In the aftermath of a massive earthquake in California, a rescue-chopper pilot makes a dangerous journey with his ex-wife across the state in order to rescue his daughter.


Brad Peyton


Carlton Cuse (screenplay), Andre Fabrizio (story) | 1 more credit »
1,075 ( 201)
2 wins & 10 nominations. See more awards »





Cast overview, first billed only:
Dwayne Johnson ... Raymond Gaines
Carla Gugino ... Emma Gaines
Alexandra Daddario ... Blake Gaines
Ioan Gruffudd ... Daniel Riddick
Archie Panjabi ... Serena Johnson
Paul Giamatti ... Dr. Lawrence Hayes
Hugo Johnstone-Burt ... Ben Taylor
Art Parkinson ... Ollie Taylor
Will Yun Lee ... Dr. Kim Park
Kylie Minogue ... Susan Riddick
Colton Haynes ... Joby O'Leary
Todd Williams ... Marcus
Matt Gerald ... Harrison
Alec Utgoff ... Alexi
Marissa Neitling ... Phoebe


In San Andreas, California is experiencing a statewide earthquake that goes on record as easily the biggest earthquake in history. Dwayne Johnson plays Ray Gaines, a helicopter rescue pilot for the Los Angeles Fire Department, who is trying to find his daughter, Blake (Alexandra Daddario), who is in San Francisco amid-st the chaos. Ray's estranged wife, Emma, is forced to turn to Ray for help, as he is her last resort. Together they journey to save their daughter. Written by ahmetkozan

Plot Summary | Plot Synopsis


Ever have one of THOSE days...? Pray you don't. See more »

Motion Picture Rating (MPAA)

Rated PG-13 for intense disaster action and mayhem throughout, and brief strong language | See all certifications »

Parents Guide:

View content advisory »

Did You Know?


Dwayne Johnson and Matt Gerald also starred together in G.I Joe: Retalliation (2013). See more »


The Arleigh Burke destroyer shown leaning against a tall building would not support itself as shown. There is not enough strength in the keel for it to support itself as shown. It would need buoyancy support along its length to remain intact. See more »


Ollie Taylor: [waving goodbye to Blake] I can't wait to be 20.
See more »

Crazy Credits

The end credits scroll with a bend at the top and bottom of the screen, as though they are on a rotating seismograph drum. Seismic lines, increasing in intensity, can be seen on the left side of the frame. See more »


Referenced in Mike & Mike: Episode dated 15 July 2016 (2016) See more »


Written by Ali Payami, Shellback (as Johan Schuster), Max Martin and Taylor Swift
Performed by Taylor Swift
Courtesy of Big Machine Records, LLC
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User Reviews

Sense-Juddering Visuals, But Logically and Emotionally Void

It will be impossible to chase after logic and sense once the Earth ruptures open in SAN ANDREAS. This doesn't mean there's plenty to find, because the truth is, there's barely any, but SAN ANDREAS doesn't really need to be logical for it to be able to deliver its sense-juddering capacity. The film works with eye-popping visuals alone, and this is why the film, amidst of all its shortcomings, is still worth seeing.

SAN ANDREAS is exactly the film you would expect to see from a big-budgeted disaster movie. It teems with ground-cracking quakes, earth shattering explosions, and gigantic earth-wiping tsunamis. Through these visual tactics, the movie keeps the audience's attention glued on screen, that it would be impossible to ponder whether what's happening is still logical or not. This makes assessing the performance of the actors not an easy job, and I'm not saying it's necessary. Dwayne Johnson charms his way through his thinly structured character by appearing someone with heroics written all over him, that you may have your eyes the entire time following him as he saves both his family and the world. Carrying such responsibility would, of course, give way to making stupid and. brow-arching decisions (like when characters take pauses to have tender moments, cry, hug, and play the emotional blame game, in the middle of what could be an apocalyptic doom), and you would be incredibly happy laughing about such preposterousness, while also thrilled, watching the characters defeat the impossible. But its hard to appreciate such effort of putting emotional touch on the characters when they rarely go in congruence with character development.

In the end, the film is nothing but one powerful quake that has just passed by before abruptly ceasing to exist. What is left after drowning entirely in the imminence of cataclysmic dangers and horrors of apocalyptic annihilation, is a feeling of voidness. SAN ANDREAS' greatness is as seismic as any cgi-packed disaster movie can be, and it's epic in such way, but it hardly leaves a sense of emotional satisfaction, making it a forgettable entry to the disaster category. 6/10

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Release Date:

29 May 2015 (USA) See more »

Also Known As:

San Andreas See more »


Box Office


$110,000,000 (estimated)

Opening Weekend USA:

$54,588,173, 31 May 2015

Gross USA:


Cumulative Worldwide Gross:

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Company Credits

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Technical Specs




Aspect Ratio:

2.39 : 1
See full technical specs »

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