Follows the creation of The Metropolitan Museum of Art's most attended fashion exhibition in history, "China: Through The Looking Glass," an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton.
From the segregated American South to the fashion capitals of the world, operatic fashion editor André Leon Talley's life and career are on full display, in a poignant portrait that ... See full summary »
André Leon Talley,
From director Andrew Rossi (Page One: Inside the New York Times, The First Monday in May) comes an electrifying portrait of writer and performer Okwui Okpokwasili and her acclaimed ... See full summary »
A look at the ongoing threat caused by the phenomenon of "fake news" in the U.S., focusing on the real-life consequences that disinformation, conspiracy theories and false news stories have on the average citizen.
During the most tumultuous time for media in generations, filmmaker Andrew Rossi gains unprecedented access to the newsroom at The New York Times. For a year, he follows journalists on the paper's Media Desk, a department created to cover the transformation of the media industry. Through this prism, a complex view emerges of a media landscape fraught with both peril and opportunity, especially at the Times itself.Written by
An Interesting well-made film about how the NY Times is adjusting to new media environment
As a long time reader of the New York Times, I was delighted to see that Page One was showing at Austin's SXSW Film Festival. Page One is a provocative film that explores the complexities of the new media landscape in which the New York Times now finds itself trying to compete and keep its head above water. It is one of the few films that I've seen that really provides the viewer with an inside look at how a major newspaper operates. While the film tends to be pro-New York Times by the very nature of the fact that it was made with their cooperation, it still comes off as fair portrait of America's paper of record. The film focuses in on the media division and how the Times is coping with new challenges from Wikileaks, online news sources, web logs, news aggregating websites, twitter, etc. The film clearly shows why we still need the "so-called" old media to provide the investigative journalism that is hard to find elsewhere.
Newspapers – and especially the elite newspapers – remain a crucial element in our political culture in that they provide a check against abuse of power by both government and corporations. The internet new media still relies on old media for its reporting and is not equipped to replace it. Clearly new models for cooperation between new and old are needed that will allow mainstream media to continue to profitable. The NY Times is proud, magisterial, occasionally arrogant, and absolutely necessary. Like any old institution, it will survive if it continues to change and evolve for new times and technologies.
Page One is part of an on-going conversation that the United States is having about how media will evolve in the age of the Internet. It is useful film for engaging the broader public in the conversation.
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