User reviews

The main thing about Dawshom Awbotaar is the all around consciousness of Bengali audience regarding a Srijit Mukherjee film recently that its gonna be either mediocre or bad, there may be a handful of conformist Srijit fans who still believes in him to return to his prime.

Even Srijit is aware of his lost brilliance and his inconsistency, but still Dawsham Awbottar manages to milk the nostalgia and the cult following the film has for being a prequel to his two previous films with the iconic characters.

Srijit doesn't even try to pen a consistent crime thriller; it is a deliberate negligence in the script department i.e he is not even pretentious but downright casual. The film essentially belongs to buddy cop genre and an exercise in making the two leads as iconic as possible, which surprisingly works very well. The relentless razor sharp funny banters between the characters of Anirban and Prasenjit are possibly one of the better written dialogues from Mukherjee in recent years, the power dynamic, and the diversity in the characters all fit in to feed the audience with some cult characters in the near future if there is a sequel.

Jishu Sengupta as antagonist has a certain world weary persona which was surprisingly given very little screen time, as I said already the main focus has been the cop duos, the film would have worked much better if a more detailed character arc was given to him. Jishu tries to embody his character very well, but with the protagonists being so larger than life, the treatment is surprisingly subdued for the antagonist. Though I would say some of the murders are staged well, especially the mythological connections they have.

It's evident there were no budget contrivances for this film, as the color grading fits in many scenes .The stunts were sharply performed, except those exhausting slow motions. There is a car chase with some brilliantly crafted inside the car and outside the car sequences.

The unhealthy obsession of Srjit Mukherjee in forcing gimmicky hand held sequences in filming a quarrel is also present here, and if it's been just passable or tolerable in his other films, here it is down rightly nauseating and redundant. What is repeatedly forcing him to obsess over his inconsistent editing skills, its a mystery.

Rarely Srijit has written a good climax; in here he is trying to replicate "Baishe Shrabon" in various ways which seems so half baked, so much out of place that the film completely falls flat due to the inconsistency in the end.

The Jaya Ahsan subplot doesn't work; neither does her arc in the story but her performance and chemistry with Anirban try to bandage the obvious gaps she had in the character.

Its remarkable though how Prasenjit fits in the role of a foul mouthed police officer even though 12 years have passed since 'Baishe Shravan' , his performance certainly is a prime highlight among the few positive points the film has.

Anirban has much more to do, as his screen time in 'Vinci Da' was much shorter .Here he is one of the leads, he has utilised that chance and with the help of shared chemistry with Prasenjit has given a crackling performance worth remembering for.

At a certain point in the film, the serial killing aspect took a backseat and waited for the protagonists to culp with their personal mismatches, tragedies and soon after everything comes to a truce between them, the killing starts.

The director may have been obsessing over his characters a little too much than it should be which is an evident black spot in how a cop thriller is written. If there is another film from this franchise which eventually is bound to happen, this obsession may worsen the narrative, or literally butcher the franchise from its cult following too.

The introductory scenes of the lead cops were staged like a mass film; where there was no absolutely need for to do so. The headache inducing slow motion totally shifts the expectations of the people who loved the way they are introduced in the first films they appear. It seems that Srijit was unsure of how to introduce his characters, so based on the recent obsession of audience regarding mass films, he chose to do this.

In the first ten minutes of the film, it makes you weary of those forced slow motions; some of them may also perceive a wrong idea of how this film turns out in the long run.

The film is certainly an an entertaining one, much more than his work on the web platforms. I wouldn't mind seeing more films made on the characters, as he focuses more on the buddy cop aspect rather than the central mystery,its entertaining and disappointing at the same time. But when it comes to a Srijit Mukherjee films,we are accustomed to being disappointed since last few years but it is since a long time,he has made an entertaining one so credit where its due.

I would say, during these glorious festivities Srijit Mukherjee's Dawshom Awbotaar is not totally a waste of two and a half hours, atleast from the heat and sweat of the pandel hopping crowd outside, it's a decent time spent inside.

Let us be honest, "Baishe Srabon" was an iconic film. It was nothing short of a landmark in Bengali cinema that changed the industry's ideology forever.

