After the Kingsman's headquarters are destroyed and the world is held hostage, an allied spy organisation in the United States is discovered. These two elite secret organisations must band together to defeat a common enemy.
Foul-mouthed mutant mercenary Wade Wilson (a.k.a. Deadpool), brings together a team of fellow mutant rogues to protect a young boy with supernatural abilities from the brutal, time-traveling cyborg Cable.
Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
After the Kingsman headquarters are blown up by a psychotic criminal named Poppy Adams (Julianne Moore), the surviving agents find their way to an allied secret organization based in Kentucky, named "Statesman". The two agencies must now work together in order to save the world and take down the so called "Golden Circle".Written by
After Poppy dies, Harry enters the password and hits the "space" key after typing "VIVA", later when Eggsy enters the password and it is displayed on screen there is no "space" between the letters. See more »
[Eggsy calls Princess Tilde on FaceTime]
Hi, babe. Uh, bit of a nightmare. I've got to sleep with a target, but I won't do it unless you agree that it's all right.
You've got to be fucking kidding. What was I? Target practice?
Babe, surely it's better that I'm honest with you rather than me doing it and not telling you. Kind of got a bit of a 'save the world' situation here.
How the fuck is screwing someone gonna save the world?
Well, it's a bit complicated, but trust me, I would not be ...
[...] See more »
There is a statement in the closing credits: "A dope thanks to Samuel L. Jackson." Jackson had played Richmond Valentine in the previous Kingsman film. See more »
In Singapore, before the film could receive an NC16 classification the film was edited in order to remove two utterances of religious profanity which was deemed to exceeded the BFC's set Classification Guidelines. Under these Classification Guidelines, "language that denigrates religion or is religiously profane" is not allowed for all ratings. See more »
It feels like the fifth film in a franchise struggling to maintain it's relevancy, not like the follow-up to what was perhaps the most promising new property in Hollywood.
It's essentially all a big joke played on those who took umbrage at the few select sexualised moments from the final act of the first film, a joke whereby everything is consistently ramped up to eleven regardless of its negative impact on the story in a standoffish move meant to further separate the apparent 'critics' from the so-called 'fans', a move that only successfully provides both categories with a much worse experience, because while I and many other 'fans' didn't mind (or at least excused) the passive, clearly satirical crude jests and occasional absurdity of the original picture, we certainly didn't want a follow-up based entirely around what would obviously be considered the weakest aspects of the piece - elements which were only mitigated by the joyous fun found in the brilliance of the other parts such as the subtle yet witty satire and the very well developed characters, pieces of the puzzle now missing; though it is at times passively entertaining, what we're left with is a fairly by-the-numbers 'save-the-world' plot and a string of odd action set- pieces seemingly incompetently put together, with abhorrent use of rampant speed- ramping making it literally look like someone hit the fast-forward button and haphazardly stitched-together short takes that are supposed to make some sequences look like one fluid shot but instead make them look like cheap cartoons - in his quest to ignore the naysayers, Vaughn disappointingly squanders all of the good-will he had built with his predecessor and bizarrely wipes the slate clean relatively early on, wasting time setting up a less interesting new set of characters instead of working with the better characters already expertly established at the end of the prior title, while also reintroducing a previously dead character (seen in the trailers), after making him an amnesiac no less, in a move that should be reserved only for a waning franchise at least five films in that's struggling to maintain it's relevancy, not for what was once perhaps the most promising new property in Hollywood. 5/10
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