A con man, Irving Rosenfeld, along with his seductive partner Sydney Prosser, is forced to work for a wild F.B.I. Agent, Richie DiMaso, who pushes them into a world of Jersey powerbrokers and the Mafia.
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
With the help of a mysterious pill that enables the user to access one hundred percent of his brain abilities, a struggling writer becomes a financial wizard, but it also puts him in a new world with lots of dangers.
A fictional film set in the alluring world of one of the most stunning scandals to rock our nation, American Hustle tells the story of brilliant con man Irving Rosenfeld (Christian Bale), who along with his equally cunning and seductive British partner Sydney Prosser (Amy Adams) is forced to work for a wild FBI agent Richie DiMaso (Bradley Cooper). DiMaso pushes them into a world of Jersey powerbrokers and mafia that's as dangerous as it is enchanting. Jeremy Renner is Carmine Polito, the passionate, volatile, New Jersey political operator caught between the con-artists and Feds. Irving's unpredictable wife Rosalyn (Jennifer Lawrence) could be the one to pull the thread that brings the entire world crashing down.Written by
Sony Pictures Entertainment
The script was originally titled "American Bullshit" and came in eighth place on Hollywood's 2010 Black List, which ranks unproduced screenplays. See more »
At the end of the movie, when Rosalyn is talking about the car accident in her neck brace, you can see the cameraman and camera in the reflection of her sunglasses. See more »
What are you doing, going behind my back? Telling people I'm screwing up this operation? I got you a suite at the fucking Plaza Hotel.
The shittiest suite at the Plaza Hotel.
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There is no credit for Robert De Niro, but there is a credit for "Costumer to Mr. Tellegio". See more »
I could not wait for this movie to end. It was a complete atrocity. The overly-indulgent, sloppy chaos amounted to nothing in terms of character or story. A vague lesson spoon-fed to the audience during the first 20 minutes is I'm guessing what is supposed to excuse the senseless and bumbling bore of a circus for the next 100.
I absolutely do not understand the praise of the acting in this film. I never bought into the actors as their roles, though, honestly, there was not much else holding it together for me. Was there a script? Was there a director??? The entire sad excuse for a film seemed to be the improvised work of the actors themselves contrived in a garage somewhere after a long night of drinking.
I never was really motivated to read into the movie, and I was never really fully engaged or entertained by the shallow antics, long-hanging scenes that go on way too long, or 70's retro-obsession. I'm not sure if I'm supposed to be mesmerized by watching makeup applied to Christian Bale's head or how cool walking into a 70's themed wardrobe would be. It seemed none of the actors could keep their accents. I would never label this as a comedy-- I did laugh from time to time because of how badly I wanted it to be over.
For a respectable story about individuals trying to reinvent themselves please see The Great Gatsby, The Departed, or The Town (and I'm sure there are many more).
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