A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
World War II American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people, and becomes the first man in American history to receive the Medal of Honor without firing a shot.
In 1986, Saroo was a five-year-old child in India of a poor but happy rural family. On a trip with his brother, Saroo soon finds himself alone and trapped in a moving decommissioned passenger train that takes him to Calcutta, 1000 miles away from home. Now totally lost in an alien urban environment and too young to identify either himself or his home to the authorities, Saroo struggles to survive as a street child until he is sent to an orphanage. Soon, Saroo is selected to be adopted by the Brierley family in Tasmania, where he grows up in a loving, prosperous home. However, for all his material good fortune, Saroo finds himself plagued by his memories of his lost family in his adulthood and tries to search for them even as his guilt drives him to hide this quest from his adoptive parents and his girlfriend. Only when he has an epiphany does he realize not only the answers he needs, but also the steadfast love that he has always had with all his loved ones in both worlds.Written by
Kenneth Chisholm (firstname.lastname@example.org)
Rooney Mara originally aimed to take a short break, when Garth Davis offered her the script and made her change her mind: "I read it and it was small part but I thought the script was just so powerful, moving and beautiful that I was like 'This is really supposed to be my time off but I want to talk to this guy.' And within talking to him for two minutes, I knew I was going to work with him." See more »
Indian railways are generally of 5ft 6in gauge (1676mm). The trains that Saroo travels on are all of this gauge, as are the lines around Khandwa. However, the tracks on which he and his brother are seen walking at the end of the film are metre gauge (3ft 3 1/3 inch). See more »
[Saroo is picking up large and small rocks for his mother as she encourages him]
[which means... good boy]
See more »
There is no opening title card, only opening credits; the title card doesn't appear until the end. See more »
Missing child cases are ones that really do send a shiver down the spine, the uncertainty of the child's whereabouts or whether in fact they are actually still alive being the major worries. You can't possibly understand the effect it must have on a family. In Garth Davis' Lion, we see the effects of such a case on the child rather than the family left behind.
Saroo (Sunny Pawar) is a five-year-old child living in a remote Indian village with his mother, brother and sister. Spending his days helping his brother steal coal from trains, Saroo joins his brother for a job one night but finds himself lost and on a train to Calcutta, nearly two-thousand kilometres from his home village.
Surviving many challenges and meeting various faces, Saroo is eventually adopted by an Australian couple, John and Sue Brierley (David Wenham and Nicole Kidman). Twenty-five years later, Saroo (Dev Patel) decides to track his lost family down.
I must start by saying that I absolutely loved Lion, a film that deals with such a traumatising true story in such a delicate manner. Garth Davis splits the film into two halves, the first focusing on Saroo as a five-year-old lost in such a densely populated city and the second looking at Saroo as a grown man, so far away from the life he left years before. It is quite tough to watch at times, particularly some scenes of a young Saroo trying to survive on the streets of Calcutta however, Davis' film builds to a truly beautiful conclusion that left me emotionally destroyed.
I think the fact that this is a true story played a massive part in the conclusion having such an impact on me. Davis plays it out brilliantly and the inclusion of real life footage in the end credits, along with startling facts about how many children go missing in India, just added more power to the already powerful film.
Lion doesn't just get its power from the story but from the tremendous performances also. I have always liked Dev Patel as an actor but this is the first time I've watched him give such a powerhouse of a performance as a grown up Saroo struggling to cope with tracking down his lost family. From here, Patel could really go places, starting with awards recognition in the early new year.
Sunny Pawar deserves a special mention for his performance as a young Saroo, lost and alone in such a unfamiliar place. It's always a risk to have such a large portion of the film led by such a young actor but it's ultimately one that pays off greatly in Lion. There's also fine support on offer from Rooney Mara, Nicole Kidman and David Wenham, ensuring the quality runs right throughout the film.
Lion is a film that I urge you to go and see because a film like this needs the coverage and its subject matter is something people need to be made more aware of.
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