
Made in England: The Films of Powell and Pressburger (2024)
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- 2h 11min
- Documentary
- 12 Jul 2024 (USA)
- Movie
Features rare archival material from the personal collections of Powell, Pressburger and Scorsese.
Director:
Awards:
- 7 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
Martin Scorsese | ... |
Self - Presenter
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Michael Powell | ... |
Self (archiveFootage)
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Emeric Pressburger | ... |
Self (archiveFootage)
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Rest of cast listed alphabetically: | |||
Brigitte Bardot | ... |
Self - Actress (uncredited) (archiveFootage)
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Neva Carr-Glynn | ... |
Self (uncredited) (archiveFootage)
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David Frost | ... |
Self (uncredited) (archiveFootage)
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Deborah Kerr | ... |
Self (uncredited) (archiveFootage)
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Jerry Lewis | ... |
Self (uncredited) (archiveFootage)
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James Mason | ... |
Self (uncredited) (archiveFootage)
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Arthur Miller | ... |
Self (uncredited) (archiveFootage)
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Helen Mirren | ... |
Self (uncredited) (archiveFootage)
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Marilyn Monroe | ... |
Self (uncredited) (archiveFootage)
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Queen Elizabeth II | ... |
Self - Her Royal Highness (uncredited) (archiveFootage)
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Directed by
David Hinton |
Produced by
Mark Bell | ... | executive producer |
Will Clarke | ... | executive producer |
Charles S. Cohen | ... | executive producer |
Penny Davies | ... | line producer |
Sam Dwyer | ... | archive producer |
Rose Garnett | ... | executive producer |
Olivia Harrison | ... | executive producer |
Thomas Høegh | ... | executive producer |
Jamie Muir | ... | associate producer |
Michael Powell | ... | executive producer |
Thelma Schoonmaker | ... | executive producer |
Martin Scorsese | ... | executive producer |
Mark Thomas | ... | executive producer |
Nick Varley | ... | producer |
Matthew Wells | ... | producer |
Eva Yates | ... | executive producer |
Claudia Yusef | ... | executive producer |
Music by
Adrian Johnston | ... | composer |
Cinematography by
Ronan Killeen |
Editing by
Margarida Cartaxo | ||
Stuart Davidson |
Editorial Department
Alexis Galbrun-Thaure | ... | assistant editor |
David Leishman | ... | on-line editor |
John Sackey | ... | colorist |
Mike Trevett | ... | additional editor |
Production Management
Nadja Lapcevic | ... | production manager |
Lesley Weir | ... | post-production supervisor |
Sound Department
Tod A. Maitland | ... | sound mixer |
Terence C. McCormack Maitland | ... | sound recordist |
Daniel Taylor | ... | re-recording mixer |
Camera and Electrical Department
Jenelle Pearring | ... | camera operator |
Music Department
Oliver Jay | ... | music supervisor |
Lisa McCaffery | ... | music supervisor |
Additional Crew
Celeste Carrigan | ... | production coordinator |
Mark Clinton | ... | Film Insurance |
Rick Short | ... | us distribution team |
Thanks
Cameron Orme | ... | acknowledgement |
Production Companies
- Ten Thousand 86
- Ice Cream Films
- BBC Film
- Screen Scotland
- Sikelia Productions (in association with)
- Altitude Film Sales (in association with)
- BFI National Archive (in association with)
- Cohen Media Group (in association with)
- ITV Studios Global Distribution (in association with)
- Park Circus Productions (in association with)
- StudioCanal (in association with)
- Turner Classic Movies (TCM) (in association with)
Distributors
- Altitude Film Entertainment (2024) (United Kingdom)
- Altitude Film Sales (Ireland) (theatrical)
- Cinéart (2024) (Netherlands) (theatrical)
- Cohen Media Group (2024) (United States) (theatrical)
