While Coco Lovelock is cute as a bug's rear, her acting in this project leaves a great deal to be desired. In the beginning, she is relatively passionless about getting a ride to visit a friend. Her persuasion technique is terrific, her vocal improve distracts from any enjoyment the audience might desire.
Roughly ninety percent of the dialogue of the picture is three words. Coco spends too much time explaining to her step-father that he is doing the right thing. She chants, "Yes. Yes. Yes." until someone seems to suggest she might try a different word.
She goes with a four-letter word urging her step-father to continue doing what he's already doing. The viewer enjoys a break in the monotony of the monologue when daddy places something in her mouth so she can't say anything for a little while.
When Daddy goes back to the four-letter activity Coco urged, she changes to a five-letter word to remind the audience of the titillating suggestion that she is engaged in a four-letter activity with her, "Daddy. Daddy. Daddy."
Unfortunately the change in dialog from three- to four- to five-letter words does little to improve the viewing. The droning chants turn what might otherwise be a pleasurable experience into a dull ordeal.