The Nest (2019)
Il nido (original title)Reference View | Change View
- 1h 47min
- Horror, Mystery
- 15 Aug 2019 (Italy)
- Movie
Samuel is a paraplegic boy who lives with his mother Elena in an isolated mansion. When he meets Denise, he finds the strength to open up to the world. Elena won't let him go so easily, and she is ready to do whatever it takes to stop him.
Director:
Writers:
Awards:
- 3 nominations.
- See more »
Photos and Videos
Cast
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Francesca Cavallin | ... |
Elena
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| Justin Korovkin | ... |
Samuel
(as Justin Alexander Korovkin)
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Ginevra Francesconi | ... |
Denise
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| Maurizio Lombardi | ... |
Christian
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Elisabetta De Vito | ... |
Clara
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Valentina Bartolo | ... |
Greta
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Cristina Golotta | ... |
Zia Carla
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| Roberto Accornero | ... |
Padre Luca
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Carlina Torta | ... |
Lidia
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Fabrizio Odetto | ... |
Filippo
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| Troy James | ... |
Aura
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Elia Francesco Barbero | ... |
Samuel a 3 anni
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| Gabriele Falsetta | ... |
Igor
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Gianmaria Martini | ... |
Diego
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| Massimo Rigo | ... |
Zio Claudio
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Edoardo Rossi | ... |
Riccardo
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Carlo Valli | ... |
Ettore
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Directed by
| Roberto De Feo | ||
Written by
| Roberto De Feo | ... | (story) |
| Lucio Besana | ... | (screenplay) & |
| Margherita Ferri | ... | (screenplay) & |
| Roberto De Feo | ... | (screenplay) |
| David Bellini | ... | (screenplay) (uncredited) |
Produced by
| Andrea Grazzani | ... | line producer |
| Maurizio Totti | ... | producer |
| Alessandro Usai | ... | producer |
Music by
| Teho Teardo | ||
Cinematography by
| Emanuele Pasquet | ... | director of photography |
Editing by
| Luca Gasparini | ||
Editorial Department
| Guerrino Di Benedetto | ... | colorist |
| Alessia Quaresima | ... | assistant editor |
Casting By
| Giulia Appolloni | ... | (casting by) |
| Valeria Miranda | ... | (casting by) |
Set Decoration by
| Francesca Bocca | ||
Costume Design by
| Cristina Audisio | ||
Makeup Department
| Francesca Buffarello | ... | makeup department head / makeup designer |
| Sara Ianigro Menichetti | ... | prosthetic makeup artist |
| Noemi Litrico | ... | makeup artist |
| Lia Mineo | ... | hair department head |
| Francesco Sanseverino | ... | prosthetic makeup artist |
Production Management
| Alessandro Baragli | ... | post-production supervisor |
| Antonio Tacchia | ... | production manager |
Second Unit Director or Assistant Director
| Maria Bulzacchelli | ... | second assistant director |
Art Department
| Giulia Capirone | ... | assistant art director |
| Paolo Nanni | ... | stand-by props |
| Mario Scarzella | ... | set designer |
Sound Department
| Mauro Eusepi | ... | foley artist |
| Matteo Lugara | ... | sound effects editor |
| Brando Mosca | ... | sound |
| Nadia Paone | ... | re-recording mixer |
| Julien Paschal | ... | sound mixer |
| Enrico Pellegrini | ... | sound effects editor |
| Gianluca Tamai | ... | boom operator |
| Francesco Vallocchia | ... | sound editor |
Special Effects by
| Enrico Troisi | ... | special effects |
Visual Effects by
| Diego Arciero | ... | digital compositor |
| Emanuele Mancini | ... | compositing junior |
| Gianni Melito | ... | digital compositor |
| Vito Picchinenna | ... | visual effects producer |
| Simone Silvestri | ... | visual effects supervisor |
Stunts
| Tiziano Carnevale | ... | stunt rigger |
| Ottaviano Dell'Acqua | ... | stunt coordinator |
| Ivan Zoppis | ... | stunts (as Ivano Zoppis) |
| Diego Guerra | ... | stunt coordinator (uncredited) |
Camera and Electrical Department
| Francesco Begna | ... | video assist |
