Directed by
| Conor McMahon | ||
Writing Credits (in alphabetical order)
| Conor McMahon | ||
| David O'Brien | ||
Cast (in credits order)
Produced by
| Badie Ali | ... | executive producer: MPI Media Group |
| Hamza Ali | ... | executive producer: MPI Media Group |
| Malik B. Ali | ... | executive producer: MPI Media Group (as Malik Ali) |
| Anders Banke | ... | co-producer |
| Julianne Forde | ... | producer |
| Brendan McCarthy | ... | producer |
| John McDonnell | ... | producer |
| John McKeon | ... | executive producer |
| Greg Newman | ... | executive producer: MPI Media Group |
| Magnus Paulsson | ... | co-producer |
| Ruth Treacy | ... | producer |
Music by
| Paul McDonnell | ||
Cinematography by
| Patrick Jordan | ||
Editing by
| Chris Gill | ||
| Conor McMahon | ||
Casting By
| Alison Crosbie | ||
| Nick McGinley | ||
Production Design by
| Ferdia Murphy | ||
Costume Design by
| Allison Byrne | ||
Makeup Department
| Morna Ferguson | ... | makeup: Stitches |
| Colum Mangan | ... | assistant prosthetic mould maker |
| Aoife Noonan | ... | prosthetics: Bowsie Workshop |
| Ben O'Connor | ... | prosthetics: Bowsie Workshop |
| Christine Penston | ... | makeup/hair assistant |
| Terri Pinnell | ... | makeup |
| Matthew Smith | ... | special makeup effects artist |
Production Management
| Julianne Forde | ... | post-production supervisor |
| Alan Maher | ... | production executive: The Irish Film Board |
| Ruth Treacy | ... | production manager |
| Ciara Walsh | ... | post production supervisor: EMC Post Production Ltd |
Second Unit Director or Assistant Director
| John Burns | ... | first assistant director |
| Aoiffe Hewson | ... | third assistant director |
| Conor Slattery | ... | second assistant director |
Art Department
| Mick Cassidy | ... | props runaround |
| Romek Delmata | ... | concept art (as Romek Delimata) |
| Giacomo G. Ghiazza | ... | storyboard artist |
| Olwen Kelleghan | ... | concept art |
| Mark Kelly | ... | props master |
| Mark Kilbride | ... | construction manager |
| Hilary Lawlor | ... | storyboard artist |
| Peter McCarthy | ... | additional construction: crew |
| Ronan O'Hanlon | ... | concept art |
| Aaron O'Sullivan | ... | production design trainee |
| Kurt Oppermann | ... | additional construction: crew (as Kurt Opperman) |
| Bob Pritchard | ... | specialist prop maker |
| Anna Sweeney | ... | painter: ampule |
| Jessica Timlin | ... | production design assistant |
Sound Department
| Nick Baldock | ... | adr mixer |
| Harry Barnes | ... | dialogue & ADR editor |
| Alan Collins | ... | sound facility director: ardmore sound |
| Conor Dowling | ... | sound trainee |
| Steve Fanagan | ... | re-recording mixer / sound designer / supervising sound editor |
| Hugh Fox | ... | sound equipment / sound recordist |
| Andrea King | ... | foley artist |
| Sean Levitas | ... | foley assistant |
| Adam Mendez | ... | foley recordist |
| Louie Trussell | ... | boom operator |
Special Effects by
| Chloe Bourke | ... | model maker: assistant |
| Ruairi Butler | ... | model maker: assistant |
| Jen Dwyer | ... | model maker: assistant |
| Gerry Johnston | ... | explosives: specialist |
| Aoife Noonan | ... | physical special effects: Bowsie Workshop |
| Ben O'Connor | ... | physical special effects: Bowsie Workshop |
| Michael Roe | ... | special effects technician (uncredited) |
Visual Effects by
| Declan Dowling | ... | post-production visual effects |
| Thomas Fitzgerald | ... | opening title sequence |
| Peter Kilkenny | ... | additional graphics |
| Ben O'Connor | ... | opening title sequence / post-production visual effects |
Stunts
| Dominick Hewitt | ... | additional stunts (as Dominic Hewitt) |
| Donal O'Farrell | ... | stunt coordinator |
Camera and Electrical Department
| Cris Ayoub | ... | focus puller |
| Mark Boland | ... | epk: additional camera |
| Eleanor Bowman | ... | second unit director of photography |
| Peter Delaney | ... | clapper loader / digital imaging technician |
| C.J. Dempsey | ... | best boy (as Con Dempsey Jnr) |
| Con Dempsey | ... | gaffer |
| Julianne Forde | ... | second unit director of photography |
| Aiden Grey | ... | rigger: Event Serv |
| Theo Jebb | ... | phantom operator: Crossing the Line Productions |
| Niall Johansson | ... | camera: and grip trainee |
| George Kane | ... | epk director and editor |
| John Keane | ... | electrician |
| Aidan Kelly | ... | stills photography |
| Michael Lavelle | ... | second unit director of photography |
| Conor Lynch | ... | epk: additional camera |
| Ian McGurrell | ... | grip |
