Majority of the principle cast members had offset schedules and with the use of body doubles, most of the shots were pulled off with the actors not in the same space together.
There wasn't a full time makeup artist, due to schedule conflict so the filming of the fight scene was filmed backwards for two days and makeup was removed after each shot. At the end of the final day of shooting the fight scene, the actor Taylor didn't have any makeup.
The crew was allowed 2 hours the most to film inside the hangar before a couple of F-18's pulled up.
All security camera/home footage was shot with an iPhone to give a non-clean look and natural static.
All dolly shots during the fight scene were hand held with the D.P. sitting on the dolly. This gave a clean yet gritty movement in the scenes.
The directors signature cameo (Nicholas Nelson) is usually a dead body but this production he was beaten up and dragged off.
Zach Dulin was working on two productions during this time. At night for another web series (Enter the Dojo: Season 3) and during the day, The End Begins: Phase II.
There wasn't a full time makeup artist, due to schedule conflict so the filming of the fight scene was filmed backwards for two days and makeup was removed after each shot. At the end of the final day of shooting the fight scene, the actor Taylor didn't have any makeup.
The crew was allowed 2 hours the most to film inside the hangar before a couple of F-18's pulled up.
All security camera/home footage was shot with an iPhone to give a non-clean look and natural static.
All dolly shots during the fight scene were hand held with the D.P. sitting on the dolly. This gave a clean yet gritty movement in the scenes.
The directors signature cameo (Nicholas Nelson) is usually a dead body but this production he was beaten up and dragged off.
Zach Dulin was working on two productions during this time. At night for another web series (Enter the Dojo: Season 3) and during the day, The End Begins: Phase II.