The untold story of the last days in the tragic times of Oscar Wilde, a person who observes his own failure with ironic distance and regards the difficulties that beset his life with detachment and humor.
One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontline of conflicts across the globe to give voice to the voiceless.
In a cheap Parisian hotel room Oscar Wilde lies on his death bed. The past floods back, taking him to other times and places. Was he once the most famous man in London? The artist crucified by a society that once worshipped him? Under the microscope of death he reviews the failed attempt to reconcile with his long suffering wife Constance, the ensuing reprisal of his fatal love affair with Lord Alfred Douglas and the warmth and devotion of Robbie Ross, who tried and failed to save him from himself. Travelling through Wilde's final act and journeys through England, France and Italy, the transience of lust is laid bare and the true riches of love are revealed. It is a portrait of the dark side of a genius who lived and died for love.Written by
Beta Film GmbH
Directorial debut of Rupert Everett. Also marks as his first film screenplay. This was such a passion project for Everett that he tried to get the movie made for ten years, all the while rejecting other film roles so that he would remain available if the project was ever green-lit. See more »
Naples, 1897: in an argument, Bosie states that Oscar uses "pancake" makeup. Pancake wasn't invented until the 1930s, by Max Factor. See more »
A solid biopic about Oscar Wilde with a terrific Rupert Everett in the leading role. A great transformation not only physically but also his whole mechanisms as an actor are totally redefined. I would not be surprised if his performance as legendary poet and playwright Oscar Wilde will actually get him Oscar attention next year. Its definitely a performance they soak up and adore. The film itself was fine, but nothing to write home about. I had some troubles with Rupert Everett's direction actually. It could have been better set up and the narrative was a bit weird at times. Performance wise it was not only because of Everett's undoubtedly great performance good. Emily Watson shines as his estranged wife but I had hoped she would have more screen time as she really lived that character and although the screen time was limited she really shined in all of her scenes. Colin Firth was good as well and took care about some comedic relief in a at times too dry biopic.
The score was good and the cinematography fine - offering a lot of beautiful sceneries. Definitely worth to check out for the performance and if you are a fan of Wilde himself as they depict him and his work and language just well.
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