Directed by
| Kieran Parker | ||
Writing Credits (in alphabetical order)
| Rae Brunton | ||
Cast (in credits order)
Produced by
| Jamie Carmichael | ... | executive producer |
| Victoria Dabbs | ... | line producer |
| Arabella Page Croft | ... | producer |
| Kieran Parker | ... | producer |
| Nigel Thomas | ... | executive producer |
| Charlotte Walls | ... | executive producer |
Music by
| Al Hardiman | ||
| Patrick Jonsson | ||
Cinematography by
| Carlos De Carvalho | ||
Editing by
| Naysun Alae-Carew | ||
Casting By
| Kate Plantin | ||
Production Design by
| Jamie Lapsley | ||
Costume Design by
| Finlay McLay | ||
Makeup Department
| Paul Boyce | ... | makeup supervisor |
Second Unit Director or Assistant Director
| Grant Butler | ... | third assistant director |
| Jonathan Farmer | ... | first assistant director |
| Carter Ferguson | ... | second unit director |
| Katharine K.K. Kennedy | ... | crowd second assistant director |
| Amanda Long | ... | second assistant director |
Art Department
| Ryan Clachrie | ... | prop maker |
| Chris McMillan | ... | property master |
| Ronnie Papaleo | ... | military props |
| Tom Tierney | ... | assistant property master |
Sound Department
| Iain Anderson | ... | adr recordist |
| Jack Coghill | ... | sound mixer |
| Ben Cross | ... | foley mixer |
| Howard Halsall | ... | supervising adr editor |
| Kahl Henderson | ... | adr recordist |
| Tamás Kurina | ... | adr recordist (as Tamas Kurina) |
| Leslie Liu | ... | foley editor |
| Micheal MacKinnon | ... | re-recording mixer |
| Chris Sinclair | ... | re-recording mixer |
| John Thorpe | ... | boom operator |
| Ian Waggott | ... | foley artist |
| Matthew Weeks | ... | sound recordist |
Special Effects by
| Perry Costello | ... | pyrotechnician |
| Ross McCluskey | ... | special effects assistant |
| Richard Hulme | ... | special effects crew (uncredited) |
Visual Effects by
| Alexis Haggar | ... | visual effects supervisor |
| Ken Turner | ... | visual effects artist |
Stunts
| Carter Ferguson | ... | fight director |
| James Fleming | ... | fight arranger |
Camera and Electrical Department
| Mike Benson | ... | electrician |
| Paul Benson | ... | gaffer |
| Alasdair Boyce | ... | second assistant camera |
| Iain Harrison | ... | head rigger |
| Neil Hartop | ... | first assistant camera: "b" camera |
| Donald MacSween | ... | digital imaging technician |
| Ryan McHenry | ... | second assistant camera: b-camera |
| Alan C. McLaughlin | ... | director of photography: second unit (as Alan McLaughlin) |
| Grant McPhee | ... | digital workflow supervisor |
| Scott Rodgers | ... | first assistant camera |
| Jamie Whitmarsh | ... | assistant grip |
Editorial Department
| Steve Harrow | ... | post production consultant |
| Dan Marbrook | ... | post producer: The Look |
| Grant Thistle | ... | assistant editor |
| Thomas Urbye | ... | supervising colourist: The Look |
| Jason Wallis | ... | on-line film editor: The Look |
| Steven Worsley | ... | assistant editor |
Location Management
| Pete Murphy | ... | location manager |
Transportation Department
| Ronnie Papaleo | ... | vehicles provided by |
Additional Crew
| Naysun Alae-Carew | ... | assistant to the producers |
| Gabz Barker | ... | unit nurse uk |
| Libby D'Arcy | ... | vp business affairs: Content Media |
| Melissa Fish | ... | legal services |
| Nell Green | ... | production assistant |
| Catrina Luna | ... | production accountant |
| Jon McCormick | ... | assistant rigger |
| Charlotte Walsh | ... | production secretary |