- MUBI (Austria)
- MUBI (Belgium)
- MUBI (France)
- MUBI (Germany)
- MUBI (Italy)
- MUBI (Switzerland)
- MUBI (India)
- MUBI (2024) (Netherlands) (video) (VOD)
- MUBI (Turkey)
- Madman Entertainment (2024) (Australia)
- Madman Films (2024) (New Zealand)
- Turner Classic Movies (TCM) (2024) (United States) (tv)
Special Effects
Other Companies
- Serious Facilities (post-production)
- Ashton Chapel (recorded at)
- Ashton Chapel (mixed at)
- Cineric (film restoration services)
- Silversalt Restoration (film restoration services)
- The Estate of Michael Powell (made with the cooperation and assistance of)
- The Estate of Emeric Pressburger (made with the cooperation and assistance of)
- Sikelia Productions (special thanks)
- WK Film Insurance (production insurance)
- Wiggin (legal services: Screen Scotland)
- ITV Studios Global Distribution (films couresty of)
- StudioCanal (films courtesy of)
- Columbia Pictures (courtesy of: Age of Consent, The Age of Innocence, Taxi Driver)
- Lionsgate (licensed by: The Aviator)
- Warner Bros. Discovery (licensed by: The Aviator, The Four Horsemen of the Apocalypse, Goodfellas, Mean Streets)
- Universal Studios Licensing (courtesy of: Cape Fear)
- Lionsgate (courtesy of: Gangs of New York)
- Disney-ABC Home Entertainment & Television Distribution (clip provided by: Gone to Earth)
- AMBI Group (licensed by: Mean Streets)
- MGM Media Licensing (courtesy of: Raging Bull)
- The Estate of Michael Powell (archive materials: personal papers, photographs, home movies and Edge of the World)
- The Estate of Emeric Pressburger (archive materials: personal papers, photographs, home movies and Edge of the World)
- The Archers (archive materials: personal papers, photographs, home movies, Edge of the World, and The Elusive Pimpernel)
- ABC Photo Archives (archive)
- Alamy (archive)
- AP Archives (archive)
- Australian Broadcasting Corporation Library Sales (archive)
- BBC Motion Gallery/Getty Images (archive)
- BFI National Archive (archive)
- Bridgeman Images (archive)
- Bundesarchiv Picture Library (archive)
- Cinémathèque Française (archive)
- The Criterion Collection (archive)
- DMG Media (archive)
- Getty Images (archive)
- GP Archives (archive)
- Harry Ransom Center, University of Texas (archive)
- Imago (archive)
- Imperial War Museums (archive)
- ITV Archive (archive)
- Janus Films (archive)
- Martin Scorsese Collection (archive)
- National Film Board of Canada (NFB) (archive)
- National Film Institute (archive)
- ADAGP, Paris (copyright: posters for Les Chaussons Rouges, 2024)
- DACS (copyright: posters for Les Contes de Hoffman, 2024)
- Producer's Library Service (archive)
- The Rank Foundation (archive)
- TVO (provided by: Saturday Night at the Movies)
- Reuters/Screenocean (archive)
- Shutterstock (archive)
- British Film Institute (BFI) (published by: Sight and Sound Magazine)
- StudioCanal (archive)
- London Films (additonal material: The Elusive Pimpernel)
- Paramount Pictures (letter: Cecil B. deMille to Michael Powell and Emeric Pressburger, 29 February 1952)
- The Hollywood Reporter (article: Red Shoes Gets Rousing Welcome from N.Y. Critics, 28 October 1948)
- Eldridge Industries (article: Red Shoes Gets Rousing Welcome from N.Y. Critics, 28 October 1948)
- British Film Institute (BFI) (this film would not have been possible without the generous support and assistance of)
- BFI National Archive (this film would not have been possible without the generous support and assistance of)
- Rolex (the producers gratefully acknowledge the generous support of)
- Arts Alliance (developed with the support of)
- So Speedy (post-production script)
Storyline
Plot Summary |
Martin Scorsese celebrates the enduring legacy of visionary writer-directors Michael Powell and Emeric Pressburger-two of British cinema's greatest filmmakers. With a treasure trove of clips and rare archival footage, Scorsese investigates the duo's bold genius and colossal impact on cinema history. Written by yusufpiskin |
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Did You Know?
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