
Edge of the Garden (2011)
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- TV-PG
- 1h 29min
- Drama, Fantasy
- 14 May 2011 (USA)
- TV Movie
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Complete, Cast awaiting verification
Rob Estes | ... |
Brian Connor
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Sarah Manninen | ... |
Nora Hargrave / Sarah
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David James Lewis | ... |
Thomas Hargrave
(as David Lewis)
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Kelly Monaco | ... |
Julie
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David Richmond-Peck | ... |
Frank Clemmons
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Anne Marie DeLuise | ... |
Alana Sullivan
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Reg Tupper | ... |
Dr. Bowers
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Tim Henry | ... |
Keenan O'Dwyer
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Viv Leacock | ... |
Stan
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John Innes | ... |
Kilgore
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Diana Bang | ... |
Mia
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Ryan McDonell | ... |
Dylan
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Marilyn Norry | ... |
Neighbor
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Karen Elizabeth Austin | ... |
Older Nora
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John Hainsworth | ... |
Older Thomas
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Fred Keating | ... |
Older Frank
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Directed by
Michael M. Scott | ... | (as Michael Scott) |
Written by
Duane Poole | ... | (written by) |
Produced by
Jack Grossbart | ... | executive producer |
Harvey Kahn | ... | producer |
Michael M. Scott | ... | executive producer (as Michael Scott) |
Music by
Graeme Coleman |
Cinematography by
Adam Sliwinski |
Editing by
Charles Robichaud |
Editorial Department
David Grave | ... | first assistant editor |
Gary Shaw | ... | colorist |
Casting By
Shana Landsburg | ||
Melissa Perry |
Production Design by
Jill Scott |
Art Direction by
Cherie Kroll |
Set Decoration by
Ide Foyle |
Costume Design by
Rebekka Sorensen-Kjelstrup | ... | (as Rebekka Sorensen) |
Makeup Department
Erin Mackenzie | ... | makeup artist (as Erin Froese) |
Tana Lynn Moldovanos | ... | key makeup artist |
Production Management
Dawn Knight | ... | post-production supervisor |
Allen Lewis | ... | production manager |
Second Unit Director or Assistant Director
Paul Basker | ... | trainee assistant director |
Michael Crain | ... | first assistant director (as Mike Crain) |
Robert S. Weber | ... | second assistant director |
Art Department
Robert Barton | ... | on-set dresser |
Jason Matte | ... | props |
Tullis Rose | ... | assistant property master |
Ric Walkington | ... | property master |
Sound Department
Stephen Cheung | ... | dialogue editor |
Brody Ratsoy | ... | re-recording mixer |
Rick Senechal | ... | foley recordist |
Greg Stewart | ... | re-recording mixer |
Andy Welker | ... | adr mixer |
Visual Effects by
Catalina Acosta | ... | digital compositor |
Geoffery Antony | ... | visual effects supervisor (as Romald Geoffery) |
Darvin K. Manwah | ... | digital compositor: GFZ Studios / visual effects coordinator: GFZ Studios |
Pradeep Kumar Padmanabha | ... | visual effects artist |
Camera and Electrical Department
Pat Cronin | ... | camera operator: "b" camera |
Mackenzie Dunham | ... | lighting technician |
Mischa Haman-Dass | ... | first assistant camera: "b" camera |
Vlad Horodinca | ... | director of photography: second unit |
Ariane Jonassen | ... | first assistant camera: "a" camera |
Tammy Jones | ... | first assistant camera: "b" camera |
Peter Leung | ... | second assistant camera: "a" camera |
Jill MacLauchlan | ... | "a" camera operator |
Brad Mear | ... | best boy grip |
Aleks Pichlak | ... | second assistant camera: "b" camera |
Shea Pollard | ... | best boy electric |
Ronald Paul Richard | ... | director of photography: second unit (as Ronald Richard) / gaffer (as Ronald Richard) |
Gary Saibil | ... | data management technician |
Gary Stamford | ... | set wireman |
Adam Uttley | ... | grip |
Katie Yu | ... | still photographer |
Casting Department
Alicia Jordan | ... | casting assistant |
Costume and Wardrobe Department
Brittany Elchuk | ... | set supervisor |
Tina Wilson | ... | truck costumer |
Location Management
Geoffrey Dodd | ... | assistant location manager |
Kent Sponagle | ... | location manager |
Transportation Department
Jim Papadogambros | ... | transportation captain |
Additional Crew
Ryan Doucette | ... | producers asssistant |
Kelsey Fonda | ... | key production assistant |
Colin House | ... | first assistant coordinator |
Mark MacDonald | ... | second assistant production coordinator |
Marnie Termuende | ... | Controller (as Marnie Termeunde) |
Campbell Watson | ... | caterer: chef |
Marnie Young | ... | business affairs |
Production Companies
Distributors
- Hallmark Channel (2010) (United States) (tv)
- Moviemax Family (2011) (Turkey) (tv)
- Net5 (2012) (Netherlands) (tv)
- Thunderbird Entertainment (2010) (Canada) (tv) (as Thunderbird Films)
Special Effects
- GFZStudios (visual effects)
Other Companies
- Aion Art Gallery (set artwork)
- Chapman/Leonard Studio Equipment (camera dollies)
- Marc Graue Recording Studios (post-production facilities)
- Post Modern Sound (post-production sound services)
- Side Street Post (post-production)
Storyline
Plot Summary |
Brian Connor works as an executive in his family's San Francisco based multi-billion dollar tech business, Connor Tech. His focus on work looks to be the reason for the break-up with his fiancée, Julie, he missing their engagement party for work being the last straw for her in their five-year relationship. To get away from the memory of Julie, Brian decides to head to Seabrook, Maine - just outside of Portland - to work his magic on a recently acquired web hosting company. Uncertain of how long he will be in New England, he decides to lease a place to live in downtown Portland rather than rent or stay in a hotel. Against Brian's upscale urban sensibility, the realtor, Keenan O'Dwyer, convinces him to buy what looks to be a vastly undervalued rural cottage just outside of Seabrook. He buys it despite it being neglected due to not having been lived-in in years and thus not move-in ready, and both O'Dwyer and the owner, Mr. Kilgore, seeming to be a bit too eager to wash their hands totally of the property. Brian figures that he can make the necessary upgrades himself and thus net a tidy profit when he sells it and moves back to San Francisco. After signing the sale papers, he quickly learns that the secret of the property - the reason no one has lived there in years - is the inexplicable things that go bump in the night. He soon discovers that the noises are being made by Nora Hargrave, as Nora and Brian are living together in the house, fifty years apart, they being the only connection in the house between now and 1960. Nora, in 1960, is in a loveless marriage to tyrannical and emotionally abusive Thomas Hargrave. Nora ends up finding comfort in the time she spends with Brian, who is the only person to whom she can turn to in her isolation. Brian, in turn, believes he was meant to buy the house to help Nora through what is the tragedy of her marriage to Thomas, which includes her mysterious and tragic end. Through the process, Brian may come to some understandings about himself, his life and what was his engagement to Julie. Written by Huggo |
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Did You Know?
Trivia | Sadly Karen Elizabeth Austin who played the older Nora at the end died a month before the film was released. See more » |
Goofs | After moving to Maine, the first scenes show local cars having green license plates. Later in the movie local cars are shown having white license plates. Green is incorrect. White is correct. See more » |