Fioravante decides to become a professional Don Juan as a way of making money to help his cash-strapped friend, Murray. With Murray acting as his "manager", the duo quickly finds themselves caught up in the crosscurrents of love and money.
Crisis in Six Scenes is a comedy that takes place in the 1960's during turbulent times in the United States and a middle class suburban family is visited by a guest who turns their household completely upside down.
Suffering from writer's block and eagerly awaiting his writing award, Harry Block remembers events from his past and scenes from his best-selling books as characters, real and fictional, come back to haunt him.
A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
Murray, the bankrupt owner of a bookstore, is forced to close his family business. His dermatologist, Dr. Parker, dreams of having a threesome and would pay a thousand dollars to have one with her friend Selima. Murray then proposes to his friend Fioravante that they start a male prostitution business, with Murray acting as the pimp. However, when Fioravante meets a Hasidic Jewish woman, Avigal, who is the widow of a rabbi, they fall in love with each other. But a Jewish neighborhood patrolman, Dovi, is in love with Avigal too, and might make life difficult for Fioravante and Murray.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
My grandfather started the shop. My father had it. And now - I - have to - close it. This is the end of an era, my friend. Let me tell ya, now a days only rare people buy rare books.
We'll get back on our feet.
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Reflejo de Luna
Written by Stefano Marcelli
Published by The Royalty Network o/b/o Tenyor Music
Performed by Alacran
Courtesy of Funky Juice Records
By arrangement with Secret Road Music Services, Inc. See more »
573rd Review: A Comedy For Romantic Grown-Ups
Fading Gigolo so easily could be a Rollins & Joffe Production and an Allen film; it has all the sensibilities of Allen's comedies since Manhatten - the sexual confusion, the ennui, the desire for love and romance versus the ambition and instincts.
For this reviewer? I chose to see it as a grown-up romantic comedy, a comedy of errors, where Woody Allen and John Turturo's characters are both opportunistic and weary and the women are both fantasizing and projecting and being fantasized and projected. There is enough complexity and simplicity to really make this a stylish, witty, and enjoyable film.
As a jazz geek the score was superb and throughout Turturro adds little touches that make this film a quiet delight. It may not be a perfect film in that the women are too perfect and the contrasts too broad, but you would have to be mean spirited indeed not to enjoy it. It even has something to say about loneliness rather than lust being the source of sex, and that love, however fleeting, even in New York, can happen.
24 of 31 people found this review helpful.
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