While trying to spice up their marriage in their remote lake house, Jessie must fight to survive when her husband dies unexpectedly, leaving her handcuffed to their bed frame.
Director:
Mike Flanagan
Stars:
Carla Gugino,
Bruce Greenwood,
Chiara Aurelia
A widowed mother, plagued by the violent death of her husband, battles with her son's fear of a monster lurking in the house, but soon discovers a sinister presence all around her.
Washed-up true-crime writer Ellison Oswalt finds a box of super 8 home movies that suggest the murder he is currently researching is the work of a serial killer whose work dates back to the 1960s.
Rebecca must unlock the terror behind her little brother's experiences that once tested her sanity, bringing her face to face with a supernatural spirit attached to their mother.
Director:
David F. Sandberg
Stars:
Teresa Palmer,
Gabriel Bateman,
Maria Bello
When the Davison family comes under attack during their wedding anniversary getaway, the gang of mysterious killers soon learns that one of the victims harbors a secret talent for fighting back.
In 1967 Los Angeles, a widowed mother and her daughters add a new stunt to bolster their seance scam business, inviting an evil presence into their home.
Director:
Mike Flanagan
Stars:
Elizabeth Reaser,
Lulu Wilson,
Annalise Basso
William Friedkin, director of The Exorcist (1973), was a big fan of the film and encouraged people to watch it. See more »
Goofs
When John tells the killer Maddie would have been unable to call 911 because she is deaf and mute, this is incorrect for several reasons. Most importantly, emergency response services are equipped to communicate with a deaf/mute person. Even if for some reason Maddie.was not able to "speak" with an actual operator, they would still have sent someone to investigate the call. See more »
Quotes
Man:
I can come in anytime I want. And I can get you, anytime I want. But I'm not going to. Not until it's time. When you wish you're dead... that's when I'll come inside.
See more »
"Hush" focuses on Maddie, a deaf-mute writer living alone in a remote house, where she is accosted one evening by a psychopath hellbent on terrorizing and murdering her.
Co-written and directed by Mike Flanagan, who many have cited as a contemporary horror maestro, "Hush" is a straightforward thriller that cuts to the chase. There's not a lot of plot; most of the film plays on the gimmick of the protagonist being unable to hear anything around her (including the noise she makes), which is a clever setup for a horror-thriller film (I'm actually surprised it wasn't done earlier).
Comparisons to "The Strangers" are abundant and probably well-deserved, as that film pioneered the post-millennial home invasion film as we know it. "Hush" reduces the equation a bit, stripping it down to a one-on-one cat-and-mouse game, so in some regard it's a much more intense film; on the other hand, it's also remarkably less scary—but that's not really what Flanagan seems to be going for here anyway. It's not a film that intends to scare or get under the skin so much as it is a sparring match between two very different people.
The film is nicely shot and there are some fantastic scenes that play on a collective home invasion paranoia that I think we all have. The gore is kept to a minimum, but what is there is extremely visceral. The performances are solid, which is vital for a film that virtually revolves around two characters; Kate Siegel (who co-wrote the film with Flanagan) stars as the deaf Maddie, and is extremely believable, while John Gallagher Jr. plays the anonymous nutjob who is more despicable than he is scary. Where the film does falter a bit is in its last act, where the gimmick begins to wear off a bit as Maddie's situation grows more and more helpless. There is an amicable payoff in the end, albeit a drawn-out one.
Overall, I found "Hush" to be a relatively well-made film, and an enjoyable riff on the home invasion setup. That said, the film does grow dull in areas, and it also offers little in the way of new ideas, but what it does do, it does with class. All in all an entertaining and fairly intense thriller for what it's worth. 7/10.
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"Hush" focuses on Maddie, a deaf-mute writer living alone in a remote house, where she is accosted one evening by a psychopath hellbent on terrorizing and murdering her.
Co-written and directed by Mike Flanagan, who many have cited as a contemporary horror maestro, "Hush" is a straightforward thriller that cuts to the chase. There's not a lot of plot; most of the film plays on the gimmick of the protagonist being unable to hear anything around her (including the noise she makes), which is a clever setup for a horror-thriller film (I'm actually surprised it wasn't done earlier).
Comparisons to "The Strangers" are abundant and probably well-deserved, as that film pioneered the post-millennial home invasion film as we know it. "Hush" reduces the equation a bit, stripping it down to a one-on-one cat-and-mouse game, so in some regard it's a much more intense film; on the other hand, it's also remarkably less scary—but that's not really what Flanagan seems to be going for here anyway. It's not a film that intends to scare or get under the skin so much as it is a sparring match between two very different people.
The film is nicely shot and there are some fantastic scenes that play on a collective home invasion paranoia that I think we all have. The gore is kept to a minimum, but what is there is extremely visceral. The performances are solid, which is vital for a film that virtually revolves around two characters; Kate Siegel (who co-wrote the film with Flanagan) stars as the deaf Maddie, and is extremely believable, while John Gallagher Jr. plays the anonymous nutjob who is more despicable than he is scary. Where the film does falter a bit is in its last act, where the gimmick begins to wear off a bit as Maddie's situation grows more and more helpless. There is an amicable payoff in the end, albeit a drawn-out one.
Overall, I found "Hush" to be a relatively well-made film, and an enjoyable riff on the home invasion setup. That said, the film does grow dull in areas, and it also offers little in the way of new ideas, but what it does do, it does with class. All in all an entertaining and fairly intense thriller for what it's worth. 7/10.