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Kaze tachinu (2013)

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A look at the life of Jiro Horikoshi, the man who designed Japanese fighter planes during World War II.

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Writers:

(comic), (screenplay)
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4,809 ( 26)
Nominated for 1 Oscar. Another 26 wins & 52 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Jirô Horikoshi (voice)
... Honjô (voice)
Miori Takimoto ... Naoko Satomi (voice)
... Kurokawa (voice)
Mansai Nomura ... Giovanni Battista Caproni (voice)
... Hattori (voice)
... Kayo Horikoshi (voice)
Shinobu Ôtake ... Kurokawa's Wife (voice)
Morio Kazama ... Satomi (voice)
Keiko Takeshita ... Jirô's Mother (voice)
... Jirô Horikoshi (voice)
... Honjô (voice)
... Nahoko Satomi (voice)
... Kurokawa (voice)
... Caproni (voice)
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Storyline

Jiro dreams of flying and designing beautiful airplanes, inspired by the famous Italian aeronautical designer Caproni. Nearsighted from a young age and unable to be a pilot, Jiro joins a major Japanese engineering company in 1927 and becomes one of the world's most innovative and accomplished airplane designers. The film chronicles much of his life, depicting key historical events, including the Great Kanto Earthquake of 1923, the Great Depression, the tuberculosis epidemic and Japan's plunge into war. Jiro meets and falls in love with Nahoko, and grows and cherishes his friendship with his colleague Honjo. Written by Official site

Plot Summary | Plot Synopsis

Taglines:

Ikineba. (We must live.)


Motion Picture Rating (MPAA)

Rated PG-13 for some disturbing images and smoking | See all certifications »

Parents Guide:

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Details

Country:

Language:

| | |

Release Date:

21 February 2014 (USA)  »

Also Known As:

Untitled Hayao Miyazaki Project  »

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend:

JPY 810,775,632 (Japan), 27 July 2013, Limited Release

Opening Weekend USA:

$313,751, 23 February 2014, Limited Release

Gross USA:

$5,209,580

Cumulative Worldwide Gross:

$136,454,220
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Mono)

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Concerned that surround sound in movie theaters distracted the audience from paying attention to what was happening on the screen, Hayao Miyazaki ordered the film to have a monaural sound mix. See more »

Goofs

As Jiro enters Giovanni's plane by ladder, the ladder is not brought back inside when they close the hatch. But the next shot, the ladder is inside the plane on its side. See more »

Quotes

Castorp: A summer to remember.
See more »

Connections

References Porco Rosso (1992) See more »

Soundtracks

Hikouki-gumo
Written by Yumi Matsutôya (as Arai Yumi)
Performed by Yumi Matsutôya (as Arai Yumi)
Courtesy of Toshiba EMI (Universal Music Japan)
See more »

Frequently Asked Questions

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User Reviews

 
Miyazaki's most mature film?
28 July 2013 | by See all my reviews

The announcement of this film was a pleasant surprise after Ponyo and From Up on Poppy Hill, which both had simple, childish plots. Few films in Japan have tackled the lives of imperial period heroes; the ghosts of the 1960s urge people to denounce what really happened in that time and memorialize an imaginary anti-war movement, for example in this year's film "Shounen H". For Miyazaki to choose a subject like this showed that he was really going for a huge challenge. Miyazaki is of course anti-war and environmentalist. But Ghibli films are never negative. What sort of positive image of the Zero bomber inventor would Miyazaki produce?

The result is astounding. As everyone has noted, this is not a children's movie. It's complex, so it doesn't have the epic sense of Miyazaki at his best, but history and adulthood are just as complex, and Miyazaki does justice to both. The film indeed stays positive throughout, by showing from start to finish how everyone wishes they themselves would behave, rewarding the viewer with virtue and beauty, but without being condescending about the hardships of real life. In a sense, the film is about the "importance of dreams", but it's also about what it means to be a dreamer in real life, and how our highest fantasies can be turned into beauty if we put our minds to it. The cartoon medium is put to full, extravagant use in dream sequences that merge right into the narrative. Certain elements at the end of the film leave the obvious unsaid in a peculiarly Japanese and fulfilling way. The most classic films of Japan, like the great works of Akira Kurosawa and Yasujiro Ozu, say something profound about the meaning of life, and Kaze Tachinu deserves a place among those ranks.


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