The purpose of art is to awaken the deep seeded emotions that lay dormant within the far reaches of the viewers mind. Through the use of images, both shocking and beautiful, the artist explores the darkest depths of our souls, exposing the carnal nature of the supposedly civilized man.
While art by its very nature is subjective and inevitably provokes different reactions from onlookers, there is a single universal concept that supersedes all personal and cultural boundaries and connects all of humanity (past, present and future). It is the notion of death that manages to blend sheer horror with ephemeral beauty and blurs the distinction between disgust and arousal
The film "Out of Frame" explores the often overlooked connection between violence and beauty, through a story that challenges traditional notions of art.
Damien Drake is a professional photographer, known for his unorthodox line of works known as the "Death Series". This series of portraits consisted of models covered in artificial blood and strategically posed to resemble murder victims. However, unbeknownst to the public, the secret behind the realistic quality of the death series is that the models portrayed are in fact dead. Hoping to leave his violent past behind him, Damien attempts to reinvent himself by moving away from death and violence and focusing on different themes entirely. Damien's new direction is met with poor audience reception, leaving him bitter and unfulfilled as an artist.
Damien contemplates the the direction of his art, when his former employer John abruptly re-enters his life. The past and present collide, as John urges Damien to resume his former life as photographer of death. Struggling to rebrand himself, while trying to keep his violent urges suppressed, Damien's inner turmoil eventually erupts into a violent confrontation with John.
In the aftermath of the fight, Damien ultimately decides to reject both the senseless violence of the death series and the empty, uninspired art from his new life. He instead chooses to follow his own path embracing his murderous nature, to create new works that reflect his appreciation of beauty and desire to create meaningful art.
Typically films with murder and death as central themes explore the motives and psychology of the killer. "Out of Frame" successfully subverts this cliche by presenting the killer as both an individual character as well as a representative of humanity itself. Through Damien's conflict, we're presented with both the blood thirst animal and the aspiring artist that make up the contradiction that is mankind.
While art by its very nature is subjective and inevitably provokes different reactions from onlookers, there is a single universal concept that supersedes all personal and cultural boundaries and connects all of humanity (past, present and future). It is the notion of death that manages to blend sheer horror with ephemeral beauty and blurs the distinction between disgust and arousal
The film "Out of Frame" explores the often overlooked connection between violence and beauty, through a story that challenges traditional notions of art.
Damien Drake is a professional photographer, known for his unorthodox line of works known as the "Death Series". This series of portraits consisted of models covered in artificial blood and strategically posed to resemble murder victims. However, unbeknownst to the public, the secret behind the realistic quality of the death series is that the models portrayed are in fact dead. Hoping to leave his violent past behind him, Damien attempts to reinvent himself by moving away from death and violence and focusing on different themes entirely. Damien's new direction is met with poor audience reception, leaving him bitter and unfulfilled as an artist.
Damien contemplates the the direction of his art, when his former employer John abruptly re-enters his life. The past and present collide, as John urges Damien to resume his former life as photographer of death. Struggling to rebrand himself, while trying to keep his violent urges suppressed, Damien's inner turmoil eventually erupts into a violent confrontation with John.
In the aftermath of the fight, Damien ultimately decides to reject both the senseless violence of the death series and the empty, uninspired art from his new life. He instead chooses to follow his own path embracing his murderous nature, to create new works that reflect his appreciation of beauty and desire to create meaningful art.
Typically films with murder and death as central themes explore the motives and psychology of the killer. "Out of Frame" successfully subverts this cliche by presenting the killer as both an individual character as well as a representative of humanity itself. Through Damien's conflict, we're presented with both the blood thirst animal and the aspiring artist that make up the contradiction that is mankind.