In Victorian London, a Scotland Yard inspector hunts down the sadistic killer behind a series of gory, Jack the Ripper-Like murders.

Director:

Juan Carlos Medina

Writers:

Jane Goldman (screenplay), Peter Ackroyd (based on the novel "Dan Leno and the Limehouse Golem" by)
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3,376 ( 2,393)
8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Douglas Booth ... Dan Leno
Olivia Cooke ... Lizzie Cree
Sam Reid ... John Cree
María Valverde ... Aveline Ortega
Daniel Mays ... George Flood
Bill Nighy ... John Kildare
Peter Sullivan ... Inspector Roberts
Michael Jenn ... News Reporter
Daniel Cerqueira Daniel Cerqueira ... Evening Post Reporter (as Daniel Cerquiera)
Patrick Durham Patrick Durham ... Elderly Man
Louisa-May Parker Louisa-May Parker ... Mrs. Gerrard
Adam Brown ... Mr. Gerrard
Nicholas Woodeson ... Toby Dosett
Paul Ritter ... Augustus Rowley
Mark Tandy ... Judge
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Storyline

In Victorian London, a Scotland Yard inspector hunts down the sadistic killer behind a series of gory, Jack the Ripper-Like murders.

Plot Summary | Add Synopsis

Taglines:

Before the Ripper, fear had another name.


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

One of the supporting artists in this film is Eurosport commentator Jake Sanson, making his cinematic debut. See more »

Goofs

Early on Lizzie Cree says, "It betrays the suffering of women. My gender become inured to injustice". The character should have said, "My sex becomes inured...". Substituting "gender", a grammatical term, for "sex", meaning male or female, is a modern genteelism. See more »

Quotes

Dan Leno: [inspecting Lizzie's hands] What in God's name have they had you doing down in those marshes?
Lizzie Cree: Digging graves. Five years it was before I found out you're supposed to use a shovel.
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Connections

Featured in Projector: The Limehouse Golem (2017) See more »

Soundtracks

I'm Waiting For Him Tonight
Written by Dan Leno
Music by Johan Söderqvist
Performed by Douglas Booth
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User Reviews

 
Amazing sets, good performances... should have been better
1 November 2019 | by ardentayuSee all my reviews

I wanted to love this. And I feel like I should have. But I didn't. I was interested in it enough to see it all the way through the end to find out the conclusion of the central mystery. Why was it just okay? I'm not sure. The performances were strong, and the period sets and costumes were amazing, but I would find my mind drifting throughout it, a lot. Too much. So I can only chalk it up to the script and the directing. The shots themselves in the movie were good. It looked beautiful.

But for whatever reason, I was never fully pulled in. And I think this was in large part because the crimes of the Limehouse Golem were all told as flashbacks essentially, there was no real suspense, except for one scene near the very end that I won't spoil. So yeah, ultimately I think the storytelling structure diminished the sense of suspense that should have been present in the story. The movie is also pretty violent/gory in those flashbacks, btw. That neither raised nor lowered my overall score of it, but it was violent enough that it's worth noting.


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Details

Official Sites:

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Country:

UK

Language:

English | Irish | Chinese | Hebrew | Yiddish

Release Date:

8 September 2017 (USA) See more »

Also Known As:

The Limehouse Golem See more »

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Box Office

Cumulative Worldwide Gross:

$2,327,419
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Company Credits

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Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
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