The drug war on the U.S.-Mexico border has escalated as the cartels have begun trafficking terrorists across the US border. To fight the war, federal agent Matt Graver re-teams with the mercurial Alejandro.
Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
A man believes he has put his mysterious past behind him and has dedicated himself to beginning a new, quiet life, before he meets a young girl under the control of ultra-violent Russian gangsters and can't stand idly by.
In this adventure/drama, FBI agent Matt Graver (Josh Brolin) enlists a mysterious operative to help investigate a Mexican drug cartel that has been smuggling terrorists into the U.S. Things escalate when the daughter of a top kingpin is abducted, forcing Graver and his partner to re-evaluate their mission.Written by
Emily Blunt was originally attached to reprise her role in Sicario (2015) as FBI Agent Kate Macer. However, director Stefano Sollima ultimately decided not to use Blunt or her character in the film, noting that Macer represented the moral compass in Sicario (2015), whereas he did not want any character to serve as moral guidance in the sequel. Screenwriter Taylor Sheridan, who wrote the story and screenplay for both films, also stated in interviews that he could not think of a reason to keep Agent Macer in the second film, and that her character's story had already come full circle in the first installment. See more »
When Alejandro is using sign-language while asking for help from the deaf rancher, as he says "help me, help her" he is wearing a glove on his left hand. In the next shot, the glove is gone. See more »
Written by Carlos Arredondo, Raul Chapa and Alejandro Zea
Performed by Pato Machete
Courtesy of La Tuna Entertainment Group
By arrangement with Warner Music Group Film & TV Licensing See more »
Stellar Acting, Exciting Action, But Lacks Awareness
Sequels typically strive to go bigger and badder than the original. This sequel is no exception. This issue with attempting to up the ante is that it often causes sequels to lose sight of what made the original special. Again, this sequel is no exception.
For some reason that I still don't understand, 'Sicario: Day of the Soldado' opens with coverage of Somali pirates, Mexican-United States border crossings, and graphic scenes of ISIS suicide bombers that will leave you unsettled for an uncomfortably long time. Government agents presume that all these terrorist efforts are connected. They're not.
The film's inclusion of these scenes doesn't add layers to the complexity of anti-terrorist or anti-drug efforts (it's unclear if that was ever the intention). Instead, the scenes only serve to offer some of the BANG BANG moments that sequels seeming to require.
There's an emptiness, a pointlessness to the violence-that should be the point of the film. "The war on drugs" is a war without an opponent, and the U.S. is fighting an unwinnable fight. The violence only begets greater violence, one immoral acts leads to dozen more like it, and everyone becomes dirty in the end. This film has no heroes.
I wish that's what this movie was about, but it misses the point. It lacks the perspective and awareness of the first 'Sicario' film. The action in this film is well shot and exciting, same as the first film, but all subtle yet crucial details that made the first film excellent are wrong in this one.
The acting saves the movie from failure. Josh Brolin is excellent once again as the smirking tough guy government agent, and Benicio Del Toro is award-worthy as Alejandro, the sicario. Though he has taken frustrating character development leaps since the first film, Del Toro is nonetheless commanding, angry and tactful. Mercifully, he also provides a few drops of humanity into a movie in desperate need of some. Most actors lack the versatility to successfully transition between all these emotions. But this is Benicio Del Toro.
If you're a huge fan of Del Toro, Brolin or this genre of film, consider seeing it in the theater. Otherwise, wait until you can watch it at home.
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