It was too big of a task to replicate the success and the impact (both literally and figuratively), let alone surpass, even for the writer-director himself. I don't think anybody counted on that, although admittedly, we kept our fingers crossed and hoped for the best, including me, a fan of 2011's original.

Everything was going well for the first two acts. I was delighting in the friendly banters between the Probir-Poddar pair and their sparkling chemistry. I was also intrigued by the investigative parts of the murders that were taking place in succession. I was hooked on the ride.

Then, the third act happened, and everything went awry; it seemed like Srijit Mukherji was in a hurry and rushed up to the conclusion, resulting in a climax which raised more queries than gave us clear-cut answers.

The story needed, or rather demanded, a suitable finale, which Mr Mukherji failed to provide, therefore leaving a sore taste that may linger for days to come!

Dasham Avatar movie is not as good as Baishe Shravan and dwitiyo purush movie (Baishe Shravan movie itself is a history of Bengali thriller cinema ) but it is much better than other Bengali suspense thriller movie. Story writing is very weak. Can Guess Villain Jesus Sengupta character needed better build up Prosenjit Chatterjee's Anirban BhattacharyaSlow motion effect in the entry scene which is very common in South movies would have been good if not but Prasenjit Chatterjee and Anirban Bhattacharya acting 100 100 Jaya Ahsan's acting was good but needed to be better this movie is ground and BGM is not good at all the good points of this movie are very catchy dialogueJesus Sengupta Anirban Chatterjee's acting and songs have a new meaning and This movie has a plot twist which is quite good.

The shared universe is a gimmick. This film can't be a prequel because it creates major loopholes for the other films in the franchise. If you consider that this Probir and Poddar aren't the same Probir and Poddar we have seen before and that this is an alternate take on their characters happening in some other timeline, then it's fine. Coming to the story, Srijit has mastered how to ruin a well-going thriller. A twist everyone saw a mile away coming, but major plotholes there too. Injustice done to Jisshu's character, whose character could've been one of the memorable villains or anti-heroes, is watered down to a forgettable generic villain or psychopath. Performance-wise, Prosenjit Chatterjee and Anirban were excellent and the only redeeming factors in this movie. The camaraderie is presented well. Jaya wasn't in her best form. Jisshu did fine with whatever was given to him. Cinematography and BGM are fine, but too much use of slow motion gets on the nerves. And the CGI at the end is laughable. Shout out to the editor for that crazy cut during the car chase scene, but again, overuse of slo-mo kind of ruined the whole scene.

Srijit has become a human version of Bengal! Living in past glory!

He should let Baishe Shrabon be and not ruin its originality with these prequels and sequels. If dwitiyo purush was bad, this one gave that movie a close competition

Bad Edit .... Unnecessary dialogue, weak plot, cliched narrative make this movie a failed try of a wannabe!

Please brew some new wine and stop selling the old one in a new bottle!

2 stars for Prasenjit and Anirban. Jaya is disappointing! Jishu is average as usual.

It can be a fast forwarded ott watch! The film does not deserve a hall visit.

It was a disappointment .

Film Review: Dawshom Awbotaar ( Bengali Film ) screening in cinemas .. a pujo treat for my bong friends!!

Directed by Srijit Mukherji,Dawshom Awbotaar is a prequel to other films in his cop universe - Baishe Srobon, Vinci Da and Dwitiyo Purush.

It traces the beginnings of the two tough cops - Bijoy Poddar ( Anirban Bhattacharya) and Probir Roy Chowdhury ( Prosonjit) who are forced to work with each other on a complicated case where a serial killer is targeting victims based on the 10 Avatars of Lord Vishnu, hence the name Dawshom Awbotaar.

The clueless cops take the help of Maitreyi ( Jaya Ahsan), a psychiatrist, in order to understand the psyche of the killer and bring him to book. Will they catch him or will the hunters themselves become the hunted this time?

Boasting of a stellar cast Jisshu Sengupta, Prosonjit, Anirban Bhattacharya and Jaya Ahsan, what more could you have asked for in a suspense thriller. All of them do full justice to their respective roles and have grt screen presence.

