A plump and exuberant monk goes fishing, and a playful fish eludes him. First the monk uses a rod and reel, then a net; over and over, he ends up fish-less and wet. Sleepless, he tries ... See full summary »
In a story depicted in oil painted animation, a young man comes to the last hometown of painter Vincent van Gogh to deliver the troubled artist's final letter and ends up investigating his final days there.
The Aroma of Tea is a 2006 Dutch animated short film made by Michaël Dudok de Wit. It shows how a small sphere travels in a determined and rhythmical manner through landscapes, emerging at ... See full summary »
Surrounded by the immense and furious ocean, a shipwrecked mariner battles for his life with the relentless towering waves. On the brink of demise, eventually, the man will find himself washed ashore on a deserted tropical island of sandy beaches, timid animal inhabitants, and a gracefully swaying bamboo forest. Alone, famished, yet determined to break free from this Eden-like prison, the stranded sailor summons up the strength to build a small raft, and sets off on a perilous journey in the wide open sea; however, an indistinguishable adversary prevents him from escaping. Never giving up hope, each day, the exhausted man attempts to make a new, sturdier, and more improved raft; nevertheless, the sea is vast with wonderful and mysterious creatures, and the island's only red turtle won't let the weary survivor escape that easily. Could this be the heartless enemy?Written by
Studio Ghibli sent Michael Dudok de Wit an email with two questions: if they could distribute his short film Father and Daughter (2000) in Japan, and if he would make a feature film for them. Dudok de Wit replied answering the first question and saying he did not understand the second, as he was baffled and could not believe it. See more »
Seen at the 2016 London Film Festival, 'The Red Turtle' is an animation that opens with a shot of a man. We do not know who he is, or how he came to be where he is: all that matters is he is in danger of drowning, being as he is adrift in storm-toss'd ocean waters. For the viewers, the man's life begins at that moment, for once he washes up on a deserted island it becomes apparent he will not be leaving it any time soon. Not for the want of trying, mind you: he builds more than one raft as he attempts to escape. But each raft is destroyed by a large red turtle. Eventually the infuriated man takes his revenge against the turtle, which is when things get really weird...
If this were live-action, I would want to know the man's origin (or at least his name!) and how the turtle does what it unexpectedly does after the man attacks it. Perhaps I am more easily satisfied when watching animation, though, because those things did not matter here: instead I lost myself in the story, which clips along at a fair old pace, but director/co-writer Michael Dudok de Wit ensures it never seems rushed: dramatic happenings such as a tsunami and the man's attack on the turtle aside, this is a very peaceful film, with the antics of some sand crabs providing comedy relief.
The animation is a pleasing mix of styles: the human and animal figures could have been drawn by Hergé, whereas the backgrounds - assisted, I assume, by CGI - are near photo-realistic. But there are some obvious errors, all to do with the sea: when viewed from above the surface it seems to have the consistency of paint (ie: not transparent). Underwater scenes generally show a background of blank grey, rather than the animators providing a seascape of sand, gardens, fish etc - this seems a wasted opportunity. And whereas in real life wet clothing clings to its wearer, frequently in this film clothing that has just been completely submerged in water continues to blow around the wearer as if it is bone dry!
But those quibbles aside, I enjoyed this and can certainly imagine myself watching it again: next time, hopefully, without the sizeable gentleman sitting across the aisle from me who had apparently purchased all the popcorn in London - his munching sounds really detracted from this dialogue-free film.
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