A widowed mother, plagued by the violent death of her husband, battles with her son's fear of a monster lurking in the house, but soon discovers a sinister presence all around her.
Washed-up true-crime writer Ellison Oswalt finds a box of super 8 home movies that suggest the murder he is currently researching is the work of a serial killer whose work dates back to the 1960s.
In the summer of 1989, a group of bullied kids band together to destroy a shape-shifting monster, which disguises itself as a clown and preys on the children of Derry, their small Maine town.
Director:
Andy Muschietti
Stars:
Bill Skarsgård,
Jaeden Lieberher,
Finn Wolfhard
Rebecca must unlock the terror behind her little brother's experiences that once tested her sanity, bringing her face to face with a supernatural spirit attached to their mother.
Director:
David F. Sandberg
Stars:
Teresa Palmer,
Gabriel Bateman,
Maria Bello
A young African-American visits his white girlfriend's parents for the weekend, where his simmering uneasiness about their reception of him eventually reaches a boiling point.
Director:
Jordan Peele
Stars:
Daniel Kaluuya,
Allison Williams,
Bradley Whitford
For nineteen-year-old Jay, Autumn should be about school, boys and week-ends out at the lake. But after a seemingly innocent sexual encounter, she finds herself plagued by strange visions and the inescapable sense that someone, something, is following her. Faced with this burden, Jay and her friends must find a way to escape the horrors, that seem to be only a few steps behind.Written by
Jose Tamayo
Shot mainly with wide-angle lenses to give the film a more expansive, intimidating feel. See more »
Goofs
Near the end of the film, Paul fires a small handgun several times and hits the 'follower' in the head, knocks him out. The scene clearly reveals that bullets hit the pool surface at an approximate angle of 30 degrees, and judging by the actors' height, bullets travel at least 9-10 feet in the water before they hit the target. It would be impossible for those bullets, that are fired at an extreme angle, to wound someone after traveling so far in the water. In fact, MythBusters did an episode investigating the effects of guns fired at targets that are underwater, they proved the water provides protection. See more »
Quotes
Yara:
When I was a little girl my parents would not allow me to go south of 8th mile. And I did not even know what that meant until I got a little older. And I started realizing that. That was where the city started and the suburbs ended. And I used to think about how shitty and weird was that. I mean I had to ask permission to go to the state fair with my best friend and her parents only because it was a few blocks past the border.
See more »
Crazy Credits
There are no opening credits at all, and the title does not appear on-screen until the end of the film. See more »
Alternate Versions
The volume level of the music was substantially louder in the theatrical version than in the 2015 Blu-Ray and DVD release. See more »
It Follows is a horror film made for horror fans, and it's about time one of those came around again.
This is a movie that was light on the jump scares, which is a delightful change of pace. In the past few years more and more horrors have relied on jump scares to make up for the true scariest part of any horror film, the sense of dread. Dread is felt in this movie almost immediately because it combines so well with the tone, another forgotten about ingredient in horrors.
There is no real way to explain the plot of this film without it coming across like a more twisted game of "tag," which played a part in exactly how many people I could talk into seeing it after the mixed feelings from the trailer. That being said, the film breaks a lot of the norms set by today's "scary" films. This is a movie that knows what it's doing, and its main concern is to make the audience feel as if they are a part of the experience with the sense of realism. With the enemy being as far-fetched as it may come across in conversation, it's easy to get caught up in the surroundings of the characters looking for "it." Having to watch over the characters' shoulders throughout the movie makes it all the more frightening when something IS seen, and there's never a sense of safety.
It Follows takes a good deal from the greats in the horror genre, namely Halloween. I recall a great deal of times thinking "wait, that was in Halloween," where the background is scarier than what could pop up out of the shadows with some loud sound surrounding it. The score in this movie is simply unnerving and remarkable. It adds to the tone and creates an even more frightening and uncomfortable feeling when "it" has appeared. It was as if I were watching a great Carpenter movie in the theater, and it's been a great while since such a possessing and haunting score has come along. It truly is like another character in the movie, but used so well it adds to already-present uneasy feeling that one has while watching.
