A former American intelligence specialist was given the longest sentence for the unauthorized release of government information to the media about Russian interference in the 2016 United States elections via an email operation.
Director:
Writers:
Awards:
- 5 wins & 12 nominations.
- See more »
Photos and Videos
Cast verified as complete
| Sydney Sweeney | ... |
Reality Winner
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| Josh Hamilton | ... |
Agent Garrick
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| Marchánt Davis | ... |
Agent Taylor
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| Benny Elledge | ... |
Joe (Unknown Male)
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| John Way | ... |
FBI Agent
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Darby | ... |
Mickey
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Arlo | ... |
Mina
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| Rest of cast listed alphabetically: | |||
| Kristoffe Brodeur | ... |
FBI Agent (uncredited)
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| Allan Anthony Smith | ... |
FBI Agent (uncredited)
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Directed by
| Tina Satter | ||
Written by
| Tina Satter | ... | (screenplay by) & |
| James Paul Dallas | ... | (screenplay by) |
| Tina Satter | ... | (based on the play by) |
Produced by
| Andrew Beck | ... | executive producer |
| Brad Becker-Parton | ... | producer (p.g.a.) |
| Emily Bergquist | ... | associate producer: Seaview |
| Ellyn Daniels | ... | executive producer |
| Eva Maria Daniels | ... | executive producer |
| David Duque-Estrada | ... | co-producer |
| Philipp Engelhorn | ... | executive producer |
| Daniel Ginsberg | ... | executive producer |
| Caitlin Gold | ... | executive producer |
| Riva Marker | ... | producer (p.g.a.) |
| Greg Nobile | ... | producer |
| Will O'Connor | ... | executive producer |
| Tina Satter | ... | executive producer |
| Noah Stahl | ... | producer (p.g.a.) |
| Rita Walsh | ... | co-producer |
| Bill Way | ... | executive producer |
| Elliott Whitton | ... | executive producer |
Music by
| Nathan Micay | ... | (music by) |
Cinematography by
| Paul Yee | ... | director of photography |
Editing by
| Ron Dulin | ||
| Jennifer Vecchiarello | ||
Editorial Department
| Jennifer Dean | ... | assistant editor |
| Alex Hartley | ... | finishing editor |
| Remy LaFlamme | ... | assistant editor |
| Chris Peterson | ... | Digital Intermediate Executive Producer |
| Marcy Robinson | ... | colorist |
| Megan Rumph | ... | digital intermediate producer |
| Ellie Zarr | ... | assistant editor |
Casting By
| Douglas Aibel | ||
Production Design by
| Tommy Love | ||
Art Direction by
| Casey McCoy | ||
Costume Design by
| Enver Chakartash | ||
Makeup Department
| Nina Bellord | ... | key hair stylist |
| Frances Bromley | ... | additional makeup artist (as Franie Bromley) |
| Sarah Graalman | ... | key makeup artist |
Production Management
| Adam Samuels | ... | unit production manager |
| Jeff Spivack | ... | production supervisor |
Second Unit Director or Assistant Director
| Gerardo Coello Escalante | ... | first assistant director |
| Berenice Simona Vignoli | ... | second assistant director |
Art Department
| Stephanie Berumen | ... | lead man |
| Sarah Deaner | ... | on-set dresser |
| Eman Akram Nader | ... | scenic painter |
| Leda Seda | ... | set dresser |
| Dana Soady | ... | art department coordinator |
Sound Department
| Ryan Billia | ... | re-recording mixer / sound designer / supervising sound editor |
| Rati Chkhetiani | ... | foley editor |
| Dennis Dembeck | ... | adr editor |
| Matthew Ericson | ... | sound effects editor / sound mixer |
| Biko Gogaladze | ... | foley artist |
| Beso Kacharava | ... | supervising foley editor |
| Giorgi Lekishvili | ... | foley mixer |
| Lisa McClung | ... | senior producer: sound post |
| Heather Monetti | ... | sound mixer |
| Alexander Sanikidze | ... | foley editor |
| Alex Stuart | ... | sound effects editor |
| Roberto Cappannelli | ... | re-recording mixer (uncredited) |
| Glen Alger Schricker | ... | Dolby Atmos re-recording mixer (uncredited) |
Visual Effects by
| Bridget Fullan | ... | visual effects |
Camera and Electrical Department
