6.3/10
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20 user 87 critic

The Cut (2014)

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2:05 | Trailer
In 1915 a man survives the Armenian genocide in the Ottoman Empire, but loses his family, speech and faith. One night he learns that his twin daughters may be alive, and goes on a quest to find them.

Director:

Fatih Akin

Writers:

Fatih Akin, Mardik Martin (co-writer)
2 wins & 7 nominations. See more awards »

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Cast

Complete credited cast:
Tahar Rahim ... Nazaret Manoogian
Simon Abkarian ... Krikor
Makram Khoury ... Omar Nasreddin
Hindi Zahra ... Rakel
Kevork Malikyan ... Hagob Nakashian
Bartu Küçükçaglayan ... Mehmet
Zein Fakhoury Zein Fakhoury ... Arsinée
Dina Fakhoury Dina Fakhoury ... Lucinée
Trine Dyrholm ... Orphanage Headmistress
Arsinée Khanjian ... Mrs. Nakashian
Akin Gazi ... Hrant
Arevik Martirosyan ... Ani
Moritz Bleibtreu ... Peter Edelman
Rest of cast listed alphabetically:
Adam Bousdoukos
George Georgiou ... Vahan
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Storyline

This film is based on the Armenian Genocide in the Ottoman Empire 1915, which resulted in the forced migration and diaspora of the Armenian minority. One day a young family man, Nazaret Manoogian, gets deported by the Turkish authorities together with all the other Armenian men from his native village of Mardin. He becomes a forced laborer and only survives the mass murder by chance and an act of kindness, but loses his family, speech and faith. One night the devastated Nazaret learns that his daughters may still be alive and didn't die like his wife from starvation, violence or rape on death marches. Nazaret goes on a quest to find them and travels from his small village through the Mesopotamian deserts to the sea, always looking for clues that might lead him to his children. Nazaret's epic journey will take him from Asia to America, from the end to a new beginning... Written by Anonymous

Plot Summary | Add Synopsis


Certificate:

Not Rated | See all certifications »
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Details

Country:

Germany | France | Italy | Russia | Poland | Canada | Turkey | Jordan

Release Date:

16 October 2014 (Germany) See more »

Also Known As:

El padre See more »

Filming Locations:

Cuba See more »

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Box Office

Budget:

EUR16,000,000 (estimated)

Opening Weekend USA:

$5,327, 20 September 2015

Gross USA:

$28,066

Cumulative Worldwide Gross:

$1,232,140
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Fatih Akin on informing the audience about the historic Armenian Genocide through The Cut (2014): "I believe in that. Certain people may not need it. But other people need another rhetoric to understand this, I don't want to be preachy or act as a teacher but I want to create empathy. I made the film so that the Turkish audience could identify with an Armenian hero, which isn't easy. To do this you have to keep it simple and not challenge the audience with too much intellectual attitudes, but challenge them emotionally." See more »

Connections

References The Searchers (1956) See more »

Soundtracks

Janoy
Traditional Armenian song from Van region, Author and Composer unknown
Janoy Choir: Gao Long, Kei Kondo, Harika Koroyasu, Radu Pustiu, Kazuki Sakai, Knut Schoch
A cappella by Arevik Martirosyan
All other vocals by Hindi Zahra
See more »

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User Reviews

 
An impressive journey, but less impressive film
20 October 2014 | by mskirollosSee all my reviews

Faith Akin's epic tale of hope and survival, set in the time of the Armenian Genocide amidst the Great War and the resulting diaspora all over the world. I watched 'The Cut' lately during the London Film Festival, and found it worth the time in general and definitely had its good moments. It did not go for over-sentimentality and didacticism but rather showed an impressive journey of search and survival. For me, the wide shots in the desert and in the streets of Cuba were special, and there was very good work with costumes and set decoration. Some might argue that Armenians and Turks speaking English felt unnatural but it was totally justified for me.

However, the film fell short in several aspects, and during viewing I constantly had the feeling that much more could have been done with the powerful story that could have greatly enriched and added more depth to the end-product. The poor screenplay dialogue was the most obvious shortcoming in the film, and while its over-simplicity can be regarded by some as appealing minimalism, it remained a huge disappointment. One scene epitomised the problem here, when the protagonist discovered that his daughters were still alive, his friend shouted exuberantly with no more than "This is good .. this is good ". It is possible here that using the English language presented a problem. The contrived ending was, to a lesser extent, irritating as well but the slow camera work saved it. I found a particular scene very interesting, when the Turks were evacuating the Syrian city and a Turkish boy got injured by a thrown stone, and the protagonist's reaction, and I wish there were more of these side stories, like watching Chaplin's 'The Kid'.

In addition to screenplay, several techniques could have added more to the story; exposition by flashbacks at different parts of the journey (some dreams were deployed but to a limited effect), voice- overs contemplating the condition of humanity at the time of war. A good soundtrack could have made a big difference as well, and in such a film I think dispensing of such a poor soundtrack altogether could have yielded a better result and added a minimalistic touch, although of course this would have been difficult with the protagonist speech handicap and the lack of a narrator.

The challenging task for the main actor, to rely entirely on facial expressions and body gestures because of handicap early in the narrative, was met by a solid performance, but could be easily overlooked by general audience because of the shortcomings of the other narration elements.

An impressive story of survival, and a very important yet overlooked subject in recent history compared with others of even less scale, but less impressive film. The beautiful shots and powerful story were not enough to elevate it to the epic legendary status, but it is still worth watching.


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