A gun-for-hire known only as Agent 47 hired by a group known only as 'The Organization' is ensnared in a political conspiracy, which finds him pursued by both Interpol and the Russian military as he treks across Russia and Eastern Europe.
In the south of France, former special-ops mercenary Frank Martin enters into a game of chess with a femme-fatale and her three sidekicks who are looking for revenge against a sinister Russian kingpin.
Coming together to solve a series of murders in New York City are a police detective whose family was slain as part of a conspiracy and an assassin out to avenge her sister's death. The duo will be hunted by the police, the mob, and a ruthless corporation.
Bishop thought he had put his murderous past behind him, until his most formidable foe kidnaps the love of his life. Now he is forced to complete three impossible assassinations, and do what he does best: make them look like accidents.
Tommy Lee Jones
HITMAN: AGENT 47 centers on an elite assassin who was genetically engineered from conception to be the perfect killing machine, and is known only by the last two digits on the barcode tattooed on the back of his neck. He is the culmination of decades of research and forty-six earlier Agent clones -- endowing him with unprecedented strength, speed, stamina and intelligence. His latest target is a mega-corporation that plans to unlock the secret of Agent 47's past to create an army of killers whose powers surpass even his own. Teaming up with a young woman who may hold the secret to overcoming their powerful and clandestine enemies, 47 confronts stunning revelations about his own origins and squares off in an epic battle with his deadliest foe.Written by
20th Century Fox
Seen in the trailer is Agent 47 wearing the uniform of a dispatched police officer as a disguise to aid his escape, a staple of the Hitman games. See more »
When Agent 47 and John Smith are being detained at the embassy, Agent 47 finds a way to fire his sniper rifle. When he does, the bullet reaches the glass behind him and cracks it. In the next scene John Smith jumps into the glass breaking it completely. This type of glass is bullet-proof and shouldn't be able to break like that. See more »
The history of man is defined by war. And war by the men who fight it. What if we could create a better man? Someone did.
The Agent program was initiated in August of 1967 by a man named Peter Aaron Litvenko. It's purpose was to create the perfect killing machine. Human beings without emotion, or fear, or remorse. The resulting subjects were called, Agents. The Program was a success. But the price of creating men without humanity, was Litvenko's conscience.
Applying his ...
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SPOILER: In a mid-credits scene, the camera zooms over Smith's body, now with white hair, to reveal he's still alive. This is the origin of The Albino villain of the franchise. See more »
Hit-man: Agent 47 teems with spectacularly choreographed action scenes, so real looking you would think you are actually watching a real video game, like the one the film's based upon. But you can't expect more than that. Outside the territory of its gore explosiveness and visual intensity, stretches bare ground of pure dumbness, of pointless narrative entanglements, that is more often bereft of sense and tension, you probably wouldn't care to follow. It's ironic, really, when the film itself suits itself as a complex one, but barely constructs a coherent storyline to make us drawn and interested. It's an effort to lay groundworks for supposedly incoming conflicts and answers, but the thinly-structured backstories, more often than not, mess up during the process.
The narrative is complex. That's probably what first time director, Alexandre Bach, and his team of writers, want to claim. That's one easy thing to justify when you've stuffed your storyline with bunch of needless, if not poorly-structured expositories, but looking at it as a whole, it's basically just about a genetically-engineered assassin trying to stop a malevolent organization from making more killing machines like him. This involves going after a girl named Katia (Hannah Ware), who is actually the daughter of our hero's creator. In pursuit of her, is Agent 47(Rupert Friend), the last and perfect, of his kind, and John Smith (Zachary Quinto) of the international criminal organization, Syndicate International (nope, not the one we heard in Tom Cruise's Mission Impossible). Katia, herself, has been trying to locate her father, and that's exactly the information the 'Syndicate' hopes to get from her, so they could resume creating more of Agent 47's kind, a dream only Katia's father could help them fulfill.
Once the adrenaline picks up, deadly cat and mouse chases follow, and explosive breath-takingly executed fight setpieces roll out like dominoes, as if nothing can't stop them.'Hit-man' works fine with this set up, and those who only look for action of such seismic scale, should get satisfied, but for a film that actually seems to aim achievements far beyond just perfectly-choreographed violence and visually explosive setpieces, this film is a misfire.
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