It's the summer of '75 in Sines, Portugal. Al Berto, the writer, embodies an entire moving generation. He and his friends exude youth, eccentricity and hope for the future - but right after... See full summary »
Vicente Alves do Ó
Raquel Rocha Vieira
Story of the 1974 coup that overthrew the right-wing Portuguese dictatorship--which continued the fascist policies of long-time dictator Antonio Salazar--and of two young army captains who were involved in it.
Maria de Medeiros
Maria de Medeiros,
Joaquim de Almeida
An 18 year old boy with a complicated life starts a criminal career but ends up on a rooftop of Lisbon. On the apartment below lives a recently widowed, lonely old lady. Against all odds ... See full summary »
Maria do Céu Guerra,
This criticly acclaimed 8 episode tv-series "Odisseia" is a story developed in two different narratives which are interlinked, On the first, we have two friends who embark on a cross ... See full synopsis »
On a day like any other, a woman leaves work and heads to a party in the outskirts of Lisbon. On her way there she sees a man ready to jump off a bridge. She stops the car and approaches the man, trying to save him.
Tó is a black boy from Zona J, a tough neighborhood in Lisbon, and falls in love with a white girl, Carla. Tó dreams to live in Angola, where his parents were born, however the reality the two teens are in makes everything complicated.
Guilherme and Sofia, brother and sister, grow up sharing experiences and slowly discovering their sexuality. The thing that Sofia doesn't know is how far Guilherme will go to keep her inside his own perverse, dark and perfect circle.
Joana de Verona,
Tainted by a number of divorces in the 1920's, Portuguese poet Florbela Espanca resorts to her writing, filled with eroticism and femininity, to cope with her tumultuous relationship's.Written by
Filipe Manuel Neto
The premieres that took place in the two main shooting locations (Lisbon and Vila Viçosa, Portugal) were completely sold out. In Vila Viçosa, Florbela Espanca's home town, it was necessary to have 6 screenings due to the large turnout of spectators. See more »
By rule, I don't like contemporary Portuguese cinema. I am a patriot, but I recognize the weaknesses of my country and this is one of them. Usually, today Portuguese cinema oscillates between the exacerbated elitism of author/experimental films, which require a PhD in Philosophy or Sociology to be understandable, and the unbearable mix of sex and profanity provided by popular/commercial films. People always laugh when a character gives us a lot of profanity in an allegedly comic scene, but such "comedies" have never been to my liking. For all this, it was with a mixture of interest and precaution that I decided to watch this film, directed by Vicente Alves do Ó. And it was with a sigh of relief that, in the end, I concluded that it was bearable, not brilliant nor properly mediocre.
This biographical film seeks to tell the life of the famous Portuguese poet Florbela Espanca, one of the most notable names in Portuguese literature of the first half of the 20th century. Focusing essentially on the poet's connection to her late husband and her brother, Apeles Espanca, the film portrays Florbela as a young woman who has never been able to fit into what society expected of her. The film is able to show well the connection between the two brothers and the way she is devastated by his tragic death. Its also evident the rebellious and somewhat discontented spirit that moves her, and which seems to turn all her marriages into an invariable succession of failures. However, the film seems to ignore one of her biggest problems: depression and neurotic crisis, which accounts for much of her emotional instability. Another problem I noticed was the implicit criticism of the country's delay and pacing, compared to the cosmopolitan and vicious capital, Lisbon, a city that has always lived at the expense of the country of which its capital. But the worst part of the film is to see the poetess having sex with a stranger on a corner, as if she were a slut, in the most pitiful and deplorable scene. To confuse freedom with lust and levity is a mistake, its to tarnish the memory of this poetess. Honestly, will it be so difficult to make a Portuguese film today without unfortunate sex scenes, thought not for the beauty of the film, but to increase the potential interest of the audience who buys the ticket?
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