ÉVALUATION IMDb
7,5/10
17 k
MA NOTE
Une histoire qui gravite autour de trois sœurs qui vivent dans la maison de leur grand-mère et de la venue de leur demi-sœur âgée de treize ans.Une histoire qui gravite autour de trois sœurs qui vivent dans la maison de leur grand-mère et de la venue de leur demi-sœur âgée de treize ans.Une histoire qui gravite autour de trois sœurs qui vivent dans la maison de leur grand-mère et de la venue de leur demi-sœur âgée de treize ans.
- Prix
- 16 victoires et 24 nominations
Ryohei Suzuki
- Dr. Yasuyuki Inoue
- (as Ryôhei Suzuki)
Oshiro Maeda
- Fûta Ozaki
- (as Ohshiroh Maeda)
Histoire
Le saviez-vous
- AnecdotesBefore they shot the movie, four actresses spent a day at the house together to get familiarized with the layout of the house and get comfortable with each other. They cleaned the house, weeded the garden, cooked meals and ate together. They also fixed the shoji screen, which Koreeda liked it so much that he incorporated the scene in the movie.
- GaffesWhen the four sisters are having their lunch with Chika's boyfriend at their house, in the interior shot looking outward, all the noodles on the main plate have been eaten.
In the next scene, an exterior scene looking inward to the house, Sachi reaches down and takes the plate away but Chika reaches up and takes several noodles off the plate with her chopsticks.
- Citations
Sachi Kôda: I want you to stay forever.
Suzu Asano: I want to stay forever.
- ConnexionsReferenced in Il était une fois...: Une affaire de famille (2021)
Commentaire en vedette
Tribute to traditional Japanese values
This is a small film about small things. No sweeping statements, no deep emotions, no spectacular events. It's about the lives of three sisters in their twenties, who live in a large, old wooden house, and their fifteen year old half-sister Suzu whom they invite to live with them. Nothing more, nothing less.
But behind the seemingly simple story is a series of unpleasant events from the past. The father of the three sisters has left his family to start a new life with another woman - the mother of Suzu. The heartbroken wife who was left behind couldn't cope with raising the three girls alone, and left them as well.
All this is revealed little by little and bit by bit. 'You realize this is the daughter of the woman who has ruined the family?', asks the great-aunt of the three sisters when she hears that they have invited Suzu to come and live with them, after the death of their father. But the arrival of Suzu subsequently seems to erase all unpleasant memories from the past.
The film is a tribute to traditional Japanese values like respect, harmony and forgiveness. Although they are quite different, the sisters respect each other and lovingly include Suzu into their lives. It is also a film that breathes tradition: the sisters live in an old, traditional Japanese house, they eat traditional dishes like home- made noodles, and regularly they go to a small traditional restaurant. At one point, they all wear traditional yukata's. And of course, there is a scene featuring the cherry blossom - the essence of all things Japanese.
It's all filmed in an extremely tasteful and elegant way by director Hirokazu Kore-Eda. Comparisons with Yasujiro Ozu (the maker of Tokyo Story) are quite appropriate. But the uneventfulness of it all got a bit on my nerves. The older sister has trouble with her married boyfriend, the middle one gets promoted at her job, and little Suzu makes a goal at a soccer game - that's about as exciting as it gets.
But behind the seemingly simple story is a series of unpleasant events from the past. The father of the three sisters has left his family to start a new life with another woman - the mother of Suzu. The heartbroken wife who was left behind couldn't cope with raising the three girls alone, and left them as well.
All this is revealed little by little and bit by bit. 'You realize this is the daughter of the woman who has ruined the family?', asks the great-aunt of the three sisters when she hears that they have invited Suzu to come and live with them, after the death of their father. But the arrival of Suzu subsequently seems to erase all unpleasant memories from the past.
The film is a tribute to traditional Japanese values like respect, harmony and forgiveness. Although they are quite different, the sisters respect each other and lovingly include Suzu into their lives. It is also a film that breathes tradition: the sisters live in an old, traditional Japanese house, they eat traditional dishes like home- made noodles, and regularly they go to a small traditional restaurant. At one point, they all wear traditional yukata's. And of course, there is a scene featuring the cherry blossom - the essence of all things Japanese.
It's all filmed in an extremely tasteful and elegant way by director Hirokazu Kore-Eda. Comparisons with Yasujiro Ozu (the maker of Tokyo Story) are quite appropriate. But the uneventfulness of it all got a bit on my nerves. The older sister has trouble with her married boyfriend, the middle one gets promoted at her job, and little Suzu makes a goal at a soccer game - that's about as exciting as it gets.
utile•166
- rubenm
- 4 déc. 2015
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Our Little Sister
- Lieux de tournage
- Kamakura, Kanagawa, Japon(town where the three sisters live)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 467 555 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 25 118 $ US
- 10 juill. 2016
- Brut – à l'échelle mondiale
- 15 946 109 $ US
- Durée2 heures 7 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Notre petite soeur (2015) officially released in India in Hindi?
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