The Disappointments Room (2016)
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- R
- 1h 31min
- Drama, Horror
- 09 Sep 2016 (USA)
- Movie
A mother and her young son release unimaginable horrors from the attic of their rural dream home.
Director:
Writers:
Stars:
Award:
- 1 nomination.
- See more »
Photos and Videos
Cast
| Kate Beckinsale | ... |
Dana Barrow
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| Mel Raido | ... |
David Barrow
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| Duncan Joiner | ... |
Lucas Barrow
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| Lucas Till | ... |
Ben
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| Michaela Conlin | ... |
Jules
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| Michael Landes | ... |
Teddy
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| Marcia DeRousse | ... |
Ms. Judith
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| Celia Weston | ... |
Marti
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| Charles Carroll | ... |
Old Man
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Ella Jones | ... |
Girl in the Yellow Dress
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| Gerald McRaney | ... |
Judge Blacker
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| Jennifer Leigh Mann | ... |
Mrs. Blacker
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| Joely Fisher | ... |
Psychiatrist
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| Rest of cast listed alphabetically: | |||
| Heather Jaynes | ... |
Background
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Larry Moxley | ... |
Ghost
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Mike Bizon | ... |
Garden Party Attendee (uncredited)
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Jay Bronson | ... |
Pedestrian (uncredited)
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Robert Caponi | ... |
Pedestrian (uncredited)
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Jacob Crickenberger | ... |
Ghost (uncredited)
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Melissa Eastwood | ... |
Period-Guilt Ridden Woman (uncredited)
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Rebecca Kerns | ... |
Pedestrian (uncredited)
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Chris Matheny | ... |
Ghost (uncredited)
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Robert McRary | ... |
Ghost (uncredited)
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| Gary Pezzullo | ... |
Garden Party Attendee (uncredited)
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Peabody Southwell | ... |
Singer (uncredited)
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Steve Stamey | ... |
Pedestrian (uncredited)
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| Michael Zovistoski | ... |
Pedestrian (uncredited)
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Directed by
| D.J. Caruso | ||
Written by
| Wentworth Miller | ... | (written by) and |
| D.J. Caruso | ... | (written by) |
Produced by
| Robbie Brenner | ... | executive producer |
| Ron Burkle | ... | executive producer |
| Nicolas Charles | ... | associate producer |
| Jason Colbeck | ... | executive producer |
| Christopher Davey | ... | co-producer |
| Sam Englebardt | ... | executive producer |
| Adam Fields | ... | executive producer |
| Tony Grazia | ... | line producer |
| Ken Halsband | ... | co-producer (as Kenneth L. Halsband) |
| Simon Horsman | ... | executive producer |
| William D. Johnson | ... | executive producer |
| Ryan Kavanaugh | ... | producer |
| Geyer Kosinski | ... | producer |
| Wentworth Miller | ... | executive producer |
| Patrick Murray | ... | associate producer |
| Vincent Garcia Newman | ... | producer (as Vincent Newman) |
| Jay Osterman | ... | associate producer |
| Patrick Peach | ... | line producer |
| Jeffrey Soros | ... | executive producer |
| Tucker Tooley | ... | executive producer |
Music by
| Brian Tyler | ... | composer |
Cinematography by
| Rogier Stoffers | ... | director of photography |
Editing by
| Vince Filippone | ||
Editorial Department
| James L. Bills | ... | colorist: dailies |
| Jason Fabbro | ... | digital intermediate colorist |
| Yang Hua Hu | ... | physical and post production media assistant: Relativity |
| Rowan Maher | ... | first assistant editor |
| Julian McDougald | ... | digital intermediate producer |
| Mike Sowa | ... | digital preview colorist |