| Luca Dell'Oro | ... | camera operator / steadycam operator |
| Michele Giuseppe Lacerenza | ... | gaffer |
| Denis Sabato | ... | grip |
| Daniele Tarantino | ... | key grip |
| Fabrizio Tarantino | ... | key grip |
| Loris Zambelli | ... | still photographer |
Costume and Wardrobe Department
| Giusi Vacalebre | ... | assistant costume designer |
Music Department
| Giovanni Arcadu | ... | music supervisor |
Script and Continuity Department
| Fernanda Selvaggi | ... | script supervisor |
Additional Crew
| Gaia Antifora | ... | Head of Marketing |
| Daniele Marinoni | ... | production accountant |
| Giorgio Muraro | ... | production assistant |
| Simone Paralovo | ... | production assistant |
| Dorval Pittaluga | ... | production assistant |
Thanks
| Paolo Tenna | ... | to |
Production Companies
- Colorado Film Production
- Vision Distribution
- Film Commission Torino-Piemonte (support)
- Regione Piemonte (support)
Distributors
- Swift Distribution (2020) (France) (video) (VOD)
- 593Films (2023) (Ecuador) (theatrical)
- Parkland Entertainment (2019) (Ireland) (theatrical)
- Parkland Entertainment (2019) (United Kingdom) (theatrical)
- Venus Films (2023) (Ecuador) (theatrical)
- Vision Distribution (2019) (Italy) (theatrical)
- Alfa Pictures (2021) (Spain)
- Darkland Distribution (2021) (Ireland)
- Darkland Distribution (2021) (United Kingdom)
- Janson Media (2021) (Canada)
- Janson Media (2021) (United States)
- Paradiso Home Entertainment (2021) (Netherlands) (DVD)
- Paradiso Home Entertainment (2021) (Netherlands) (video) (VOD)
Special Effects
- Palantir Digital Media (visual effects)
Other Companies
Storyline
| Plot Summary |
Samuel is a paraplegic young boy who lives with his mother Elena in an isolated mansion surrounded by woods. With the strict prohibition to walk away from the mansion, Samuel grows unsatisfied and restless. When he meets Denise, a teenage maid, he finally finds the strength to oppose his mother's restraints and to open up to the world. Elena won't let him go so easily, and she is ready to do whatever it takes to keep him close to her. Why is she forcing Samuel to live as a prisoner in his own house? Why does she act cruelly towards Denise, driven by the fear that she will fuel Samuel's desire to see the world outside? Written by X |
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| Parents Guide | Add content advisory for parents » |
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Box Office
| Budget | EUR1,300,000 (estimated) |
| Opening Weekend Italy | EUR146,642, 18 Aug 2019 |
Did You Know?
| Trivia | About her nude scene, Francesca Cavallin said, "We were already in Turin, and Roberto [De Feo] says to me, 'Before we start shooting I have a request to make of you, something personal. I have already talked about it with the production and the premise is that the final decision is yours. I've been thinking a lot about the scene where you cut yourself (I was originally supposed to be sitting on the edge of the bathtub, dressed, and he would start from the trickle of blood and go back up to me), and I'm asking you to do it nude. It's a nude that makes sense though, for the scene, for the character and her private moment. For me it would be much stronger, however, I defer to you, because it was not in the script.' I answer him, 'Roberto, for me nudity -if it makes sense- doesn't involve any problem. My body is my instrument, I am an actress.' Then we start talking about the scene, which was originally supposed to have me sitting, or semi-sitting, while cutting myself. Then I reflect on it and say, 'I have a proposal: what if I were in the fetal position? For a character like Elena, the most private moment, of returning to the essence, must correspond to a return to the uterine environment, to a condition of absolute protection from the outside world. In my opinion, for Elena there is no greater intimacy. And you should frame her from above, naked, inside that tub' The result was stylistically and visually perfect. It is a nude, but one of extraordinary elegance. And I was blown away when I saw the camera movement he did, 180 degrees. After he finished, he made a point of showing me the shot." See more » |
| Soundtracks | Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 'Moonlight' See more » |
| Quotes |
Elena:
Poor little boy. Do you really think happiness doesn't come with a price? See more » |