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Juraj Herz, Peter Kerekes, Emil Kosír, Iveta Kozková, Ján Kozuch, Milan Lasica, Ingrid Istokova, Emília Vásáryová, Anna Kornajová, Viera Pavlíková, Josef Tkác, Margita Huttová, Éva Bandor, Róbert Jakab, Miso Suchy, Zuzana Moravcová, Zuzana Sebová, Attila Mokos, Jana Segesová, Roman Polácik, Michal Soltész, Rudolf Herz, Ladislav Herz, Mikulas Macala, Slavomira Fulinova, Igor Sajtlava, Edita Chrenkova, Beata Meszarosova, Frantisek Argalas, Petr Holoubek, Mike Gogulski, Katarina Vaclavikova, Milana Jutkova, Tomas Krcmery, Anton Sulík, and Laura Kovalová in Slovensko 2.0 (2014)

Plot

Slovensko 2.0

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Summaries

  • How to explain the notion of Slovakia of the past twenty years to a stranger, a visitor from another planet What is the genetic makeup the software of Slovakia? How to use it? How does it change? Slovakia 2.0 is a film about twenty years of independent Slovakia as seen from the perspective of ten film directors. It is composed of ten 10-minute films of different genres ranging from drama, through animation and documentaries, to experimental film. The ten recognized film directors who offer an answer to what is Slovakia include a wide range of generations, views and genres. The result is unique artistic reflection of contemporary history of Slovakia and, equally, a reflection of Slovak cinematography in its different forms.—Anonymous

Synopsis

  • What is Slovakia? How to explain the notion of Slovakia of the past 20 years to an unknown stranger, a visitor from another planet? What is the genetic makeup or the software for Slovakia? How to use it? How does it change?

    Slovakia 2.0 is a film about twenty years of independent Slovakia as seen from the perspective of ten film directors. It is composed of ten 10-minute films of different genres ranging from drama, through animation and documentaries, to experimental film. The ten recognised film directors who offer an answer to what is Slovakia include a wide range of generations, views and genres.

    Slovakia, one of the newest states in Europe, marked in 2013 twenty years since its foundation. Two decades of the first democratic state is a welcome opportunity for a range of reflections, contemplations and stock-take. The opportunity is even more significant in film: the brief history of Slovak film in the era of the countrys independence has brought so far some occasional artistic moments rather than a complex stream in cinematography that would comment on events that shape the society. Yet at the same time Slovakia has a number of generations of noteworthy film-makers across a range of genres.

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Juraj Herz, Peter Kerekes, Emil Kosír, Iveta Kozková, Ján Kozuch, Milan Lasica, Ingrid Istokova, Emília Vásáryová, Anna Kornajová, Viera Pavlíková, Josef Tkác, Margita Huttová, Éva Bandor, Róbert Jakab, Miso Suchy, Zuzana Moravcová, Zuzana Sebová, Attila Mokos, Jana Segesová, Roman Polácik, Michal Soltész, Rudolf Herz, Ladislav Herz, Mikulas Macala, Slavomira Fulinova, Igor Sajtlava, Edita Chrenkova, Beata Meszarosova, Frantisek Argalas, Petr Holoubek, Mike Gogulski, Katarina Vaclavikova, Milana Jutkova, Tomas Krcmery, Anton Sulík, and Laura Kovalová in Slovensko 2.0 (2014)
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