| Chris Van Duyn | ... | dailies operations: Technicolor |
| Denise Woodgerd | ... | dailies producer |
| Valance Eisleben | ... | digital conform preview editor (uncredited) |
Casting By
| Deborah Aquila | ||
| Mark Fincannon | ||
| Tricia Wood | ||
| Lisa Zagoria | ||
Production Design by
| Tom Southwell | ||
Art Direction by
| Kevin Hardison | ||
Costume Design by
| Marian Toy | ||
Makeup Department
| Jamie Kelman | ... | prosthetic makeup artist: for KNB EFX |
| Jennifer McCollom | ... | makeup artist |
| Christina Raye | ... | hair department head |
Production Management
| James M. Freitag | ... | unit production manager |
| Ken Halsband | ... | executive in charge of production (as Kenneth L. Halsband) |
| Bass Hampton | ... | production supervisor: Reshoots |
| Christopher Kulikowski | ... | post-production supervisor |
| Allen Kupetsky | ... | unit production manager: second unit/additional photography |
| Pascal Vaguelsy | ... | post-production supervisor |
Second Unit Director or Assistant Director
| James M. Freitag | ... | first assistant director |
| Corey L. Howard | ... | second second assistant director: additional photography |
| Allen Kupetsky | ... | second assistant director |
| Jeff Overfield | ... | second second assistant director |
Art Department
| Jacob Allen | ... | art department pa: day player |
| Mark Burette Austin | ... | propmaker |
| Jessica Baker | ... | set decoration buyer |
| Phillip Banner | ... | key greensman |
| Steven P. Brown | ... | on set scenic |
| Gloria Hardison Clark | ... | art dept. coordinator |
| Daniel Deas | ... | set dresser |
| Jordan Foster | ... | set dresser |
| Lindsay Glick | ... | on-set dresser |
| Mollie Howey | ... | painter |
| Richard Krish | ... | leadman |
| William S. Lake | ... | propmaker |
| Bruce Larsen | ... | deformed skeleton: dead baby |
| Twig Leveque | ... | assistant property master |
| Channing Mentzer | ... | construction coordinator (as Thomas C. Mentzer) |
| Lenual Mukai | ... | on-set dresser |
| Brian Murray | ... | storyboard artist |
| Carrie Norfleet | ... | production assistant |
| John J. Passanante | ... | key scenic painter |
| Gregg Perez | ... | leadman |
| Freddy Phelps | ... | set dresser |
| John Pundt | ... | graphic artist |
| Ryan Risinger | ... | greensman |
| Andrew Rogers | ... | graphic designer |
| Kelly Rubottom | ... | assistant property master |
| Mike Scherschel | ... | property master |
| Kristina Stevenson | ... | assistant property master |
| Dan Sweetman | ... | storyboard artist |
| Steffan Taube | ... | greensmen |
| Deanna Tilley | ... | prop assistant: day player |
| Matt Walkowski | ... | props |
| Christopher Wicker | ... | construction gangboss |
Sound Department
| James Ashwill | ... | foley mixer |
| Jeffree Bloomer | ... | sound mixer |
| Kellen Bloomer | ... | sound utility |
| Anthony Cargioli | ... | boom operator |
| Timothy Cargioli | ... | boom operator: additional photography |
| Nicholas Cochran | ... | adr recordist (as Nick Cochran) |
| Blake Collins | ... | foley mixer |
| Chris David | ... | re-recording mixer |
| Robert Dehn | ... | Sound Studio Manager / sound studio manager |
| John Guentner | ... | foley mixer |
| Adam Johnson | ... | epk sound mixer |
| Tim Limer | ... | sound recordist |
| Donnie Little | ... | audio engineer |
| Travis MacKay | ... | adr mixer |
| Willie Elias Rivera | ... | adr (as Willie Elias) |
| Leslie Shatz | ... | re-recording mixer |
| D. Chris Smith | ... | sound designer |
| John C. Stuver | ... | dialogue editor |
| David Young | ... | audio engineer |
Visual Effects by
| Brandon Caruso | ... | visual effects production assistant |
| Jorge Jaramillo | ... | visual effects coordinator |
| Jasen Nannini | ... | visual effects producer / visual effects supervisor |
Stunts
| Kennedy Brice | ... | stunt performer |
| Melissa Eastwood | ... | stunt performer |
| Artie Malesci | ... | stunt coordinator |
| Brooklyn Proctor | ... | stunt double |
| Jennie Reddick | ... | stunt double: Dana (as Jennie Parrish) / stunt double: Mrs. Blacker (as Jennie Parrish) |
Camera and Electrical Department
| Jayson Barber | ... | grip |
| Tyler Borden | ... | digital utility |
| Derrick M. Brown | ... | dolly grip: b camera / grip |
| Stephen Cabinum | ... | lighting technician |
| Brent Christy | ... | additional electrician |
| Conor Daily | ... | grip |
| Rick Davidson | ... | camera operator: "a" camera/steadicam |
