The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, 2 monsters realize things may not be what they think.
Miles Morales is a New York teen struggling with school, friends and, on top of that, being the new Spider-Man. When he comes across Peter Parker, the erstwhile saviour of New York, in the multiverse, Miles must train to become the new protector of his city.Written by
When Miles buys the Spider-Man costume, a mask resembling one a Monster Festival patron wore near the end of Hotel Transylvania (2012) can be seen. See more »
When Spider-Man 2099 first arrives in Earth-67, the police car behind him reads N.Y.P.D. 5087, before the camera cuts to a close-up of the 67 Spider-Man. When it cuts back to 2099 and for the rest of the scene, the police car only says NYPD. See more »
All right, let's do this one last time. My name is Peter Parker. I was bitten by a radioactive spider, and for ten years I've been the one and only Spider-Man. I'm pretty sure you know the rest. I saved a bunch of people, fell in love, saved the city, and then I saved the city again... and again and again and again. And I, uh... I did this.
[shot of Spidey doing the emo dance from "Spider-Man 3"]
We don't really talk about this. Look, I'm a comic book, I'm a cereal, did a ...
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There are no opening or title credits at all, except the Columbia Pictures, MARVEL, Sony Pictures Animation and Pascal Pictures logos. The title of the film "Spider-Man: Into The Spider-Verse" does not appear on screen until... maybe, well... into the end credits. See more »
Spider-Man: Into the Spider-Verse is more than a pleasant surprise, which was at first a risky move for Sony judging by their recent "successes".
From the presentation alone it is easily decipherable that a lot of love and passion was put into this project, making it the visual masterpiece that it is.
The story, while being mostly formulaic still does enough to satisfy new and returning audiences to the superhero genre. Combined with the visual style and presentation, Into the Spider-Verse almost feels fresh.
The biggest issue, which is more of a personal preference is the music. The film chooses today's hip hop music over an actual musical score which is understandable but still managed to take me out of the film.
Another slightly smaller issue is the epilogue, rather the way the film sets it up. Press a button and save the world. It's as silly as it sounds.
In terms of comedy, Into the Spider-Verse does a solid job, but manages to be annoying at times with its usage of Spider-Ham.
On the contrary Spider-Man: Into the Spider-Verse is worth a watch solely for its visual style and presentation. The story is just icing on the cake.
Final Grade: 8/10
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