
Because I Was a Painter (2013)
Parce que j'étais peintre (original title)Reference View | Change View
- 1h 44min
- Documentary, History
- 05 Mar 2014 (France)
- Movie
- 1 nomination.
- See more »
Photos and Videos
Cast
Rest of cast listed alphabetically: | |||
Yehuda Bacon | ... |
Self
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José Fosty | ... |
Self
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Walter Spitzer | ... |
Self
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Samuel Willenberg | ... |
Self
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Krystyna Zaorska | ... |
Self
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Directed by
Christophe Cognet |
Written by
Christophe Cognet | ... | (writer) |
Christophe Cognet | ... | () |
Produced by
Stéphane Jourdain | ... | producer |
Jonas Katzenstein | ... | co-producer |
Maximilian Leo | ... | co-producer |
Cinematography by
Nara Keo Kosal |
Editing by
Catherine Zins |
Second Unit Director or Assistant Director
Julie Grumbach | ... | first assistant director |
Sound Department
Graciela Barrault | ... | sound |
Didier Cattin | ... | sound editor |
Nicolas Paturle | ... | sound |
Jean-Marc Schick | ... | re-recording mixer |
Camera and Electrical Department
Sylvain Viricel | ... | camera operator |
Production Companies
- La Huit
- Augenschein Filmproduktion (co-production)
Distributors
- Jour2Fête (2014) (France) (theatrical)
- The Cinema Guild (2015) (United States) (theatrical)
- Film1 Sundance Channel (2015) (Netherlands) (tv) (limited)
Special Effects
Other Companies
- Centre national du cinéma et de l'image animée (CNC) (funding)
- Cosmodigital (post-production)
- Eurimages (funding)
- Filmförderungsanstalt (FFA) (funding)
- Fondation pour la Mémoire de la Shoah (funding)
- MEDIA Programme of the European Union (funding)
- Société des Producteurs de Cinéma et de Télévision (Procirep) (funding)
Storyline
Plot Summary |
This film conducts an unprecedented investigation of secretly created artworks in Nazi concentration and death camps. It converses with the rare handful of living artists who survived the camps and with those who curate their art: about the emotions the works conjure, their marginalization, their signatures or anonymity, their style, as well as the representation of horror and extermination. But perhaps above all, it takes a long look at the drawings, wash drawings and paintings held in collections in France, Germany, Israel, Poland, Czech Republic, Belgium and Switzerland. While transiting among these fragments of clandestine images and the vestiges of the camps, the film offers a sensitive quest amid faces, bodies and landscapes to explore the notion of artwork and confront the idea of beauty head-on. The stakes are disturbing, but perhaps we can thus better imagine what the camps were truly like, and experience the honor of an artist, no matter how small or fragile the gesture of drawing is. Written by Anonymous |
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