| Lee Donaldson | ... | key grip: re-shoots |
| Jason Dunn | ... | grip |
| Gregg Easterbrook | ... | camera operator: "b" camera / director of photography: second unit |
| Kahlil Fadel | ... | electrician |
| Bob Gorelick | ... | steadicam operator |
| Ben D. Griffith Jr. | ... | key grip |
| Zsolt P. Haraszti | ... | assistant camera |
| Chris A. Herbert | ... | key rigging grip (as Chris Herbert) |
| Rodney Hoffman | ... | grip / key grip: re-shoots |
| Greg Hudgins | ... | 2nd unit gaffer / electrician |
| Peter Iovino | ... | still photographer |
| Jason Johnson | ... | digital imaging technician |
| Matthew Krieg | ... | grip |
| Jon Ladd | ... | electrician |
| Dan Lewis | ... | assistant chief lighting technician |
| Frank McGough | ... | gaffer: re-shoots |
| Mark C. McManus | ... | hd video assist operator |
| Matthew B. Moore | ... | grip |
| Daniel Murphy | ... | gaffer |
| Shannon Murphy | ... | camera assistant: second camera |
| Timothy Oates | ... | video assist operator: second unit |
| R. Michael Sasser | ... | grip: day player |
| Martin Schaer | ... | a camera operator |
| Chase Schultz | ... | second assistant camera |
| Jason Sutton | ... | libra head tech |
| Laura Thompson | ... | first assistant camera: "b" camera |
| Tommy Tieche | ... | first assistant camera: "a" camera |
| Dylan Trivette | ... | epk & behind the scenes |
| Court Wheeler | ... | electrician |
Casting Department
| Amanda Hoey | ... | extras casting |
| Phil Newsome | ... | extras casting |
Costume and Wardrobe Department
| Caitlin 'Cat' Booth | ... | costume assistant |
| Tom Macdonald | ... | costume supervisor |
| Esther Marquis | ... | head textile artist |
| Maryssa Stumpf | ... | costume production assistant |
| Dawn M. Williams | ... | principal costumer |
Location Management
| Sean Beck | ... | location assistant |
| Randy Byers | ... | location scout |
| Ian Easterbrook | ... | location assistant |
| Ellen Pfirrmann | ... | location manager |
Music Department
| Craig Beckett | ... | score recordist |
| Elaine Beckett | ... | score coordinator |
| Bob Bowen | ... | music supervisor |
| Ian Broucek | ... | music coordinator |
| John Carey | ... | music arranger |
| Kyle Clausen | ... | assistant music editor |
| Evan Duffy | ... | music arrangements |
| Greg Hayes | ... | music scoring mixer |
| Alex Henery | ... | musician contractor |
| Joe Lisanti | ... | music editor/score co-producer |
| Phil McGowan | ... | score mix recordist |
| M.R. Miller | ... | scoring assistant |
| Peter Oso Snell | ... | music editor: temp score |
| Happy Walters | ... | music supervisor |
Script and Continuity Department
| D.J. Barton | ... | script supervisor |
| Lauren Buehler | ... | script supervisor: additional photography |
| Steve Deering | ... | script coverage |
Transportation Department
| Josh Barker | ... | driver: Kate Beckinsale |
| D.J. Hall | ... | picture car coordinator / transportation coordinator |
| Randall Milazzo | ... | driver |
| Debbie Lane | ... | driver (uncredited) |
Additional Crew
| Stephen Adler | ... | physical and post production coordinator: Relativity Studios |
| Marisa A. Avila | ... | assistant to producers |
| Sean Balogh | ... | second assistant accountant |
| Josh Barker | ... | assistant: Kate Beckinsale |
| Laura Bartlett | ... | studio teacher |
| Paris Blue | ... | photo double: Laura (as Paris Parker) |
| Torrance Booth | ... | lead medic |
| Eden Cohen | ... | production legal |
| Dawn Darfus | ... | production finance executive |
| Francesca DeLutis | ... | assistant: Kate Beckinsale |
| Melissa Eastwood | ... | production assistant (uncredited) |
| Kimberly Edwards | ... | post production accountant |
| Karen Ellison | ... | studio teacher |
| Allison Ewart | ... | director: Physical Production |
| Heather Fielding | ... | miscellaneous crew |
| John Funk | ... | Assistant to Producer - Vincent Newman |
| Jennifer Trino Gagne | ... | animal wrangler |
| Kate Gilbert | ... | set production assistant |
| Khristian Godbout | ... | animal trainer |
| Brandon Goertz | ... | unit manager: additional photography |
| Grayson Grazia | ... | production assistant |
| Kirk Gunton | ... | production assistant |
| Daniel Herther | ... | studio executive |
| Jamie Hill | ... | animal handler (as Jamie Stimach) |
| Lisa Hodge | ... | scenic p.a. |
| Charley Hoover | ... | production assistant |
| Jennifer Irvine | ... | production coordinator |
