributors
- GEM Entertainment (2016) (Non-US) (multi-territory)
- Elevation Pictures (2017) (Canada) (theatrical)
- Synca Creations (2017) (Japan) (theatrical)
- Weltkino Filmverleih (2017) (Germany) (theatrical)
- Edition Salzgeber (2017) (Germany)
- Gunpowder & Sky (2017) (United States)
- Netflix (2017) (Australia) (video) (VOD)
- Universum Film (UFA) (2017) (Germany) (DVD)
Special Effects
Other Companies
- Entertainment Partners Canada (payroll services)
- Focus on Food (craft service)
- Footsteps Post-Production Sound (foley recorded at)
- Freeway CAM B.V. (collection account management)
- Hall Webber (Legal services)
- PS Production Services (grip and lighting equipment)
- SIM Digital (camera equipment)
- Tattersall Sound (adr recording services)
- Tattersall Sound (sound post-production)
- Tattersall Sound (sound re-recording)
- The Rights Company (script clearance)
Storyline
Plot Summary |
Set over three days; two very different women who fall in love with each other. Jasmine is a successful fashion editor living with her fiancé in Toronto. On a Friday night while out in the city with her best friend Claire, she meets Dallas, a female roofer recently out of a relationship. Surprised by the confidence with which the two very different women connect, Jasmine becomes infatuated with the mysterious woman who is working with a crew on the house next door to hers. The chance meeting soon turns into desire that ignites in Jasmine when she becomes more acquainted with Dallas which leads her to accompany Dallas to her low-rent loft where the two women soon engage in passionate sex. As much as she struggles with her feelings over being sexually involved with another woman, she fears her tryst with Dallas might ruin her engagement with her fiancé should it ever become known. Written by Wiki |
Plot Keywords | |
Taglines | Where Desire Lives. See more » |
Genres | |
Parents Guide | View content advisory » |
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Did You Know?
Trivia | The character of Dallas was a roofer. Screenwriter Stephanie Fabrizi's sister and father operate a roofing company. To prepare for the role, Erika Linder apprenticed as a roofer with their company for two weeks before shooting the film. She fooled one of their customers into thinking she was actually an experienced roofer after meticulously finishing their roof by herself. See more » |
Goofs | There is a skateboard in the corner of Dallas' bedroom. As Chekhov famously said, "If there's a skateboard on the wall in act one, scene two, the lesbian must ride the skateboard by act three, scene two." Dallas never rides the skateboard. See more » |
Movie Connections | References Dallas (1978). See more » |
Soundtracks | Pipeline See more » |
Quotes |
Dallas:
Why do women love roofers? Jasmine: No idea. Dallas: Because they strip 'em and nail 'em all day long. Jasmine: Sounds exhausting. Dallas: I'll be on the same street tomorrow if you want a demonstration. See more » |