| Hu O'Reilly | ... | stills photography |
Casting Department
| Lorraine Harton | ... | extras coordinator |
Costume and Wardrobe Department
| Lucie Corcoran | ... | costume cutter (as Lucy Corcoran) / costume maker |
| Jennifer Hyland | ... | costume trainee: assistant |
| Jacinta Jardine | ... | costume trainee |
| Lorna Keating | ... | costume trainee |
| Niamh Martin | ... | costume maker |
| Jurgita Rackauskaite | ... | costume maker (as Jurgita Rackauskarte) |
| Nadia Rice | ... | costume trainee: assistant |
| Tara Roughneen | ... | costume assistant |
| Ugeeta Yurginass | ... | costume maker |
Editorial Department
| Colin Campbell | ... | assistant editor |
| Cillian Duffy | ... | on-line editor |
| Michael Higgins | ... | assistant editor |
| Eugene McCrystal | ... | colourist |
| Shane Woods | ... | assistant editor |
Location Management
| Dermot Cleary | ... | location scout |
| Julianne Forde | ... | location manager |
| Brendan O'Sullivan | ... | location scout |
Music Department
| Jeff Johns | ... | executive soundtrack producer |
| Paul McDonnell | ... | original music: composed and produced by |
| Luis Miguel Rojas | ... | soundtrack art director |
Script and Continuity Department
| Eva Kelly | ... | script supervisor |
Transportation Department
| Mervyn Adams | ... | minibus driver |
| Stephen Carroll | ... | action vehicles: and tracking |
| Michael Cassidy | ... | props driver |
| Jimmy Devlin | ... | minibus driver (as Jimmy 'The Bus' Devlin) |
| Stephen Fearon | ... | facilities: Irish Film & Television Location Facilities Ltd |
| Matt Kelly | ... | minibus driver |
| Tony Mullally | ... | minibus driver (as Tony Mulally) |
Additional Crew
| Mark Byrne | ... | head of legal affairs: The Irish Film Board |
| David Cromwell | ... | animal wrangler |
| Jamie Cromwell | ... | animal wrangler |
| James Cullen | ... | accounts assistant |
| Conor Dowling | ... | on-set assistant: second unit |
| John P Gleeson | ... | financing & tax advisor: Howarth Bastow Charlton (as John Gleeson) |
| Lorraine Harton | ... | production coordinator |
| Roisin Henehan | ... | section 481 finance |
| Kevin Kearns | ... | health and safety consultant |
| Lorna Keating | ... | on-set assistant: second unit |
| Jonathan Kelly | ... | production lawyer: Philip Lee Solicitors |
| Alan Lally | ... | animal wrangler |
| Deirdre Levins | ... | production coordinator |
| Rory MacDermott | ... | production accountant |
| Cian McCarthy | ... | chicken wrangler |
| Teresa McGrane | ... | deputy chief executive: & head of business affairs, The Irish Film Board |
| John Mckenna | ... | walkie talkies |
| John O'Sullivan | ... | production insurance: Media Insurance Brokers Ltd |
| Brendan Walsh | ... | studio facilities: Ardmore Studios |
| Christopher Warr | ... | Latin translator |
Thanks
| Naoise Barry | ... | a special thanks to |
| Sam Bishop | ... | a special thanks to: and Vast Valley |
| Orla Brett | ... | a special thanks to: and everyone at Cabinteely Community School |
| Curtis Brown | ... | a special thanks to |
| Caroline Chignell | ... | a special thanks to: at PB Management |
| Sarah Dillon | ... | a special thanks to |
| Sharon Fitzpatrick | ... | a special thanks to: and Noleen at Fitzers Catering |
| Roisin Henehan | ... | a special thanks to: Howarth Bastow Charleton |
| Maxine Hoffman | ... | a special thanks to |
| Diane Jennings | ... | thank you to |
| Paul Kavanagh | ... | a special thanks to: and Enniskerry Football Club |
| Alex Killiney | ... | a special thanks to: Church St. Alphonsus and Columbia (as Fr Alex Killiney) |
| Linda Laird | ... | a special thanks to: Knockbawn House |
| Roger Laird | ... | a special thanks to: at Knockbawn House |
| Claire McCaughley | ... | a special thanks to |
| Paddy McDonald | ... | a special thanks to |
| Steven McDonnell | ... | thank you to |
| Jill McGregor | ... | a special thanks to |
| Patrick Murphy | ... | thank you to |
| Claire Nightingale | ... | a special thanks to: at PB Management |
| Helen O'Connor | ... | a special thanks to: and CBC Monkstown |
| Niall O'Donoghue | ... | a special thanks to: at Martello Tower |
| Rebecca O'Flanagan | ... | a special thanks to |
| Nic Ransome | ... | thank you to |
| Andy Robinson | ... | a special thanks to |
| Stephen Shields | ... | thank you to |
| Olga Sismanidi | ... | a special thanks to: at Media Programme |
| Sarah Slazenger | ... | a special thanks to: at Powerscourt Estate |
| Ann Treacy | ... | a special thanks to |
| Robert Walpole | ... | a special thanks to |