| Dan A.R. Kelly | ... | second assistant accountant |
| Andy Levin | ... | general counsel: Relativity |
| Andrew Lipschultz | ... | unit publicist |
| David Merrill | ... | physical and post production media coordinator: Relativity Studios |
| Jon Milano | ... | physical and post production coordinator: Relativity Studios |
| Bernice Miller | ... | production secretary |
| Westley Moore | ... | production assistant |
| David Muscatine | ... | first assistant accountant |
| Tracy Oliver | ... | animal trainer |
| Jay Osterman | ... | associate producer |
| Marcel Pinkowski | ... | production assistant |
| Jacqueline Roberts | ... | payroll accountant |
| Dirk Rogers | ... | special effects technician for K.N.B. efx group |
| Cassidy Sanchez | ... | animal provider |
| Mark Sanchez | ... | animal supplier |
| Phil Smoot | ... | production consultant |
| Adam M. Stone | ... | product placement coordinator |
| Cat Stone | ... | product placement coordinator |
| Brad Tarnowsky | ... | production assistant |
| Sami Tesfay | ... | additional assistant |
| Paige VanTassell | ... | asst. location mgr. |
| Cindy Villa | ... | assistant: Mr. Tooley |
| Richard D Wallace | ... | Propmaker |
| Sid Yost | ... | animal coordinator |
| Jeff Maynard | ... | consultant (uncredited) |
Thanks
| Brian Baumgardner | ... | personal thanks |
| Sheila Benson | ... | personal thanks (as Sheila Benson Tooley) |
| Kelly Canter | ... | personal thanks |
| Ken Canter | ... | personal thanks |
| Travis Carter | ... | personal thanks |
| Rebecca Clark | ... | personal thanks |
| Bret Cohen | ... | personal thanks |
| David Cooley | ... | personal thanks |
| Dawn R. Ferry | ... | personal thanks |
| Guy Gaster | ... | personal thanks |
| Brooke Halsband | ... | personal thanks |
| Jacob Halsband | ... | personal thanks |
| Ash Harrison | ... | personal thanks |
| Kim Harrison | ... | personal thanks |
| Robert Harvey | ... | personal thanks |
| Allen Joines | ... | personal thanks |
| Tom Kartsotis | ... | personal thanks |
| Jack Kavanaugh | ... | personal thanks |
| Jessica R. Kavanaugh | ... | personal thanks |
| Leslie Kavanaugh | ... | personal thanks |
| Bob Klippstein | ... | personal thanks |
| Michael Levine | ... | personal thanks |
| Michael McGaha | ... | personal thanks |
| Stephen Murdoch | ... | personal thanks (as Steve Murdoch) |
| Danny Myers | ... | personal thanks |
| Dwight Ray | ... | personal thanks |
| Jason Rosin | ... | personal thanks |
| Susan Ruskin | ... | personal thanks (as Dean Susan Ruskin) |
| Alisa Shamosh | ... | personal thanks |
| Danny R. Shaw | ... | personal thanks |
| Easton Smith | ... | personal thanks |
| Aaron Lee Syrett | ... | personal thanks |
| Lisa Zaleon Tell | ... | personal thanks |
| Elizabeth Terrell | ... | personal thanks |
| Bill Tooley | ... | personal thanks |
| James Tooley | ... | personal thanks |
| Jasper Tooley | ... | personal thanks |
| Missy Tooley | ... | personal thanks |
| Patrick Tooley | ... | personal thanks |
| Reva Tooley | ... | personal thanks |
| Tessa Tooley | ... | personal thanks |
| Tucker Tooley | ... | personal thanks |
| Debra Walker | ... | personal thanks |
| Tamara Ward | ... | personal thanks |
Production Companies
Distributors
- Rogue Pictures (2016) (United States) (theatrical)
- Relativity EuropaCorp Distribution (RED) (2016) (United States) (theatrical)
- Energía Entusiasta (2016) (Argentina) (theatrical)
- Golden Village Pictures (2016) (Singapore) (theatrical)
- Roadshow Films (2016) (Australia) (theatrical)
- Viva International Pictures (2016) (Philippines) (theatrical)
- 20th Century Fox Home Entertainment (2016) (United States) (DVD)
- Ascot Elite Entertainment Group (2016) (Switzerland)
- Batrax Entertainment (2016) (Non-US) (multi-territory)
- Film & TV House (2016) (Non-US)
- GEM Entertainment (2016) (Non-US)
- Gulf Film (2016) (United Arab Emirates) (Middle East)
- Mongkol Major (2016) (Thailand)
- Pinema (2016) (Turkey)
- Relativity Media (2016) (United States)
- Sookie Pictures (2016) (South Korea)
- Uv Rml Films (2016) (United States) (tv)
- NOS Audiovisuais (2017) (Portugal) (theatrical)
- AMG Entertainment (2017) (Japan) (DVD)
- Universum Film (UFA) (2017) (Germany) (Blu-ray)
- Universum Film (UFA) (2017) (Germany) (DVD)
- Uv Rml Films (2018) (United States)
- Great Movies Distribution (2021) (Brazil) (video) (SVOD)
- Great Movies Distribution (2021) (Mexico) (video) (SVOD)
- Nine Network Australia (2023) (Australia) (tv)
