A deaf and mute writer who retreated into the woods to live a solitary life must fight for her life in silence when a masked killer appears at her window.
While trying to spice up their marriage in their remote lake house, Jessie must fight to survive when her husband dies unexpectedly, leaving her handcuffed to their bed frame.
Director:
Mike Flanagan
Stars:
Carla Gugino,
Bruce Greenwood,
Chiara Aurelia
A father and son, both coroners, are pulled into a complex mystery while attempting to identify the body of a young woman, who was apparently harboring dark secrets.
A widowed mother, plagued by the violent death of her husband, battles with her son's fear of a monster lurking in the house, but soon discovers a sinister presence all around her.
An American nanny is shocked that her new English family's boy is actually a life-sized doll. After she violates a list of strict rules, disturbing events make her believe that the doll is really alive.
In 1967 Los Angeles, a widowed mother and her daughters add a new stunt to bolster their seance scam business by inviting an evil presence into their home, not realizing how dangerous it is.
Director:
Mike Flanagan
Stars:
Elizabeth Reaser,
Lulu Wilson,
Annalise Basso
Rebecca must unlock the terror behind her little brother's experiences that once tested her sanity, bringing her face to face with a supernatural spirit attached to their mother.
Director:
David F. Sandberg
Stars:
Teresa Palmer,
Gabriel Bateman,
Maria Bello
Washed-up true-crime writer Ellison Oswalt finds a box of super 8 home movies that suggest the murder he is currently researching is the work of a serial killer whose work dates back to the 1960s.
A deaf and mute writer who retreated into the woods to live a solitary life must fight for her life in silence when a masked killer appears at her window.
One of three horror movies directed by Mike Flanagan to be released in 2016, the others being Before I Wake and Ouija: Origin Of Evil. See more »
Goofs
15:03: Maddie writes a joke ending to her book.
18:47: Ending shows on screen again, this time with an extra blank line between "THE END" and "money now please." See more »
'Hush' is a fast-paced modern slasher flick with a twisted take on the genre. Well, the twist here is that the lead protagonist is deaf and mute from her teens and the director-writer combo of Mike Flanagan and Kate Siegel (who also happen to be husband-wife in real life), places this character in a stuck-up situation where a killer is on the prowl and all odds are stacked against her. Questions start piling up but a good thirty minutes into the film, the viewer is given enough leads to estimate where the film is headed.
A film such as this, where the entire scenario revolves around a minimalist location, one feels inclined to applaud director Flanagan's knack for not making the film look like yet another typical home-invasion flick. The protagonist Maddie's inability to speak or hear is put to good effect in the screenplay. I won't spoil those brilliantly written and choreographed scenes in this review, because that is exactly what puts this flick a few notches above the rest in the genre. Equally inventive and enthralling are those scenes where Maddie's imaginative capability is put to test.
The cast (that comprises of just four characters, out of which the film revolves majorly around two!) is adequate as well, and lends ample support to the overall mainstay of the flick. Flanagan's directorial skills, which looked rather unimpressive in Absentia (2011), after which he made a notable Oculus (2013), has considerably improved over the years, all the while sticking to modest production expenditure. Aided in writing by his wife Kate Siegel, the couple seem poised to astonish us yet again this year in the sequel to the strictly sub- par Ouija (2014).
Hush is a pleasant surprise amongst the shitload of low-budget slasher garbage that is handed out to us every now and then. It is by all means worth a watch for thriller buffs.
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'Hush' is a fast-paced modern slasher flick with a twisted take on the genre. Well, the twist here is that the lead protagonist is deaf and mute from her teens and the director-writer combo of Mike Flanagan and Kate Siegel (who also happen to be husband-wife in real life), places this character in a stuck-up situation where a killer is on the prowl and all odds are stacked against her. Questions start piling up but a good thirty minutes into the film, the viewer is given enough leads to estimate where the film is headed.
A film such as this, where the entire scenario revolves around a minimalist location, one feels inclined to applaud director Flanagan's knack for not making the film look like yet another typical home-invasion flick. The protagonist Maddie's inability to speak or hear is put to good effect in the screenplay. I won't spoil those brilliantly written and choreographed scenes in this review, because that is exactly what puts this flick a few notches above the rest in the genre. Equally inventive and enthralling are those scenes where Maddie's imaginative capability is put to test.
The cast (that comprises of just four characters, out of which the film revolves majorly around two!) is adequate as well, and lends ample support to the overall mainstay of the flick. Flanagan's directorial skills, which looked rather unimpressive in Absentia (2011), after which he made a notable Oculus (2013), has considerably improved over the years, all the while sticking to modest production expenditure. Aided in writing by his wife Kate Siegel, the couple seem poised to astonish us yet again this year in the sequel to the strictly sub- par Ouija (2014).
Hush is a pleasant surprise amongst the shitload of low-budget slasher garbage that is handed out to us every now and then. It is by all means worth a watch for thriller buffs.