Before being sent to serve in Vietnam, two brothers and their girlfriends take one last road trip, but when they get into an accident, a terrifying experience will take them to a secluded house of horrors, with a chainsaw-wielding killer.
Bodies are turning up around the city, each having met a uniquely gruesome demise. As the investigation proceeds, evidence points to one suspect: John Kramer, the man known as Jigsaw, who has been dead for over 10 years.
Callum Keith Rennie
A desperate single mother moves with her three children into the notorious, supposedly haunted, real-life Amityville house to try and use its dark powers to cure her comatose son. Things go horribly wrong.
Jennifer Jason Leigh,
A violent teen and three others kidnap a young nurse while escaping from a Texas mental institution. Pursued by a vengeful sheriff, the disturbed young man embarks on a murderous rampage that shapes him into a legendary killer known as Leather face.
Number 1 rule of Horror! No origin story. What's this? An origin story. As many said before, and I've said since seeing the amazing 1973 version at a 80's re-release drive-in, it worked because of the mystery, atmosphere, and NO GORE. So basically, Leatherface 17 basically does every single thing the original didn't do to make it the film it was.
Are the filmmakers aware of that? Do they care? Do they know origin stories are bad financial decisions for horror properties? If I were credited exec producer Tobe Hooper (RIP), I would have made sure to pass away before seeing this too. It is a better option. No, really, die before seeing this.
As Scorsese says as he continues to sell out "cinema is dead". This is a mean, inept, nasty, badly overacted at every breath. It has more production value than the 1994 version. Haven't seen all the TC films, but somehow this makes the Matthew Mcconaughey film look like a gem. In an attempt to be relevant, they added forced shock as there is a sex scene taking place on top of a dead body. Lame. And this is a no-no to say subjectively in a review, but there is definitely something wrong with you if you like these kind of movies. And I've seen Henry/Cannibal Holocaust/Serbian Film - don't condone those, but there's a point to them, at least. These statements will make people outraged, but the real fright is, nobody will be outraged that film content like this is normal these days. Worst part is, all the imagination this property can offer is fully drained from this Bulgaria filmed outing.
Lili Taylor tries to underact. To think, she and Stephen Dorff had respectable careers at one time in the 90's, and before. It doesn't get too much lower than ending up in a Z-grade version of a 40 year old horror classic, that goes direct to streaming and forgotten in a few days.
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