Special Effects
- Somnyo Films (visual effects)
Other Companies
- Katrina Wan PR (film publicist)
- Pro-Cam Rentals (camera remote systems provided by)
- Simon Leadley Scoring Stage Trackdown Studios Sydney (score recorded at)
- Stone Management (product placement)
- UniFi Completion Guarantors (completion guarantor)
- Wildfire Studios (post-production facilities)
Storyline
| Plot Summary |
The architect Dana, her husband David and their son Lucas move to an isolated manor in the countryside seeking a restart of their lives after the death of their baby daughter in a tragic accident. Dana overhears noises in the attic and finds a hidden locked room. Soon she finds the keys and is haunted by the evil spirit of an old man. She researches and learns that old rural houses had disappointments rooms where disabled children were locked to avoid embarrassment to the traditional families. Further, the spirits of the original owner of the house, Judge Blacker, and his daughter are still trapped in the house. However, only Dana is capable to see and contact them and David believes she is delusional. When Judge Blacker threatens the life of Lucas, Dana tries to protect him but she is not sure of what is reality or daydream. Written by Claudio Carvalho, Rio de Janeiro, Brazil |
| Plot Keywords | |
| Taglines | Some mysteries should not be unlocked See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Additional Details
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Box Office
| Budget | $15,000,000 (estimated) |
| Opening Weekend United States | $1,402,823, 11 Sep 2016 |
Did You Know?
| Trivia | Two buildings in downtown Greensboro, NC were refinished to look like New York during filming. They're across the street from the scene of the Greensboro Four Sit In. See more » |
| Goofs | The house is supposed to be in North Carolina. The obituary refers to the MK&T (Missouri, Kansas, and Texas) Railroad and the Pecan Bridge, also located in Texas. See more » |
| Movie Connections | Featured in Top 10 Movies So Bad They Were Pulled from Theatres (2017). See more » |
| Soundtracks | Introduction/If You Want To Know Who We Are See more » |
| Crazy Credits | Title doesn't show until the end of the movie: before the rolling credits. See more » |
| Quotes |
Dana Barrow:
See, it's gone unchecked for a while. Ben: Lucky it didn't cave. Lucky I stopped by when I did. Dana Barrow: Well, and lucky for you people around here like to gossip. Ben: That they do. Also heard you were an architect or something. Dana Barrow: Yeah or something. Ben: Well, maybe we should talk about money. Dana Barrow: Well, that's a little premature. Ben: Come again? Dana Barrow: You haven't been hired yet. Ben: No? Dana Barrow: No. Ben: There's nothing I can do to change your mind? David Barrow: Hello. Dana Barrow: David... uh this is my husband, David. David this is Ben Philips, Jr. David Barrow: Yes, the legend. Hey! Nice to meet you. Ben: Likewise. Dana Barrow: Mr. Philips is here about the leak. David Barrow: Right, Ben works fine. Great Ben, when can you start? Dana Barrow: No, that's still up in the air. Ben: Soon as you pull the trigger. David Barrow: We should probably get on this right away babe, don't you think? Dana Barrow: David... Ben: The next couple of weeks are kind of busy, but I am free now. David Barrow: What is this? This is water damage, right? Does this floor need to go? Ben: Yes. Look we get a dehumidifier in here we can actually save most of this wood. Just say the word. David Barrow: Great. Well, yes, we want you to start as soon as possible. Ben: All right. Dana Barrow: No, uh, what I would like is for Mr. Philips to come back here when it hasn't been raining for a few days, and the two of us can get upon that roof and see what's what. That way once the situation's been thoroughly and properly assessed, then we can talk about hours and materials and the scope of work in a manner that's not been pulled directly out of our asses. And what I'd also like is to agree on a deadline which if not met, means revisiting the terms of the contract with the probability of penalties paid to us by you for each day of work exceeding the original agreement. Now if that all sounds acceptable, I'll be happy to resume this conversation at a later date. But, in the meantime it was a pleasure meeting you Mr. Philips and uhm, my husband, David, will show you out. David if you wouldn't mind. See more » |