Jonah Hill plays Michael Finkel, a recently terminated New York Times journalist who's struggling for work after a story gone wrong. One day, he receives a phone call from a man regarding an FBI Most Wanted individual named Christian Longo, who's been captured and claimed to be living as Finkel. Longo and Finkel meet and form a potentially marriage shattering bond while Longo is in prison awaiting his trial. Finkel exchanges journalism tips for the real events behind Longo's alleged heinous acts of murdering his family. Through the twists and turns in the movie, only at the end will Finkel uncover the True Story.Written by
The scene where Jonah Hill punches the bathroom stall was improvised. He ended up hurting his hand, and had to go the the hospital afterward, but it ended up just being a slight bruised bone. See more »
28 min into the Movie Michel is leaving home driving a red car, but when he reaches Chris home he is driving a grey car. See more »
Sonata in F Moll Op.57 (Appassionata), Andante Con Moto, Allegro Ma Non Troppo Presto
Written by Ludwig van Beethoven
Performed by Eliska Novotná-Gazdová
Courtesy of The Savoy Label Group, LLC / Selectracks, Inc. See more »
Sadly, there is not much to say about True Story. It's a crime/mystery 'thriller' (labeling this a thriller is questionable) that plays out just as you would expect. There were far too few surprises to speak of, which the movie seemed to be moving toward. Everything here felt like 'the calm before the storm' but when it came time for the storm, there was nothing there. The story in itself is quite interesting, a murder taking on the identity of a writer which leads to the two interacting and trying to determine the motive behind such a weird act. But nothing ever comes of it, at least nothing interesting or thought provoking. True Story is a straightforward crime drama that finishes as a courtroom drama.
The acting was decent enough, a strong cast, but the camera work tries to force the creepy persona of James Franco down our throats with a ton of close of shots of his face. It was difficult to see a monster, he may look scruffy but down under there was no beast to be found here. The character of Longo was never creepy enough to carry the movie (Hopkins had 13 minutes of screen time in Silence of the Lambs and created a truly frightening monster).
So while the trailer might look appealing, just now that it's quite deceptive (just like the main theme of the movie). Like I said, everything found here was too calm for its own good, there was no huge reveal or anything like that to make this movie interesting. Certainly a forgettable movie within Franco and Hill's growing filmographies.
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