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A Private War (2018)

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One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontline of conflicts across the globe to give voice to the voiceless.

Director:

Matthew Heineman

Writers:

Arash Amel, Marie Brenner (based on the Vanity Fair article "Marie Colvin's Private War" by)
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Popularity
2,001 ( 349)
Nominated for 2 Golden Globes. Another 2 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Rosamund Pike ... Marie Colvin
Greg Wise ... Professor David Irens
Alexandra Moen ... Zoe
Tom Hollander ... Sean Ryan
Faye Marsay ... Kate Richardson
Jesuthasan Antonythasan ... Thamilselvan
Raman Srinivasan Raman Srinivasan ... Tamil Group Leader
Natasha Jayetileke ... Sri Lankan Nurse
Nikki Amuka-Bird ... Rita Williams
Amanda Drew Amanda Drew ... Amy Bentham
Hilton McRae Hilton McRae ... Adam Watkins
Fady Elsayed ... Mourad
Tristan Tait Tristan Tait ... US Public Affairs Officer
Corey Johnson ... Norm Coburn
Jamie Dornan ... Paul Conroy
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Storyline

In a world where journalism is under attack, Marie Colvin (Rosamund Pike) is one of the most celebrated war correspondents of our time. Colvin is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless, while constantly testing the limits between bravery and bravado. After being hit by a grenade in Sri Lanka, she wears a distinctive eye patch and is still as comfortable sipping martinis with London's elite as she is confronting dictators. Colvin sacrifices loving relationships, and over time, her personal life starts to unravel as the trauma she's witnessed takes its toll. Yet, her mission to show the true cost of war leads her -- along with renowned war photographer Paul Conroy (Jamie Dornan) -- to embark on the most dangerous assignment of their lives in the besieged Syrian city of Homs. Written by Aviron Pictures

Plot Summary | Add Synopsis

Taglines:

The Most Powerful Weapon is the Truth

Genres:

Biography | Drama | War

Motion Picture Rating (MPAA)

Rated R for disturbing violent images, language throughout, and brief sexuality/nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English

Release Date:

16 November 2018 (USA) See more »

Also Known As:

A Private War See more »

Filming Locations:

Jordan See more »

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Box Office

Opening Weekend USA:

$60,491, 4 November 2018, Limited Release

Gross USA:

$1,633,208, 24 January 2019
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

In a piece for Harper's Bazaar dated 4 December 2018, war correspondent Janine di Giovanni, who knew Marie Colvin, writes critically of the film: "There were no good guys at the Sunday Times, where Colvin worked, who cared for her well-being. There were instead editors who wanted scoops at the expense of the safety of their reporters. Colvin had many friends in London, but none of them were similar to the Bridget Jones-style girlfriend character (portrayed by Nikki Amuka-Bird) in the film. Her last boyfriend was not a caring and loving Stanley Tucci but rather a man who gave her immense heartache and distress. There were no 'heads on sticks' in Bosnia, as the character meant to be Colvin's first husband, Patrick Bishop, says in one of the opening scenes (heads were on sticks in Chechnya). Colvin's second husband, Juan Carlos Gumucio, is erased from the script altogether, though he played an important role in her life." Although positive about Rosamund Pike's performance, she recommends that her readers watch the documentary Bearing Witness (2005) instead. See more »

Goofs

TelePrompTers are seen in a hospital reflected in a man's eyeglasses. See more »

Quotes

Marie Colvin: Your apartment looks like Patrick Bateman's London nightmare.
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Soundtracks

Bet You Never Thought
Written by Matthew Kerstein
Performed by Brighton MA (as Brighton, MA)
Courtesy of Aperture Music
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Frequently Asked Questions

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User Reviews

 
Heineman and Pike excel
10 November 2018 | by ferguson-6See all my reviews

Greetings again from the darkness. Marie Colvin was a (seemingly) fearless war correspondent obsessed with giving a voice to those forgotten during war. Were she alive today, she could not have hand-picked a better filmmaker than Matthew Heineman to tell her story. Director Heineman was Oscar nominated for CARTEL LAND (2014) and, combined with his CITY OF GHOSTS (2017), gives him two of the best ever documentaries that show what the front lines are like in both international wars and the equally dangerous wars being fought over drug territories. Heineman has carried his own camera directly into the center of those storms, while Ms. Colvin took her pen and pad. Simpatico.

Based on Marie Brenner's Vanity Fair article "Marie Colvin's Private War" (screenplay by Arash Amel), the film benefits from the extraordinary and courageous work of Ms. Colvin, and also a terrific performance from Rosamund Pike (words I've not previously written). Ms. Pike captures the extremes of Ms. Colvin's life - the atrocities of war and the self-prescribed treatment of her PTSD through vodka, and does so in a manner that always seems believable. She lets us in to a world most of us can't imagine.

As a war correspondent for Britain's Sunday Times (since 1986), Ms. Colvin told the stories we'd rather not know. In her words, "I saw it, so you don't have to." The film begins with a stunning overhead view of 2012 war-ravaged Homs Syria (destruction courtesy of Assad's soldiers) - a place that starts the film and later ends the story. We then flash back to 2001 London so we can witness Marie in society and struggling with a personal relationship. She then chooses, against her editor's (Tom Hollander) guidance to cover Sri Lanka. It's a decision that cost her an eye, while also providing her recognition as the eye-patch wearing female war reporter.

In 2003, a tip takes her to a previously undiscovered mass grave site in Fallujah. This is her first work alongside photographer Paul Conroy (played by Jamie Dornan). Having "seen more war than most soldiers", Ms. Colvin's severe alcoholism can't kill the nightmares, visions, and PTSD. After time in a clinic, she returns to work. We see her in 2009 Afghanistan and then pulling no punches when interviewing Libya's Muammar Gaddafi in 2011. During these assignments, we learn much about Ms. Colvin's personality and approach. She is rarely without a cigarette, admits to wearing Le Perla lingerie (and why), carries Martha Gellhorn's "The Face of War" as her field manual, and wins two British Foreign Journalist of the Year awards - though seeing her at the banquets is quite surreal.

Hollander's subtle performance as news editor Sean Ryan is also quite impressive. He fears for her safety (and even questions her sanity) but is in constant conflict with the need to sell newspapers - something Ms. Colvin's stories certainly did. Stanley Tucci has a role as Tony Shaw, her love interest, but despite her words, we never believe he and his sailboat are ever more than a distraction from her obsession with the front lines. The final sequence in 2012 Homs Syria is stunning, as is her final interview with Anderson Cooper on CNN.

Ms. Pike has altered her voice to mimic the deeper tone of Marie Colvin - her efforts confirmed in the final interview played at the film's end. It's quite a career boost for Ms. Pike, who has previously been known for playing ice queens in films like GONE GIRL. She captures the traumatized Marie, but also the obsession of someone whose DNA constantly drove her back to the stories that needed to be told.

Director Heineman's unique perspective combined with the cinematography of 3 time Oscar winner Robert Richardson (a favorite of Scorcese, Tarantino, and Oliver Stone) delivers a realism of war that we rarely see on screen. Mr. Richardson also shot SALVADOR (1986) and PLATOON (1986) and his work here surpasses both. The film gives us a glimpse at the psychological effects of such reporting, and a feel for the constant stress of being surrounded by tragedy and danger. This is fitting tribute to a courageous and very skilled woman, although I do wish the men weren't constantly helping her out of trucks and jeeps.


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