26 user 105 critic

Hitchcock/Truffaut (2015)

PG-13 | | Documentary | 31 March 2016 (Russia)
2:18 | Trailer

Watch Now

From $2.99 (SD) on Prime Video

Filmmakers discuss how Francois Truffaut's 1966 book "Cinema According to Hitchcock" influenced their work.


Kent Jones
1 win & 1 nomination. See more awards »



Learn more

More Like This 

    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

An unprecedented look at the iconic shower scene in Alfred Hitchcock's Psycho (1960), the "man behind the curtain", and the screen murder that profoundly changed the course of world cinema.

Director: Alexandre O. Philippe
Stars: Marli Renfro, Alfred Hitchcock, Tere Carrubba
Documentary | Biography
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

Artist and filmmaker David Lynch discusses his early life and the events that shaped his outlook on art and the creative process.

Directors: Rick Barnes, Olivia Neergaard-Holm, and 1 more credit »
Stars: David Lynch, Lula Lynch, Edwina Lynch
Lumière! (2016)
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A collection of restored prints from the Lumière Brothers.

Director: Thierry Frémaux
Stars: Thierry Frémaux, Martin Scorsese, François Clerc
Spielberg (TV Movie 2017)
Documentary | Biography
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

A documentary on the life and career of one of the most influential film directors of all time, Steven Spielberg.

Director: Susan Lacy
Stars: Steven Spielberg, Martin Scorsese, Richard Dreyfuss
De Palma (2015)
Documentary | Biography
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

A documentary about writer and director Brian De Palma.

Directors: Noah Baumbach, Jake Paltrow
Stars: Brian De Palma


Cast overview, first billed only:
Mathieu Amalric ... Narrator in French version (voice)
Bob Balaban ... Narrator (voice)
Wes Anderson ... Himself
James Gray ... Himself
David Fincher ... Himself
Olivier Assayas ... Himself
Paul Schrader ... Himself
Richard Linklater ... Himself
Peter Bogdanovich ... Himself
Alfred Hitchcock ... Himself (archive footage)
Martin Scorsese ... Himself
François Truffaut ... Himself (archive footage)
Alma Reville Alma Reville ... Herself (archive footage)
Kiyoshi Kurosawa ... Himself
Arnaud Desplechin ... Himself


In 1962 Hitchcock and Truffaut locked themselves away in Hollywood for a week to excavate the secrets behind the mise-en-scène in cinema. Based on the original recordings of this meeting-used to produce the mythical book Hitchcock/Truffaut-this film illustrates the greatest cinema lesson of all time and plummets us into the world of the creator of Psycho, The Birds, and Vertigo. Hitchcock's incredibly modern art is elucidated and explained by today's leading filmmakers: Martin Scorsese, David Fincher, Arnaud Desplechin, Kiyoshi Kurosawa, Wes Anderson, James Gray, Olivier Assayas, Richard Linklater, Peter Bogdanovich and Paul Schrader. Written by Cohen Media Website

Plot Summary | Add Synopsis


The Greatest Story Hitchcock Ever Told



Motion Picture Rating (MPAA)

Rated PG-13 for suggestive material and violent images | See all certifications »


Official Sites:

Official site [Japan]


France | USA


English | French | Japanese

Release Date:

31 March 2016 (Russia) See more »

Also Known As:

Χίτσκοκ/Τριφό See more »

Filming Locations:

New York City, New York, USA See more »


Box Office

Opening Weekend USA:

$28,178, 6 December 2015, Limited Release

Gross USA:

$304,899, 21 February 2016
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs


Aspect Ratio:

1.78 : 1
See full technical specs »

Did You Know?


Interpreter Helen Scott (1915-1987) is uncredited in this documentary although her voice is heard throughout. Born in New York, she was brought up in Paris where her father worked for the Associated Press. Decorated for her work on the Free France resistance radio in Brazzaville, Congo, during World War 2, she later worked for the French Film Office in New York and helped Truffaut when he needed help with communicating in English. See more »


François Truffaut: When I went to New York to present my films, film critics often asked me who my favorite directors were. And when I said Hitchcock, they were astonished.
See more »


Features The Man Who Knew Too Much (1934) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

Wide-ranging look at a famous collaboration between two great directors
7 December 2015 | by BrianDanaCampSee all my reviews

HITCHCOCK/TRUFFAUT (2015) offers a documentary treatment of the relationship between the veteran English-born Hollywood director Alfred Hitchcock and the much younger French filmmaker Francois Truffaut and the ambitious series of interviews conducted by Truffaut in 1962 at the Beverly Hills Hotel that resulted in Truffaut's pioneering book, "Hitchcock/Truffaut." (Truffaut asked questions in French, with Helen Scott supplying the translation.) We hear a number of excerpts from the audio recordings of the interviews, usually accompanied by clips from the Hitchcock films under discussion. To supplement all this, director Kent Jones has added archival footage of both Hitchcock and Truffaut and photos of them at work, as well as other archival interviews, including one with Truffaut where he talks about these interviews. In addition, we get new interviews with a number of other Hollywood directors, some of whom were Young Turks when Hitchcock was in the final stages of his career, e.g. Martin Scorsese, Peter Bogdanovich and Paul Schrader, who are all now older than Hitchcock was at the time of the interviews, and some of whom are flourishing today, e.g. David Fincher, Richard Linklater, James Gray and Wes Anderson. There is a lot of rich material here that should engage film students, Hitchcock fans, and film buffs in general.

