21:07 GMT, somewhere in the English Channel: a supertanker, the "Magnificent", 400,000 tonnes of crude oil, 350 meters long, runs aground on the Casquets reef. The rocks tear through the double hull and the ship is going to sink, causing...
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Cast
| Jean-François Stévenin | ... |
Balthazar Paredes
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| Peter Coyote | ... |
Edward G. Drexler
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| Héléna Noguerra | ... |
Emma Caglione
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François Caron | ... |
Antoine Andreani
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| Thierry Godard | ... |
Greg van Kalck
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Sandrine Blancke | ... |
Nathalie Andreani
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Marc Lefebvre | ... |
Man of Mystery
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Hervé Sogne | ... |
Ribis
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Jean-François Wolff | ... |
Le commissaire Bonin
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Philippe Van Kessel | ... |
Jean-Baptiste Clément
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Olivier Massart | ... |
La Ferté
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Olivier Bony | ... |
Le responsables des opérations
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| Astrid Whettnall | ... |
La présidente de la commission d'enquête
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François Cottrelle | ... |
Le pilote du supertanker
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Kentaro | ... |
Bun Hok
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| Jean-Christophe Delpias | ... |
Le responsable du back-office
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Antoine Plaisant | ... |
François
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Sophie Langevin | ... |
L'attachée de presse
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Stéphane Auberghen | ... |
Le ministre de l'économie
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Janine Horsburgh | ... |
L'administratrice d'Oil & Co
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Catherine Meunier | ... |
L'assistante
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| Rest of cast listed alphabetically: | |||
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Sebastian Badarau | ... |
Bob
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Gilles Barbier | ... |
Le planton du commissariat
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Louis-Emmanuel Blanc | ... |
Le second du MMagnificent
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Diego Castello | ... |
Le jeune homme au commissariat
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Jean-Claude Fritz | ... |
L'administrateur d'Oil & Co
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Andy McKell | ... |
Un businessman
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Alfonso Rodriguez Gelos | ... |
L'officier de quart du Valparaiso
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Anthony Sullivan | ... |
Le réceptionniste de l'hôtel
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Guillermo Valencia | ... |
Un matelot chilien
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Gilles Nuytens | ... |
Un membre de la commission (uncredited)
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Directed by
| Jean-Christophe Delpias | ||
Written by
| Vincent Maillard | ... | (written by) |
| Jean-Christophe Delpias | ... | (collaborating writer) |
Produced by
| Dominique Barneaud | ... | producer |
| Patrick Quinet | ... | co-producer |
| Jani Thiltges | ... | co-producer |
Music by
| André Dziezuk | ||
| Marc Mergen | ||
Cinematography by
| Laurent Machuel | ||
Editing by
| Thaddée Bertrand | ||
Editorial Department
| Hugo Brissaud | ... | post-production assistant |
| Etienne Grandou | ... | post-production coordinator |
| Jean-Luc Simon | ... | first assistant editor |
Casting By
| Gigi Akoka | ||
Production Design by
| Véronique Sacrez | ||
Art Direction by
| Ravit Bechor | ||
Set Decoration by
| Florin Dima | ||
| Thierry Van Cappellen | ||
Costume Design by
| Isabelle Dickes | ||
Makeup Department
| Fabienne Adam | ... | key makeup artist |
| Danièle Parmentier | ... | hair stylist |
| Céline Vh | ... | key hair stylist |
| Jill Wertz | ... | makeup artist |
Production Management
| Patrick Blocman | ... | unit manager |
| Brigitte Kerger-Santos | ... | production manager |
| Nicolas Ploux | ... | production manager |
| Philippe Vaïsse | ... | unit manager runner |
Second Unit Director or Assistant Director
| David Baldari | ... | first assistant director |
| Michaël de Nijs | ... | second assistant director |
Art Department
| Mathieu Jurgenson | ... | digital artist |
| François Willenz | ... | digital artist |
Sound Department
| Charles Autrand | ... | dialogue editor |
| François Dumont | ... | sound editor |
| Bernadette Dupont | ... | post-synchronisation |
| Aline Gavroy | ... | foley sound engineer |
| Philippe Kohn | ... | sound mixer |
| Jo Masset | ... | post-synchronisation |
| Grégory Noël | ... | boom operator |
| Michel Schillings | ... | re-recording mixer |
| Philippe van Leer | ... | foley artist |
Visual Effects by
| Philippe Frère | ... | lead digital compositor |
| Aurélien Geenen | ... | animator |
| Marie Maulet | ... | digital compositor |
| Hugues Namur | ... | visual effects supervisor |
| Julien Pernes | ... | cg supervisor: visual effects |
| Guillaume Pondard | ... | visual effects supervisor |
| Laureline Silan | ... | digital compositor: Mikros |
Camera and Electrical Department
| Antoine Bellem | ... | gaffer |
| Nicolas Blampain | ... | additional electrician |
| Patrick Muller | ... | still photographer |
| Jennifer Ninane | ... | assistant camera / second assistant camera |
| Laura Pieters | ... | second assistant camera |
| Didier Schokkaert | ... | assistant camera |
| Pascal Villanueva | ... | generator operator |
Casting Department
| Dany Héricourt | ... | casting assistant |
| Anne Jacques | ... | extras casting |
| Eric Lamhene | ... | extras casting |
| Mustapha Souaidi | ... | casting |
| Tristan Ravasco | ... | local casting (uncredited) |
Location Management
| Patrick Blocman | ... | location scout |
| Ambroise Gayet | ... | assistant location manager |
| Muriel Kuypers | ... | assistant location manager |
| Christian Pannrucker | ... | location scout |
| Nicolas Ploux | ... | location scout |
Script and Continuity Department
| Leenda Mamosa | ... | script supervisor |
Transportation Department
| Jerôme Tewes | ... | driver (as Tewes Jerome) |
Additional Crew
| Joseph Bellot | ... | security man |
| Tanya Blumstein | ... | language coach: Peter Coyote |
| Rampon Cedric | ... | security man |
| Nuno Pimenta | ... | security |
| Bernard Vander Donckt | ... | production administrator: Belgium |
| François Willenz | ... | title designer |
Thanks
| Maxime Delauney | ... | musical special thanks |
Production Companies
- ARTE (presents)
- Agat Films & Cie
- Philophon (post-production sound services)
Distributors
Special Effects
Other Companies
- Location Consulting & Facilities (facility vehicles)
Storyline
| Plot Summary |
21:07 GMT, somewhere in the English Channel: a supertanker, the "Magnificent", 400,000 tonnes of crude oil, 350 meters long, runs aground on the Casquets reef. The rocks tear through the double hull and the ship is going to sink, causing yet another oil slick. In Brussels, Emma Caglione, a young Green member of the European Parliament, works hard with the official commission of inquiry: Emma soon discovers that the cargo of crude oil had just been acquired secretly by "Oil&Co", a multinational group whose number 3, Balthazar Parédès, is her father... Written by Anonymous |
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