It Follows delivers where other recent horrors have failed, it creates memorable moments and characters which the audience feels for. Also unlike recent films, there is no way to predict what direction the movie will take, and there is finally not a completely predictable ending. Horror movies have taken easy ways out and desensitized the audience throughout by having things jump on screen which make the "big moments" feel insignificant and forgettable because audiences have been jumped at so much they just don't care anymore and they're ready to see "the monster die" (I'm oversimplifying of course, but the intent is clear). Meanwhile, this film has (quietly) some of the most memorable terrifying sequences of the decade thus far.
Of course, I'd have a useless review if I didn't address the performances of It Follows. All of the other elements I've brought up in the review were almost created by, and greatly assisted by, the acting. If the acting is bad (which is a common thing in horrors), then it's hard to make anything else believable, which distances the audiences and takes away a lot of the sense of terror. The acting is so real by the cast that they make this plot seem genuine. They're not the usual teens that the audience can scream "why did they not think of.." or "I would've.." at. They address the horrifying situations as real people would, they're not magically filled with some convenient insight and they're not face-palmingly idiotic, either.
In a year filled with soon-to-be many blockbusters and money makers, It Follows will be remembered by many as one of the best of the year. It is a film that embodies all things horror, and pays great homage to what made people adore the genre. Like a good brand of medication, without the side-effects, It Follows is what the genre needed and is, to me, one of the best horror films of the decade to this point. With all of the key ingredients in place, we've got a great film here. 9/10.
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It Follows is a horror film made for horror fans, and it's about time one of those came around again.
This is a movie that was light on the jump scares, which is a delightful change of pace. In the past few years more and more horrors have relied on jump scares to make up for the true scariest part of any horror film, the sense of dread. Dread is felt in this movie almost immediately because it combines so well with the tone, another forgotten about ingredient in horrors.
There is no real way to explain the plot of this film without it coming across like a more twisted game of "tag," which played a part in exactly how many people I could talk into seeing it after the mixed feelings from the trailer. That being said, the film breaks a lot of the norms set by today's "scary" films. This is a movie that knows what it's doing, and its main concern is to make the audience feel as if they are a part of the experience with the sense of realism. With the enemy being as far-fetched as it may come across in conversation, it's easy to get caught up in the surroundings of the characters looking for "it." Having to watch over the characters' shoulders throughout the movie makes it all the more frightening when something IS seen, and there's never a sense of safety.
It Follows takes a good deal from the greats in the horror genre, namely Halloween. I recall a great deal of times thinking "wait, that was in Halloween," where the background is scarier than what could pop up out of the shadows with some loud sound surrounding it. The score in this movie is simply unnerving and remarkable. It adds to the tone and creates an even more frightening and uncomfortable feeling when "it" has appeared. It was as if I were watching a great Carpenter movie in the theater, and it's been a great while since such a possessing and haunting score has come along. It truly is like another character in the movie, but used so well it adds to already-present uneasy feeling that one has while watching.
It Follows delivers where other recent horrors have failed, it creates memorable moments and characters which the audience feels for. Also unlike recent films, there is no way to predict what direction the movie will take, and there is finally not a completely predictable ending. Horror movies have taken easy ways out and desensitized the audience throughout by having things jump on screen which make the "big moments" feel insignificant and forgettable because audiences have been jumped at so much they just don't care anymore and they're ready to see "the monster die" (I'm oversimplifying of course, but the intent is clear). Meanwhile, this film has (quietly) some of the most memorable terrifying sequences of the decade thus far.
Of course, I'd have a useless review if I didn't address the performances of It Follows. All of the other elements I've brought up in the review were almost created by, and greatly assisted by, the acting. If the acting is bad (which is a common thing in horrors), then it's hard to make anything else believable, which distances the audiences and takes away a lot of the sense of terror. The acting is so real by the cast that they make this plot seem genuine. They're not the usual teens that the audience can scream "why did they not think of.." or "I would've.." at. They address the horrifying situations as real people would, they're not magically filled with some convenient insight and they're not face-palmingly idiotic, either.
In a year filled with soon-to-be many blockbusters and money makers, It Follows will be remembered by many as one of the best of the year. It is a film that embodies all things horror, and pays great homage to what made people adore the genre. Like a good brand of medication, without the side-effects, It Follows is what the genre needed and is, to me, one of the best horror films of the decade to this point. With all of the key ingredients in place, we've got a great film here. 9/10.