In many ways, the film plays like excerpts from a master class on Hitchcock's career. Often we hear Hitchcock's voice describing how he approached a particular scene as the film shows us the scene he's talking about. For instance, we see the overhead long shot from THE BIRDS showing the burning of the gas station and the spreading of the fire to the rest of the town while Hitchcock explains his decision to shoot it that way. He describes the trouble he had convincing Montgomery Clift to look up from the crowd in a scene in I CONFESS in order to justify a cut to something happening above the crowd. We see the famous shower murder in PSYCHO while he is heard describing in detail his approach to composing the scene. Some of the interviewees devote this kind of attention as well, as when Scorsese describes the components of the scene in THE WRONG MAN when the wrongfully accused Henry Fonda first adjusts to his prison cell and we see the scene unfold. The most screen time is devoted to VERTIGO and PSYCHO. Not only do we get Hitchcock's revelations about his working methods and aesthetic decisions on these films, but we get expert commentators such as Scorsese, Bogdanovich, Fincher and Gray.

Of the interviewees, the most screen time is given to Scorsese (Jones's mentor) and Fincher, but they all offer significant insights and clearly speak not only from respect and admiration, but a great love for Hitchcock. We also hear from three foreign filmmakers, the French directors Olivier Assayas and Arnaud Desplechin, and, from Japan, Kiyoshi Kurosawa. They speak in their own languages, with English subtitles.

Having said all this, I am troubled by certain omissions and questions I had that were never answered in the film. For one thing, we are never told whether Hitchcock knew any French at all. He appears to understand Truffaut's questions at times in the audio recordings and answers in English without waiting for a translation. Numerous letters that he wrote to Truffaut are shown and two of them, including the very first one, are in French. Did he write it in French or did he have someone translate it? I needed this spelled out. Which also begs the question of why there's no discussion of Helen Scott and what her background was and why she undertook this task. Truffaut refers to her in a filmed interview as "my collaborator," but that's the only mention she gets in the entire film.

Also, Peter Bogdanovich had a friendship with Hitchcock beginning back then and even interviewed the master himself around the same time. Why was this parallel relationship not mentioned? Bogdanovich is in the film and probably talked about it, but only a hint of it remains in his brief clips. And speaking of young directors who worshiped Hitchcock, why is there no discussion of Hitchcock's influence on these filmmakers? Truffaut himself was influenced by Hitchcock (see THE SOFT SKIN and THE BRIDE WORE BLACK), but this is not explored in any detail. Paul Schrader is interviewed and he even wrote the screenplay for Brian De Palma's OBSESSION (1976), a film that owes a great deal to VERTIGO, yet there's no mention of this film nor of De Palma himself, whose films were frequently cited for the debts they owed to Hitchcock. Scorsese's TAXI DRIVER (also 1976 and also written by Schrader) has more than a few Hitchcockian touches yet neither Scorsese nor Schrader bring it up. And both OBSESSION and TAXI DRIVER featured the very last scores by Hitchcock's frequent composer, Bernard Herrmann. Truffaut used Herrmann for two scores himself (THE BRIDE WORE BLACK and FAHRENHEIT 451).

Which brings up the film's most egregious omission. Herrmann scored six of the films excerpted in this documentary, with music playing an especially prominent role in the clips from VERTIGO and PSYCHO, yet no one refers to the music or mentions Herrmann by name. I have to assume that his name came up in the interviews, so I wonder why no mention of him made the final cut.

I was also bothered by the fact that film clips went unidentified. I can understand that they didn't want to disrupt the flow of the film by having text constantly pop up, but I can't be the only one who couldn't identify the various silent Hitchcock films excerpted. Also, while varying degrees of attention are paid to numerous Hitchcock films not mentioned in this review so far, e.g. SABOTAGE, SABOTEUR, NOTORIOUS, and MARNIE, I am curious as to why the following masterpieces receive little or no mention: REBECCA, SHADOW OF A DOUBT, STRANGERS ON A TRAIN, and REAR WINDOW.

14 of 19 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 26 user reviews »

Contribute to This Page

Check Out What's Playing on IMDb Freedive

See what movies and TV series you can watch for free today, and visit IMDb Freedive for even more. Select any poster below to play the movie!

Find more things to watch

Stream Trending TV Series With Prime Video

Explore popular and recently added TV series available to stream now with Prime Video.

Start your free trial

Recently Viewed