The banter between Probir & Poddar is funny and brings a smile on your face. Great chemistry indeed!! Jisshu as the serial killer has portrayed his part well and Jaya Ahsan is decent too. The twist in the end is nice too like all the other films in the franchise ( though u might be able to guess it a bit earlier )

On the flip side the film seems slow at times and the climax , though well shot, is a bit stretched. The run time of 2 hr 34 mins could have definitely been reduced by at least 15 to 20 mins to make it more crisp and peppy!!

Don't compare it with the earlier films and u will come out of the theatre a happier person!!

I would definitely love to see the Probir - Poddar Jodi in action again In the future too !!

Going with 3.5/5 for this one .. adios 🙂!!

#sanjuzzreviews #dawshomawbotaar #JishuSengupta #ProsenjitChatterjee #AnirbanBhattacharya #jayaahsan #SVF #hoichoi.

"Dawshom Avatar," the much-anticipated prequel to the blockbuster "Baishe Srabon" from 2011, falls disappointingly short of the expectations set by its predecessor. Srijit Mukherjee, the acclaimed director of both films, seems to have missed the mark this time. Let's dive deeper into what went wrong.

The film begins with Prasenjit Chakroborty's (Probir) first appearance on the screen, which unfortunately feels underwhelming. His portrayal seems cheap and cringe-worthy, his running appears awkward, and his overall demeanor comes off as aged. Anirban Bhattacharya (Bijoy Poddar) is depicted as a comic character, a stark departure from the complex character he portrayed in "Vinci Da." These portrayals certainly don't do justice to the characters Srijit Mukherjee built in his previous work.

One of the major drawbacks of "Dawshom Avatar" lies in its dialogue delivery. The dialogues come across as cheap, cringe, and recycled from previous movies, which is disappointing for a film of this caliber. Additionally, the plot appears weak and poorly constructed, almost as if it was hastily written. The audience deserves better than what feels like a script generated by an AI chatbot, like ChatGPT.

However, it's not all doom and gloom. Jishu, who plays Bissorup, shines with his excellent acting. His performance stands out amidst the sea of mediocrity. Jaya Ahsan (Maitrayee) delivers an average performance but struggles to elevate the material she's given. Prasenjit, despite his best efforts, and Anirban, are both limited by the subpar script and mediocre dialogues.

The film's attempt to incorporate elements of Sanatan Mythology and dispel common misconceptions is noteworthy, but it seems the audience struggled to grasp most of it. Additionally, subtle references to "Baishe Srabon" are scattered throughout, but they fail to provide a coherent link between the two films.

What disappoints most is the weak storyline riddled with plot holes, the comical portrayal of the once imperious police officer, Bijoy Poddar, and the unnecessary references to previous films. The side characters from "Baishe Srabon" (2011) appear aged and overweight, making their efforts to reprise their roles less convincing.

In the end, "Dawshom Avatar" leaves us with a line from "Baishe Srabon" that seems fitting - it is, indeed, "Kacha hathe lekha, baje bangla thriller er script." This film falls short of the standards set by its predecessor, leaving fans of the franchise wanting more and wondering what could have been.

Just an amazing movie....... I am just speechless.

Even on the first day only the movie got 50+ housefulls. Srijit Mukherjee is an amazing director himself, and this universe which he had architected gradually has seated itself into the hearts of nearly all bengali. Baishe Srabon marked it's inception, and the universe is presently rocking. Far better than all those fady hindi movies which are rather disgrace in the name of thriller. Moreover the songs.......they to be expressed in one word is just mind melting and it's well known when Srijit Mukherjee works out with Anupam Roy and Rupam Islam the songs of the movies will definitely go super viral.....and so has occurred. Anyways the movie provides and excellent visual experience. Most recommended to all Bengalis.

