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The Witch (2015)

The VVitch: A New-England Folktale (original title)
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2:39 | Trailer
A family in 1630s New England is torn apart by the forces of witchcraft, black magic, and possession.

Director:

Robert Eggers

Writer:

Robert Eggers
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Popularity
235 ( 117)
43 wins & 67 nominations. See more awards »

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Cast

Cast overview, first billed only:
Anya Taylor-Joy ... Thomasin
Ralph Ineson ... William
Kate Dickie ... Katherine
Harvey Scrimshaw ... Caleb
Ellie Grainger Ellie Grainger ... Mercy
Lucas Dawson Lucas Dawson ... Jonas
Julian Richings ... Governor
Bathsheba Garnett ... The Witch
Sarah Stephens ... The Witch, Young
Daniel Malik ... Black Phillip (voice) (as Wahab Chaudhry)
Axtun Henry Dube Axtun Henry Dube ... Samuel
Athan Conrad Dube Athan Conrad Dube ... Samuel
Viv Moore ... Lead Coven Witch (as Vivien Moore)
Karen Kaeja Karen Kaeja ... Coven Witch
Brandy Leary Brandy Leary ... Coven Witch
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Storyline

New England, 1630: William and Katherine try to lead a devout Christian life, homesteading on the edge of an impassible wilderness, with five children. When their newborn son mysteriously vanishes and their crops fail, the family begins to turn on one another. 'The Witch' is a chilling portrait of a family unraveling within their own sins, leaving them prey for an inconceivable evil.

Plot Summary | Plot Synopsis

Taglines:

A New-England Folktale. See more »

Genres:

Drama | Horror | Mystery

Motion Picture Rating (MPAA)

Rated R for disturbing violent content and graphic nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Site | Official Site - A24 | See more »

Country:

Canada | USA

Language:

English

Release Date:

19 February 2016 (USA) See more »

Also Known As:

The Witch See more »

Filming Locations:

Kiosk, Ontario, Canada

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Box Office

Budget:

$4,000,000 (estimated)

Opening Weekend USA:

$8,800,230, 21 February 2016

Gross USA:

$25,138,705

Cumulative Worldwide Gross:

$40,423,945
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

This was the film debut for Anya Taylor-Joy in a credited role. See more »

Goofs

One mistake in the dialogue is the incorrect usage of the personal pronouns "Thou" and "You". During the 17th century, "You" was reserved for formal situations, and when one was addressing someone of higher status/rank. "Thou", on the other hand, was used in personal/informal settings and between peers and close relations (similar to French Tu vs. Vous). Throughout the film, the characters use thou and you interchangeably, however a close-knit family such as theirs would not have likely addressed each other with the formal "You". See more »

Quotes

[first lines]
William: [before the court] What went we out into this wilderness to find? Leaving our country, kindred, our fathers houses? We have travailed a vast ocean. For what? For what?
Governor: We must ask thee to be silent!
William: Was it not for the pure and faithful dispensation of the Gospels, and the Kingdom of God?
Old Slater: No More! We are *your* judges, and not you ours!
William: I cannot be judged by false Christians, for I have done nothing, save preach Christ's true Gospel.
Governor: Must you continue to dishonor the laws of the ...
[...]
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Frequently Asked Questions

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User Reviews

 
Dark, Twisted, and Haunting Imagery
21 February 2016 | by ThomasDrufkeSee all my reviews

When you leave the theater in stunned silence, I think the film did its job. The Witch is the next low budget horror film to reach the theaters this year, and it's easily the best. The film rarely ever relies on jump scares to get your head spinning as the core of this film's brilliance lies with its haunting imagery and eerie score.

It's hard for an audience of this day and age to get into a period piece set in the 17th century without any big name actors or action elements. And I have to admit that I wasn't sure I wanted to see a film like this, especially with its horror elements. But my eyes were pealed from beginning to end. I wouldn't say anything about the story shocked me or had me confused, but the imagery, score, and uncompromising nature to Robert Egger's direction left me breathless. Within 10 minutes I was looking at the screen and whispering to myself "why would you go there?", "Don't do that!", or "come on, really?". Not because I thought it was poor story- telling, but because I was so invested as to what these characters were doing.

With that said, I don't think this film is for everyone. It's brutal, harshly relentless, and utterly disturbing. The characters use all 17th century dialogue and the cinematography sets this grey and ominous tone. The imagery from beginning to end will stick in your head as it has done with me. But that's the way horror films should be. I wouldn't say it's more a psychological thriller because there are plenty of terrifying moments, but it is more for the 'Under the Skin' crowd than it is for people who love 'The Conjuring'. Even in its harsh moments, I was always invested and I can't deny the quality of the writing, directing, and acting all around. This is how you make a horror film.

+Terrifying imagery

+Egger's direction

+Invested from beginning to end

-Sometimes the dialogue is difficult to follow

7.6/10


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