Directed by
Anthony Cazet |
Writing Credits (in alphabetical order)
Anthony Cazet |
Cast (in credits order)
Mickaël Pelissier | ... | Pierre | |
Eline Gueguen | ... | Mélodie | |
Edith Proust | ... | Céleste | |
David Damar-Chrétien | ... | Loen | |
Julie Lagnier | ... | Maia | |
Manuela Graciet | ... | La Femme Au Selfie | |
Mathieu Bouygues | ... | Le Caissier | |
Anthony Cazet | ... | L'Employé | |
Kiara Lajus | ... | Titou | |
Julie Guba | ... | Fake_Plastic_Girl | |
Claire Tusques | ... | La Grand Mère |
Produced by
Mathieu Bompoint | ... | producer |
Maxence Brenot | ... | producer |
Victor Thevenot | ... | producer |
Cinematography by
Manuel Marmier |
Editing by
Hodei Berasategui |
Production Design by
Aurélie Morincôme |
Costume Design by
Charlotte Richard |
Makeup Department
Chloe Robin | ... | key makeup artist |
Production Management
Giliano Corleto | ... | trainee production assistant |
David Damar-Chrétien | ... | unit production manager |
Agathe Maret | ... | unit manager |
Pierre Renaux | ... | assistant unit manager |
Diane Weber | ... | production manager |
Second Unit Director or Assistant Director
Djena Aguirre | ... | trainee assistant director |
Hugo Le Gourrierec | ... | first assistant director |
Art Department
Julien Renard | ... | property master |
Sound Department
Jean-Philippe Boinot | ... | sound editor |
Jean Collot | ... | sound |
Matteo De Mattia | ... | sound mixer |
Luc Mariette | ... | boom operator |
Visual Effects by
Hugo Guillemard | ... | visual effects |
Camera and Electrical Department
Baptiste Favaro | ... | key grip |
Benoit Galban | ... | steadicam operator |
Etienne Hubert | ... | electrician |
Victoria Massih | ... | trainee assistant camera |
Aleks Sandrine Neumuller | ... | gaffer |
Florent Tite | ... | first assistant camera |
Costume and Wardrobe Department
Ines Garcia | ... | wardrobe supervisor |
Editorial Department
Jerome Brechet | ... | colorist |
Script and Continuity Department
Anais Corno | ... | script supervisor |
Additional Crew
Saïd Mokdad | ... | caterer |