Directed by
| Don Maher | ||
Writing Credits (in alphabetical order)
| Don Maher | ||
Cast (in credits order)
| Frank Barry | |||
 |
Lori-Ann Campbell | ||
Produced by
| Don Maher | ... | producer |
Cinematography by
| Roger Maunder | ... | director of photography |
Editing by
| Don Maher | ||
| Roger Maunder | ||
Second Unit Director or Assistant Director
| Shara Desiree King | ... | first assistant director |
Art Department
| Norm Karlik | ... | props |
| Laura-Marie Smith | ... | storyboards |
Sound Department
| Arthur Haynes | ... | sound recordist |
| Bob Pope | ... | boom operator |
Camera and Electrical Department
| Matthew Anthony | ... | electric / grip |
| Paddy Barry | ... | stills |
| Jay Hamel | ... | first assistant camera (as Jason Hamel) |
| Mike Hickey | ... | electric / grip |
| Tommy Humphries | ... | second assistant camera |
| Benjamin Noah | ... | electric (as Ben Noah) / grip (as Ben Noah) |
Script and Continuity Department
| Norm Karlik | ... | script supervisor |
Additional Crew
| Valerie Hewitt | ... | craft service |
| Roger Maunder | ... | first time filmmaker mentor |
| Joanne Stoodley | ... | craft service |
Thanks
| Marlene Cahill | ... | special thanks |
| Steve Cook | ... | special thanks |
| Bern Hammond | ... | special thanks |
| Shara Desiree King | ... | special thanks |
| David Maher | ... | special thanks: Tim Hortons - Water Street West |
| Jean Smith | ... | special thanks |
| Catherine Street | ... | special thanks |
| Tracy Waddleton | ... | a very special thanks to |