The dark year 2204, in a world that has seen 73 years of continuous war. A Shaman is sent on a mission to convert the soul of a giant battle colossus.
Director:
Writer:
Stars:
Award:
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Cast
| Danny Shayler | ... |
The Shaman
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| David Sayers | ... |
Lene
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| Susanne Wuest | ... |
Soul of the Colossus
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Edmund Jäger | ... |
Commander
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| Adam Thomas Wright | ... |
Kid Soldier
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Anton Noori | ... |
Shieldfire Master #1
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Stefan Bernhard | ... |
Shieldfire Master #2
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| Erec O. Kozàr | ... |
Priest
(as Erec Ortmann)
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Michael Rhys | ... |
Narrator (voice)
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| Rest of cast listed alphabetically: | |||
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Ina Chrudina | ... |
Soul #3
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Arnór Gunnar Hjálmarsson | ... |
Shieldfire Master double #1
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Simon Jaritz | ... |
Crying soldier
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| Samuel Jung | ... |
Joshua as a kid
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Alan Key | ... |
Soul #2
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Sascha Merényi | ... |
Special Force Soldier
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Servet Dean Sari | ... |
Soldier
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Hjalti Sveinsson | ... |
Shieldfire Master double #2
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| Roland Trnka | ... |
Special Force Soldier
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Jolanta Warpechowski | ... |
Netherworld Woman - Soul #1
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Directed by
| Marco Kalantari | ||
Written by
| Marco Kalantari | ... | () |
Produced by
| Christine Ajayi | ... | executive producer |
| Ernest Gold | ... | executive producer (as Ernst Golda) |
| Roman Haschberger | ... | executive producer |
| Marco Kalantari | ... | producer |
Music by
| Taq Sakakibara | ||
Cinematography by
| Thomas W. Kiennast | ||
Editing by
| Marco Kalantari | ||
Editorial Department
| Alexander Chorny | ... | additional editor |
| Nikola Stefanovic | ... | colorist |
Casting By
| Helen Hideko | ... | (as Helen Parkes) |
| Louise Mason | ||
| Mark Summers | ||
Art Direction by
| Fiona Brady | ||
| Mira König | ||
Costume Design by
| Ulé Barcelos | ||
Makeup Department
| Liane Baal | ... | makeup artist |
| Katla Einars | ... | makeup artist |
| Elfriede Hasenhütl | ... | makeup artist |
| Jasmin Simak | ... | makeup artist |
Production Management
| Christine Ajayi | ... | production manager |
| Yana Eresina | ... | production assistant (as Yanina Eresina) |
| Ernest Gold | ... | production manager (as Ernst Golda) |
| Eva Hartl | ... | location manager |
| Lisa Scheid | ... | assistant production manager |
Second Unit Director or Assistant Director
| Martin Kirchner | ... | first assistant director |
| Clara Stern | ... | second assistant director |
Art Department
| Luka Jana Berchtold | ... | stand-by props |
| Ina Chrudina | ... | property master / set construction |
| Niko Eder | ... | set construction |
| Anna Felikas | ... | set construction / stand-by props |
| Luna-Mae Helfin | ... | set construction |
| Max Jokic | ... | lead man |
| Leopold Kaserer | ... | set construction |
| Mariedl Kleemann | ... | set construction |
| Martin König | ... | set construction |
| Mira König | ... | assistant art director |
| Victor Neustetter | ... | set construction |
| Attila Plangger | ... | lead man |
| Simon Sramek | ... | set construction |
| Mario Woitech | ... | props assistant |
Sound Department
| Manuel Grandpierre | ... | dialogue editor / sound recordist |
| Martin Greunz | ... | foley recording engineer |
| Nils Kirchhoff | ... | foley artist / sound designer |
| Bernhard Maisch | ... | re-recording mixer |
| Sebastian Watzinger | ... | boom operator |
Special Effects by
| Jan Hofmann | ... | special effects supervisor |
Visual Effects by
| Alex Brodie | ... | flame artist |
| Falk Büttner | ... | visual effects artist |
| Mario Dubec | ... | visual effects coordinator |
| Harald Gruber | ... | compositing |
| Lau Kia Hau | ... | visual effects supervisor |
| Arndt Hochstetter | ... | visual effects artist |
| Ng Chun Hoe | ... | visual effects artist |
| Christian Kalata | ... | visual effects artist |
| Lukas Kampichler | ... | compositing / visual effects artist |
| Martin Kostun | ... | compositing / matte painter |
| Klaus Krall | ... | visual effects coordinator |
| Michael Krocan | ... | compositing / matchmove artist / visual effects artist |
| Arnold Tai | ... | flame artist |
| Ewa Yong | ... | visual effects artist |
| Ling Zhu | ... | flame artist |
Camera and Electrical Department
| Christoph Beck | ... | first assistant camera |
| Lukas Kern | ... | electrician |
| Benjamin Klein | ... | gaffer |
| Reto Loitzl | ... | key grip |
| Jörg Oschmann | ... | electrician |
| Dani Purer | ... | electrician |
| Lukas Schöffel | ... | second assistant camera |
| Robert Stopfer | ... | camera operator |
| Fateh Tuncer | ... | electrician |
| Uwe Ziegler | ... | electrician |
Casting Department
| Louise Mason | ... | casting associate |
| Clea Myers | ... | casting assistant |
| Loretta Wong | ... | casting assistant |
Costume and Wardrobe Department
| Viktoria Knotzer | ... | wardrobe assistant |
| Katja Moser | ... | wardrobe assistant |
| Alexandra Trimmel | ... | wardrobe assistant |
Music Department
| Kazuko Higuchi | ... | orchestra manager |
| Takabumi Itô | ... | music recording engineer (as Takabumi Itoh) |
Script and Continuity Department
| Oliver Leitsberger | ... | script/continuity |
Transportation Department
| Wolfgang Kriegl | ... | driver |
Additional Crew
| Özgür Anil | ... | production assistant |
| Patricia Carr-Wright | ... | chaperone |
| Elisabeth Huber | ... | production assistant |
| Gabriela Humer | ... | production assistant |
| Henri Jenewein | ... | combat gear designer |
Thanks
| Josh Weinstock | ... | special thanks |
Production Companies
Distributors
- Dust (2021) (United States) (video)
Special Effects
Other Companies
- Tremens Tonstudio (sound post-production)
Storyline
| Plot Summary |
The dark year 2204, in a world that has seen 73 years of continuous war. The face of conflict has changed. People kill people but they now rely on giant, intelligent battle machines to fight. Meanwhile, mankind has re-discovered the arts of magic and Shamanism and the Generals on both sides use well-trained spiritual warriors to face the threat of machines. Shamans have special senses; they are experts in all aspects of the "unseen" and the "beyond". They believe that every person, animal, plant and object has a soul. When crossing the border to the Netherworld, the Shaman can find this soul and interact with it. That is what makes him such a deadly, highly effective weapon. They can find and convert the souls of their enemies' giant battle machines in to psychological soul-to-soul confrontation. But Shamans are not invulnerable. They are just people and can be killed like anyone else. Shaman Joshua Van Kern and his squire Lene embark on a mission to convert a giant battle colossus and succeed where troops have failed. |
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