Directed by
| David Kinsella | ||
Writing Credits (in alphabetical order)
| Anna Sirota | ... | (written by) |
Cast
| Alexandra Fasola | ... | Narration (voice) | |
Produced by
| Ivar Hartviksen | ... | producer |
| David Kinsella | ... | producer |
Music by
| Haim Frank Ilfman | ||
Cinematography by
| David Kinsella | ||
| Stanislav Levshin | ||
Editing by
| Serban Georgescu | ||
Production Management
| David Kinsella | ... | production manager |
| Paul Vlad | ... | post-production manager |
Sound Department
| Andi Dumitrescu | ... | sound post production |
| Guy Landau | ... | recorded and mixed by |
Visual Effects by
| Serban Jipa | ... | vfx & design |
Camera and Electrical Department
| David Kinsella | ... | still photographer |
| Stanislav Levshin | ... | still photographer |
Editorial Department
| Serban Georgescu | ... | on-line editor |
| Kolectiv | ... | post-production: studio |
Music Department
| Hayim Adelmo | ... | orchestration |
| Jane Bird | ... | mezzo-soprano |
| Vittoria Colonna | ... | score consultant |
| Hannes Frischat | ... | musician: strings ensemble recorded and constructed by (as Hannes Frischat Viola) |
| Pamela Hay | ... | soprano |
| James Hermann | ... | acoustic manipulation |
| Haim Frank Ilfman | ... | orchestration (as Frank Ilfman) |
| Ravid Kahalani | ... | countertenor |
| Garry Lynn | ... | musician: brush instruments |
| Martin May | ... | drones and noises |
Script and Continuity Department
| Tobin Auber | ... | script translator |
Additional Crew
| Toril Simonsen | ... | head of international relations |
| Anna Sirota | ... | research |
Thanks
| Anca Berlogea | ... | thanks |
| Adriana Honaca | ... | thanks |
| Igor Karasev | ... | thanks |
| Sissel Larsen | ... | thanks |
| Kalle Løchen | ... | our special gratitude goes to: Norwegian Film Fund |
| Alan Maher | ... | thanks: ifb |
| Oana Muntean | ... | thanks |
| Luba Selivanova | ... | thanks |