Director #SrijitMukherji's latest product from his Cop Universe and from the house of #SVF, jointly delivered a much-hyped but a thoroughly disappointing melodramatic daily-soap kinda experience. The first half was no-doubt fast-paced and power-packed, but on the contrary, the second half lacked its pace and the screenplay went totally haywire. Music is equally awful, and so is the editing. The second poorest release after Bagha Jatin. The camera work is fairly moderate. But over-usage of slo-mo and Drone shots seems overrated. The plot is predictable and the screenplay is neither edge-of-the-seat, nor gripping. Both #ProsenjitChatterjee & #JisshuSengupta delivered good performances, #AnirbanBhattacharya is fair too, while #JayaAhsan tried her best, but all her efforts to cope up with the predictable plot rendered futile. However, its a one-time watch movie. Moral of the story, over-usage of cuss words and intimate scenes along with titillating the audience with previous franchises' hints couldn't save the drowning ship, when the premise is itself weak.

The screenplay of the movie is very well crafted. But to attract the younger generation, it is not desirable to use excessive profanity. The camera work deserves praise at several places. The camera work deserves praise at several places.

The movie starts well but gradually loses its momentum due to being too long. And lost in Kanagli after the break. Those who watch the movie will understand the end of the movie before long. Very average quality movie. And no song except Rupam's song could make a mark in my mind.

Jaya's acting is very average. Such a powerful actor as jishu was not used properly.

Every great thing has to come to an end at some point. '22 Se Srabon' should have remained a standalone film. There was no need for the sequel, 'Dwitiyo Purush,' or the prequel, 'Dawshom Avatar.' It seems that 'Dawshom Avatar' was primarily created for profit by capitalizing on nostalgia. Unfortunately, the film fell short in many aspects, except for the songs and acting. The use of slang in the movie felt forced, and the action scenes were quite illogical. The script appeared underdeveloped, and the editing was subpar. This resulted in the film being quite tedious to watch. 'Dawshom Avatar' doesn't quite fit into the thriller or drama genre; it feels more like a money-making endeavor. It might be a good time for Srijit Mukherjee to take a break and return with a stronger, more thought-out script. If you find yourself with no other movie options during this festive season, you might be better off watching this movie in the theater to catch up on some rest. I wouldn't recommend this movie, even for an OTT platform.

Way of direction has definitely changed all through the years of Srijit, Bumba da's acting and 22 Srabon's connected bgm's, scenes and dialogue saved the movie. Though poddar's identity will remain a suspense until the next. Srijit's cameo after these many parts was lovable. Jishu's live action gave bengali cinema a new stage. Prosenjit, rather prabir is all alone is enough to make the croud craze in hall's. Anirban and Bumba da made this film way better than all those hindi serial killing films. Only the last scene fall could have been a little more realistic. A better actress should have been cast for Moitreyee's role.

The same concept as the famous web series 'Asur'! And the Hindu hate of srijit here comes also as Hindu terrorism promotion!! Though the movie is very predictable and zero percent engaging! There's no scope of the actors to show their acting! It's just a waste of your valuable time and hard earned money! This is not even a one time watch movie! Facebook memes, are dialogue here! Unwanted galagali, poor dubbing and dialogue delivery! Cinematography is the only good thing here! Except that, script, story, direction, everything is bad! Forcefully adding of songs making this a lengthy piece of boring poison!

"Dawshom Awbotaar" emerges as a captivating addition to Bengali cinema, a neo-noir crime thriller that delivers a tantalizing and taunt storytelling experience. Directed and written by the skilled Srijit Mukherji, and brought to life by a stellar cast, this film is a testament to the power of suspense and intrigue.

At its heart, "Dawshom Awbotaar" is a tale of mystery and suspense, a journey into the shadows where secrets and intrigue lurk. Jisshu Sengupta takes on the titular role, leading a cast that includes Prosenjit Chatterjee, Anirban Bhattacharya, and the talented Jaya Ahsan. Their performances are noteworthy, breathing life into complex characters who contribute to the film's layered narrative.

Srijit Mukherji's direction is nothing short of brilliant, guiding the audience through a web of suspense with finesse. The editing and background score, crafted by Pronoy Dasgupta and Indraadip Dasgupta respectively, enhance the film's tension and atmosphere.

