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Ajouter une intrigue dans votre langueA documentary that follows the Serbian performance artist as she prepares for a retrospective of her work at The Museum of Modern Art in New York.A documentary that follows the Serbian performance artist as she prepares for a retrospective of her work at The Museum of Modern Art in New York.A documentary that follows the Serbian performance artist as she prepares for a retrospective of her work at The Museum of Modern Art in New York.
- Récompenses
- 6 victoires et 9 nominations
David Balliano
- Self
- (as Davide Balliano)
Josephine Decker
- Self - Naked Girl
- (non crédité)
Histoire
Le saviez-vous
- Citations
Marina Abramovic: When you perform it is a knife and your blood, when you act it is a fake knife and ketchup.
- ConnexionsEdited into How I Became the Bomb: Ulay, Oh (2014)
- Bandes originalesSeltzer, Do I Drink Too Much
By Zhurbin, Lev (as Lev 'Ljova' Zhurbin)
Commentaire à la une
Fairly Interesting
I remember when there were people going to MOMA in droves to sit across from some artist I'd never heard of. I heard people say it was a very moving experience. It sounded nuts to me. So I was curious to see if I could get a sense of what it was all about from this movie.
I suppose I did, a little bit. The movie is made by people who want to be a bit artsy about it all, with jump shots and some shaky camera-work, but it does give you the basics. Marina is a long-time performance artist who specializes in feats of endurance, like running repeatedly into a wall or sitting naked on a bicycle seat for hours. She is very sincere, very determined, and seems to be someone who lives her art. There are scenes of her with her ex-partner/lover in which she is driving and cooking dinner which give you a glimpse into the mundane aspects of life that even those living for their art experience.
Most of the second half of the movie is devoted to her three months sitting staring at people who stare back. You see how physically grueling the experience is, you see how moved many people are, and you say how insane things got, with people camping out all night, desperate to get in early enough to spend some time having a famous artist stare at them.
The movie doesn't really recreate the experience. It's rather glossy at times, with a soundtrack that I'm sure creates a different experience than what I assume was simply the buzz of the crowd and the noise from any video projections nearby.
I'm amazed that some people here said they were moved by this movie. It's an interesting view of a performance artist, offering occasional mild insights from her friends and giving some understanding of her approach.
I'm also surprised that some people expected more of this movie, like a complete investigation of her career, or questions into how performance art fits into the art world. The movie is called The Artist is Present, and it's focused on that show, and that piece, and it's by someone who clearly buys into performance artist (I've always thought this sort of thing was interesting but kooky). It's exactly the sort of documentary I would expect someone who is intrigued by Marina would be inclined to make.
The movie absolutely did not make me wish I'd gone up to MOMA to stare at her, although it makes me feel, just a little, that maybe I should have gone up to see the recreations of her previous pieces and take a quick peek at her face-offs. But it's not something I'm losing sleep over.
I suppose I did, a little bit. The movie is made by people who want to be a bit artsy about it all, with jump shots and some shaky camera-work, but it does give you the basics. Marina is a long-time performance artist who specializes in feats of endurance, like running repeatedly into a wall or sitting naked on a bicycle seat for hours. She is very sincere, very determined, and seems to be someone who lives her art. There are scenes of her with her ex-partner/lover in which she is driving and cooking dinner which give you a glimpse into the mundane aspects of life that even those living for their art experience.
Most of the second half of the movie is devoted to her three months sitting staring at people who stare back. You see how physically grueling the experience is, you see how moved many people are, and you say how insane things got, with people camping out all night, desperate to get in early enough to spend some time having a famous artist stare at them.
The movie doesn't really recreate the experience. It's rather glossy at times, with a soundtrack that I'm sure creates a different experience than what I assume was simply the buzz of the crowd and the noise from any video projections nearby.
I'm amazed that some people here said they were moved by this movie. It's an interesting view of a performance artist, offering occasional mild insights from her friends and giving some understanding of her approach.
I'm also surprised that some people expected more of this movie, like a complete investigation of her career, or questions into how performance art fits into the art world. The movie is called The Artist is Present, and it's focused on that show, and that piece, and it's by someone who clearly buys into performance artist (I've always thought this sort of thing was interesting but kooky). It's exactly the sort of documentary I would expect someone who is intrigued by Marina would be inclined to make.
The movie absolutely did not make me wish I'd gone up to MOMA to stare at her, although it makes me feel, just a little, that maybe I should have gone up to see the recreations of her previous pieces and take a quick peek at her face-offs. But it's not something I'm losing sleep over.
utile•71
- cherold
- 29 mai 2016
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- How long is Marina Abramovic: The Artist Is Present?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Marina Abramovic: The Artist is Present
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 86 637 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 041 $US
- 17 juin 2012
- Montant brut mondial
- 156 695 $US
- Durée1 heure 46 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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What is the Spanish language plot outline for Marina Abramovic: The Artist Is Present (2012)?
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