Directed by
Thomas G. Miller |
Writing Credits (in alphabetical order)
Kirk Marcolina | ... | (writer) |
Thomas G. Miller | ... | (writer) |
Carl Pfirman | ... | (co-writer) |
Monique Zavistovski | ... | (co-writer) |
Produced by
Amy Adler | ... | associate producer |
S. Leo Chiang | ... | co-producer |
Karen Hori | ... | co-producer |
Kirk Marcolina | ... | producer |
Thomas G. Miller | ... | producer |
David W. Ross | ... | associate producer |
Music by
Allyson Newman |
Cinematography by
Nancy Huffman |
Editing by
Kirk Marcolina | ||
Thomas G. Miller | ||
Carl Pfirman | ||
Monique Zavistovski |
Sound Department
Adam Parrish King | ... | re-recording mixer / sound editor |
Visual Effects by
Xander Brennan | ... | opening title concept and artwork |
Aaron T. Harvey | ... | opening title concept and artwork |
Zack Ketz | ... | Archival motion effects and animation |
Camera and Electrical Department
Zack Haskell | ... | additional cinematography (specific segments) |
Editorial Department
James Honaker | ... | colorist |
Eric J. Robbins | ... | post production supervisor |
Music Department
Dan Blanck | ... | music mixer / scoring engineer |
Matt Novack | ... | conductor / orchestrator |
Additional Crew
Kate Coe | ... | archival research and clearances |
David Magdael | ... | publicist |
Dan Marcolina | ... | title producer: main title |
Chris Perez | ... | clearance counsel (as Christopher L. Perez) |
Cristina J. Ramirez-Mares | ... | researcher |