| Connor Bewighouse | ... | key grip |
| Liam Dillon | ... | camera utility |
| Ross Faccio | ... | best boy electric |
| Alex Gallitano | ... | director of photography: second unit |
| Joan Michel | ... | second assistant camera |
| Brian Nelligan | ... | epk cinematographer (interview segment) |
| Rachel Parrella | ... | additional key grip / dolly grip |
| Mark Sparrough | ... | steadicam operator |
| Kevin Villafuerte | ... | gaffer |
| Mykiah Wiggins | ... | additional best boy electric |
Casting Department
| Matthew Glasner | ... | casting associate |
Costume and Wardrobe Department
| Sarah Scepansky | ... | assistant costume designer |
Location Management
| Jillian Fisher | ... | location scout |
| Alexander Leiss | ... | assistant location manager |
Music Department
| Melissa Chapman | ... | music supervisor |
| Annie Pearlman | ... | music supervisor |
Script and Continuity Department
| Sam Evoy | ... | script supervisor |
| Esha Kallianpur | ... | script supervisor |
Additional Crew
| Emily Bergquist | ... | executive assistant |
| Hayden Broom | ... | Key Office Production Assistant |
| Brandon Butler | ... | copyright counsel |
| Archie Faulks | ... | office production assistant |
| Susan Hegarty | ... | dialect coach: Sydney Sweeney |
| Chrissy Joy | ... | animal wrangler |
| Shannon Lyons | ... | assistant: Tina Salter |
| Maria Jose Owens-Fajardo | ... | H&S Supervisor |
| Pachi Rosado | ... | key production assistant |
| Mia Samuels | ... | assistant: Riva Marker |
| Erika Rose Shankman | ... | production assistant (as Erika Shankman) |
| Melina Torres | ... | creative executive |
Thanks
| Joshua Astrachan | ... | the producers wish to thank (as Josh Astrachan) |
| Jake Gyllenhaal | ... | the producers wish to thank |
| Reality Winner | ... | very special thanks |
Production Companies
- Seaview Productions
- Burn These Words (in association with)
- 2 Sq Ft
- Cinereach (in association with)
- Fit Via Vi Film Productions (in association with)
- In the Cut Productions
- Tanbark Pictures (in association with)
Distributors
- Arthaus (2024) (Russia) (theatrical)
- Arthouse Traffic (2023) (Ukraine) (theatrical)
- Cai Chang International (2023) (Taiwan) (theatrical)
- Edko Films (2023) (Hong Kong) (theatrical)
- Filmarti (2023) (Turkey) (theatrical)
- Filmin (2023) (Spain) (theatrical)
- Kismet Movies (2023) (Australia) (theatrical)
- Kismet Movies (2023) (New Zealand) (theatrical)
- Lucky Red (2023) (Italy) (theatrical)
- Metropolitan Filmexport (2023) (France) (theatrical)
- Nachsom Films (2023) (Israel) (theatrical)
- Nos Lusomundo Audiovisuais (2023) (Portugal) (theatrical)
- Plaion Pictures (2024) (Germany) (theatrical)
- Plaion (2023) (Austria) (theatrical)
- Plaion (2023) (Switzerland) (theatrical)
- September Film (2023) (Netherlands) (theatrical)
- Spentzos Films (2023) (Greece) (theatrical)
- Transformer (2023) (Japan) (theatrical)
- Vertigo Releasing (2023) (United Kingdom) (theatrical)
- Angel Films (2023) (Denmark)
- Front Row Filmed Entertainment (2023) (United Arab Emirates) (Middle East, North Africa and Iran)
- HBO Films (2023) (United States)
- Home Box Office (HBO) (2023) (United States) (tv)
- M2 Films (2023) (Poland)
- Max (2023) (United States) (video) (VOD)
- Metropolitan Film & Video (2024) (France) (Blu-ray)
- Plaion Pictures (2024) (Germany) (Blu-ray)
- Plaion Pictures (2024) (Germany) (DVD)
Special Effects
Other Companies
- Endcrawl.com (end titles made with)
Storyline
| Plot Summary |
Profiles the arrest of 25 year-old Air Force linguist and NSA contractor Reality Winner for leaking classified information pertaining to Russian interference in the 2016 US Presidential election to the press. Adapted from the 2019 stage play, with dialogue pulled directly from Reality Winner's FBI interview. Written by mxbray |
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| Parents Guide | View content advisory » |
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Did You Know?
| Trivia | The film was shot in chronological order over 16 days. See more » |
| Goofs | While 'Unknown Male' stands watch outside the door of the backroom, his digital wristwatch shows 12:50 while the real time shown in the overlay is 16:56. See more » |
| Movie Connections | Features Real Time with Bill Maher (2003). See more » |