Directed by
Eric S. Anderson | ||
Scott Crane | ... | (as Robert Scott Crane) |
Writing Credits (in alphabetical order)
Scott Crane | ... | (as Robert Scott Crane) |
Zoe Taylor | ... | (writer) |
Cast (in credits order)
Produced by
Ian Carr | ... | co-producer |
Scott Crane | ... | executive producer (as Robert Scott Crane) |
Dick Tater | ... | executive producer |
Zoe Taylor | ... | producer |
Kipp Tribble | ... | co-producer |
Joshua Vancil | ... | line producer |
Music by
Peter Cornell | ||
Bryan Northrop | ||
Brian Pothier | ||
Mark Walk |
Cinematography by
David Stump | ... | director of photography |
Editing by
Eric S. Anderson | ||
Scott Crane | ... | (as Robert Scott Crane) |
Michael Schatz |
Casting By
Zoe Taylor |
Production Design by
Gary Guidinger |
Set Decoration by
Gary Guidinger |
Costume Design by
Jack Taggart |
Makeup Department
Therese Bacchus | ... | key hair stylist |
Brittany Slattery | ... | makeup artist / special makeup effects artist |
Art Department
Franklin Ackerley | ... | portrait artist |
Scott A.A. Bibus | ... | taxidermist |
Michele Borquez | ... | additional props |
Ackley Eaton | ... | additional props |
Erih Mann | ... | goggle designer |
George McWilliams | ... | graphic artist: poster design |
Hal Peterson | ... | sign artist |
Chris Wettersten | ... | gun designer |
Sound Department
Wolfgang Amadeus | ... | sound mixer |
Mark Walk | ... | sound recordist |
Special Effects by
Kevin Carter | ... | special effects contact lenses |
Jennifer Law-Stump | ... | special effects |
Bud Myrick | ... | special effects |
Alan Roberts | ... | pyrotechnician |
Brittany Slattery | ... | special effects makeup |
David Stump | ... | special photographic effects |
John Ziegler | ... | special effects coordinator |
Visual Effects by
Jennifer Law-Stump | ... | visual effects artist |
Bud Myrick | ... | visual effects artist |
Marshall Plante | ... | digital effects |
Michael Schatz | ... | visual effects |
David Stump | ... | visual effects producer |
Camera and Electrical Department
Eric Albert | ... | key grip / rigging best boy |
Andrew Crighton | ... | camera operator |
Joe di Gennaro | ... | camera operator |
Michael Gorczynski | ... | digital information technician / first assistant camera |
Nathan Haugaard | ... | camera operator |
Patrick Meade Jones | ... | director of photography: second unit |
Tania Morales | ... | assistant camera |
Cory Poole | ... | still photographer |
Errol Sabinano | ... | grip / production assistant |
Michael Schatz | ... | camera operator |
Tom Schaus | ... | helicopter pilot: camera helicopter |
Sue Tatterson | ... | still photographer |
Kelsey Taylor | ... | assistant camera |
Andrew Wesman | ... | camera operator |
Costume and Wardrobe Department
Jack Taggart | ... | costume supervisor |
Editorial Department
Scott Crane | ... | trailer editor |
Marshall Plante | ... | colorist |
David Stump | ... | trailer editor |
Music Department
Steven Bailey | ... | composer: additional music |
Peter Cornell | ... | composer: additional music |
Scott Crane | ... | music supervisor (as Robert Scott Crane) |
Perk Dickson | ... | composer: additional music |
Brian Pothier | ... | composer: theme music |
Script and Continuity Department
Zoe Taylor | ... | script editor |
Kipp Tribble | ... | script editor |
Transportation Department
Eric S. Albert | ... | transportation captain |
Additional Crew
Marjorie Ballentine | ... | acting coach |
Jack Brando Crane | ... | plot device: script |
Tommy Lightfoot Garrett | ... | pr specialist |
Dan Kimura | ... | ocular prosthetics |
George McWilliams | ... | title designer |
P.J. Nagjee | ... | dental prosthetics |
Crystal Ockenfuss | ... | german translator |
Daniel Strickland | ... | publicist |
Thanks
Bruce Logan | ... | thanks |
John Poupis | ... | the producers wish to thank |
Serge Poupis | ... | the producers wish to thank |
John Swanbeck | ... | special thanks |
Rene Veluzat | ... | the producers wish to thank |