The music, particularly the songs by Anupam Roy, plays a significant role in connecting with the story, adding depth to the narrative. It's a testament to the film's ability to seamlessly blend different elements into a cohesive and engaging experience.

One standout element is the subtle yet significant presence of the character Moitreyee Ghatak, portrayed by Jaya Ahsan. Her contribution adds layers to the storyline and complements the performances of the lead actors.

For fans of Srijit Mukherji, "Dawshom Awbotaar" is a must-watch, showcasing his storytelling prowess and his ability to create a gripping neo-noir thriller. It's a film that keeps you on the edge of your seat, unravelling its mysteries with precision and style.

In conclusion, "Dawshom Awbotaar" is a neo-noir gem that deserves recognition for its compelling narrative, strong performances, and atmospheric direction. It's a film that resonates with fans of the genre and is a testament to the talent of the Bengali film industry.

One of the Bengali blockbuster movie of 2023, Srijit sir excellent as usual.

The movie is very interesting and full of suspense, initially it's bit slow but after some time the thrill and suspense starts.

All the stars worked very well and upto the expectations, Bumba Da was superb as usual. Songs was too good kudos to Anupam.

Second half is very intersting and full of suspense and drama, it's a must watch for young generation. A lovely gift from Srijit sir to all of us for Durga Puja.

Second day all the movie halls where sold out that's a great thing for Bengali movie and we Bengali people are proud of it.

Thanks.

I had a great time enjoying this film. Couldn't move for a second. From first scene to the last the film didn't let me blink for a second.

Pros: 1. Awesome acting by Jisshu and Proshenjit.

2. Cinematography is good.

3. Execution of 2000s decade perfectly.

4. Script writing is solid.

5. Dialogues were witty and classic Srijit's signature style 6. Music and soundscape is nice.

Things I didn't like that much,

1. Jaya Ahsan is one my favourite actresses but she wasn't a perfect fit for a psychologist I felt. Needed to work on Characterization as a doctor and her accent.

2. The love song was superimposed.

On a personal perspective I loved the Proshenjit-Anirban Duo! Thank god Param was replaced somehow.

The combination of Prosenjit da and Anirban just awesome. Just loved the film and the emotional points and all the slangs are also on the point funny enough. Must watch film tbh. From the starting to the end I enjoyed it very much like it was so thrilling,the actions and the songs are soo good i really loved it soooo sooo much hopefully the next part comes soon as i was waiting for this part after baishe shrabon for so long then it finally arrived. You can see Prosenjit (bumba) da is getting old still so energetic and the look is so good in this film continuing from baishe shrabon. I will recommend everyone to watch it.

A well-crafted crime thriller movie keeps the audience engaged with a compelling narrative. This movie is one of them. Ten avatars of lord Vishnu represents Matsya; Kurma; Varaha; Narasimha; Vamana; Parashurama; Rama; Krishna; Buddha; and Kalki. And deaths become tragedy when Biswaroop Bardhan aka Jishu Sengupta thinks of himself as Kalki. According to ten avatars he starts killing people with perfection and leaving sandalwood bracelet as an evidence becomes a habit. Probir Roy Chowdhury aka Prosenjit Chatterjee is a serial killer expert, as well as ill tempered and foul mouthed. In a bar Probir Roy Chowdhury meets Inspector Poddar aka Anirban Bhattacharya who energetic and grumpy at the same time and conversation starts with impoliteness. Jaw-dropping moment happens when Head of Police Department assigns two of them for find out the serial killer of this massacre. This movie is undoubtedly much more adventurous and entertaining, while watching Dawsham Avotaar definitely you won't get bored for a second. You can feel the beauty of love around the corner when Inspector Poddar falls in love with Moitreyee Ghatak aka Jaya Ashan. And the plot twist at end becomes heart-wrenching as you have already become one of them into the plot. The wait for the next part becomes a communal experience, with fans discussing theories and predictions, contributing to the overall excitement. As we become emotionally invested in the characters and their journeys, the desire to uncover the next chapter intensifies. Brace yourselves for another great part 2 as a gift from Srijit Mukherji.