A deaf and mute writer who retreated into the woods to live a solitary life must fight for her life in silence when a masked killer appears at her window.
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A couple tries to spice up their marriage in a remote lake house; after the husband dies unexpectedly, the wife is left handcuffed to their bed frame and must fight to survive and break free.
Director:
Mike Flanagan
Stars:
Carla Gugino,
Bruce Greenwood,
Chiara Aurelia
Rebecca must unlock the terror behind her little brother's experiences that once tested her sanity, bringing her face to face with a supernatural spirit attached to their mother.
Director:
David F. Sandberg
Stars:
Teresa Palmer,
Gabriel Bateman,
Maria Bello
In 1967 Los Angeles, a widowed mother and her daughters add a new stunt to bolster their seance scam business by inviting an evil presence into their home, not realizing how dangerous it is.
Director:
Mike Flanagan
Stars:
Elizabeth Reaser,
Lulu Wilson,
Annalise Basso
A father and son, both coroners, are pulled into a complex mystery while attempting to identify the body of a young woman, who was apparently harboring dark secrets.
Washed-up true-crime writer Ellison Oswalt finds a box of super 8 home movies that suggest the murder he is currently researching is the work of a serial killer whose work dates back to the 1960s.
A deaf and mute writer who retreated into the woods to live a solitary life must fight for her life in silence when a masked killer appears at her window.
Only five living characters appear in the film (with one only appearing in a computer conversation) in a single location. See more »
Goofs
When Maddie is typing on her Macbook she is using Messages to speak with her neighbour. When the power runs out and she switches to her phone she continues the chat in progress however her iMessage function is not turned on. None of the previous messages from her Mac should have been shown. See more »
Quotes
Man:
You know what, I think you're holding out on me. I bet if I hit the right spot... I can make you scream
See more »
"Hush" focuses on Maddie, a deaf-mute writer living alone in a remote house, where she is accosted one evening by a psychopath hellbent on terrorizing and murdering her.
Co-written and directed by Mike Flanagan, who many have cited as a contemporary horror maestro, "Hush" is a straightforward thriller that cuts to the chase. There's not a lot of plot; most of the film plays on the gimmick of the protagonist being unable to hear anything around her (including the noise she makes), which is a clever setup for a horror-thriller film (I'm actually surprised it wasn't done earlier).
Comparisons to "The Strangers" are abundant and probably well-deserved, as that film pioneered the post-millennial home invasion film as we know it. "Hush" reduces the equation a bit, stripping it down to a one-on-one cat-and-mouse game, so in some regard it's a much more intense film; on the other hand, it's also remarkably less scary—but that's not really what Flanagan seems to be going for here anyway. It's not a film that intends to scare or get under the skin so much as it is a sparring match between two very different people.
The film is nicely shot and there are some fantastic scenes that play on a collective home invasion paranoia that I think we all have. The gore is kept to a minimum, but what is there is extremely visceral. The performances are solid, which is vital for a film that virtually revolves around two characters; Kate Siegel (who co-wrote the film with Flanagan) stars as the deaf Maddie, and is extremely believable, while John Gallagher Jr. plays the anonymous nutjob who is more despicable than he is scary. Where the film does falter a bit is in its last act, where the gimmick begins to wear off a bit as Maddie's situation grows more and more helpless. There is an amicable payoff in the end, albeit a drawn-out one.
Overall, I found "Hush" to be a relatively well-made film, and an enjoyable riff on the home invasion setup. That said, the film does grow dull in areas, and it also offers little in the way of new ideas, but what it does do, it does with class. All in all an entertaining and fairly intense thriller for what it's worth. 7/10.
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"Hush" focuses on Maddie, a deaf-mute writer living alone in a remote house, where she is accosted one evening by a psychopath hellbent on terrorizing and murdering her.
Co-written and directed by Mike Flanagan, who many have cited as a contemporary horror maestro, "Hush" is a straightforward thriller that cuts to the chase. There's not a lot of plot; most of the film plays on the gimmick of the protagonist being unable to hear anything around her (including the noise she makes), which is a clever setup for a horror-thriller film (I'm actually surprised it wasn't done earlier).
Comparisons to "The Strangers" are abundant and probably well-deserved, as that film pioneered the post-millennial home invasion film as we know it. "Hush" reduces the equation a bit, stripping it down to a one-on-one cat-and-mouse game, so in some regard it's a much more intense film; on the other hand, it's also remarkably less scary—but that's not really what Flanagan seems to be going for here anyway. It's not a film that intends to scare or get under the skin so much as it is a sparring match between two very different people.
The film is nicely shot and there are some fantastic scenes that play on a collective home invasion paranoia that I think we all have. The gore is kept to a minimum, but what is there is extremely visceral. The performances are solid, which is vital for a film that virtually revolves around two characters; Kate Siegel (who co-wrote the film with Flanagan) stars as the deaf Maddie, and is extremely believable, while John Gallagher Jr. plays the anonymous nutjob who is more despicable than he is scary. Where the film does falter a bit is in its last act, where the gimmick begins to wear off a bit as Maddie's situation grows more and more helpless. There is an amicable payoff in the end, albeit a drawn-out one.
Overall, I found "Hush" to be a relatively well-made film, and an enjoyable riff on the home invasion setup. That said, the film does grow dull in areas, and it also offers little in the way of new ideas, but what it does do, it does with class. All in all an entertaining and fairly intense thriller for what it's worth. 7/10.