Bernard Lee (Superintendent Meredith), Jack Watling (Jack Heath), Suzanne Lloyd (Diane Heath), Finlay Currie (Alec Campbell), Richard Gale (Maddox), James Bree (Reynolds), Dora Reisser (Anne Wilding), Christa Bergmann (Greta), Billy Milton (Chandler), Ivor Salter (White), Michael Stainton (sergeant), Daphne Goddard (Mrs Lever), Dallas Cavell (porter), Diana Reissier (Miss Wilding).
Director: GEOFFREY NETHERCOTT. Screenplay: Roger Marshall. Allegedly based on a story by Edgar Wallace, though in point of fact an original by Mr. Marshall. Photography: James Wilson. Film editor: Derek Holding. Music composed and directed by Bernard Ebbinghouse. "Edgar Wallace" theme music composed by Michael Carr. Art director: John Blezard. Wardrobe: Eileen Welch. Make-up: Bennie Royston. Casting director: Ronald Curtis. Camera operator: G. Massey-Collier. Set continuity: Marjorie Owens. Production manager: Ron Fry. Assistant director: Ted Lewis. Sound editor: Brian Blamey. Sound recording: Sid Rider, Ron Abbott. Producer: Jack Greenwood.
Copyright 1964 by Merton Park Studios. Never theatrically released in the U.S.A. Released in the U.K. through Warner-Pathé/Anglo Amalgamated: 3 August 1964. Australian release through British Empire Films: release date not recorded. 5,577 feet. 62 minutes.
SYNOPSIS: Following a jewel robbery at his home, Jack Heath is the victim of what seems to be a hoax by a practical joker. But he is then arrested for murder!
NOTES: No survey of "B" movie attractions would be complete without at least one entry from the British "Edgar Wallace" series. Not that the films were all that well-liked but, receiving a thorough thrashing on double bills, they were actually seen by more picture- goers in England, Ireland and Australia than many a so-called highly-fancied "A" feature.
COMMENT: "Who Was Maddox?" conforms to the formula of the later British "B" entries — all talk and little action, except that this one has absolutely no action at all -- aside from the verbal cut- and-parry of a board meeting (with Finlay Currie in fine form as an irascible chairman) and Bernard Lee playing cat-and-mouse with a couple of suspects.
Still, the cast is capable, and at least some effort has been expended on characterization. Happily, the dialogue has the ring of reality and production values are admirably slick.
Director: GEOFFREY NETHERCOTT. Screenplay: Roger Marshall. Allegedly based on a story by Edgar Wallace, though in point of fact an original by Mr. Marshall. Photography: James Wilson. Film editor: Derek Holding. Music composed and directed by Bernard Ebbinghouse. "Edgar Wallace" theme music composed by Michael Carr. Art director: John Blezard. Wardrobe: Eileen Welch. Make-up: Bennie Royston. Casting director: Ronald Curtis. Camera operator: G. Massey-Collier. Set continuity: Marjorie Owens. Production manager: Ron Fry. Assistant director: Ted Lewis. Sound editor: Brian Blamey. Sound recording: Sid Rider, Ron Abbott. Producer: Jack Greenwood.
Copyright 1964 by Merton Park Studios. Never theatrically released in the U.S.A. Released in the U.K. through Warner-Pathé/Anglo Amalgamated: 3 August 1964. Australian release through British Empire Films: release date not recorded. 5,577 feet. 62 minutes.
SYNOPSIS: Following a jewel robbery at his home, Jack Heath is the victim of what seems to be a hoax by a practical joker. But he is then arrested for murder!
NOTES: No survey of "B" movie attractions would be complete without at least one entry from the British "Edgar Wallace" series. Not that the films were all that well-liked but, receiving a thorough thrashing on double bills, they were actually seen by more picture- goers in England, Ireland and Australia than many a so-called highly-fancied "A" feature.
COMMENT: "Who Was Maddox?" conforms to the formula of the later British "B" entries — all talk and little action, except that this one has absolutely no action at all -- aside from the verbal cut- and-parry of a board meeting (with Finlay Currie in fine form as an irascible chairman) and Bernard Lee playing cat-and-mouse with a couple of suspects.
Still, the cast is capable, and at least some effort has been expended on characterization. Happily, the dialogue has the ring of reality and production values are admirably slick.