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Edge of the Garden ()


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Newly single Brian Connor buys a long abandoned house in the country. After moving in he begins to communicate with a woman who lived in the house 50 years ago and who died under mysterious circumstances.

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Brian Connor
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Nora Hargrave / Sarah
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Thomas Hargrave (as David Lewis)
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Julie
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Frank Clemmons
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Alana Sullivan
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Dr. Bowers
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Keenan O'Dwyer
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Stan
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Kilgore
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Mia
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Dylan
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Neighbor
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Older Nora
John Hainsworth ...
Older Thomas
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Older Frank

Directed by

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Michael M. Scott ... (as Michael Scott)

Written by

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Duane Poole ... (written by)

Produced by

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Jack Grossbart ... executive producer
Harvey Kahn ... producer
Michael M. Scott ... executive producer (as Michael Scott)

Music by

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Graeme Coleman

Cinematography by

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Adam Sliwinski

Editing by

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Charles Robichaud

Editorial Department

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David Grave ... first assistant editor
Gary Shaw ... colorist

Casting By

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Shana Landsburg
Melissa Perry

Production Design by

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Jill Scott

Art Direction by

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Cherie Kroll

Set Decoration by

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Ide Foyle

Costume Design by

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Rebekka Sorensen-Kjelstrup ... (as Rebekka Sorensen)

Makeup Department

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Erin Mackenzie ... makeup artist (as Erin Froese)
Tana Lynn Moldovanos ... key makeup artist

Production Management

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Dawn Knight ... post-production supervisor
Allen Lewis ... production manager

Second Unit Director or Assistant Director

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Paul Basker ... trainee assistant director
Michael Crain ... first assistant director (as Mike Crain)
Robert S. Weber ... second assistant director

Art Department

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Robert Barton ... on-set dresser
Jason Matte ... props
Tullis Rose ... assistant property master
Ric Walkington ... property master

Sound Department

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Stephen Cheung ... dialogue editor
Brody Ratsoy ... re-recording mixer
Rick Senechal ... foley recordist
Greg Stewart ... re-recording mixer
Andy Welker ... adr mixer

Visual Effects by

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Catalina Acosta ... digital compositor
Geoffery Antony ... visual effects supervisor (as Romald Geoffery)
Darvin K. Manwah ... digital compositor: GFZ Studios / visual effects coordinator: GFZ Studios
Pradeep Kumar Padmanabha ... visual effects artist

Camera and Electrical Department

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Pat Cronin ... camera operator: "b" camera
Mackenzie Dunham ... lighting technician
Mischa Haman-Dass ... first assistant camera: "b" camera
Vlad Horodinca ... director of photography: second unit
Ariane Jonassen ... first assistant camera: "a" camera
Tammy Jones ... first assistant camera: "b" camera
Peter Leung ... second assistant camera: "a" camera
Jill MacLauchlan ... "a" camera operator
Brad Mear ... best boy grip
Aleks Pichlak ... second assistant camera: "b" camera
Shea Pollard ... best boy electric
Ronald Paul Richard ... director of photography: second unit (as Ronald Richard) / gaffer (as Ronald Richard)
Gary Saibil ... data management technician
Gary Stamford ... set wireman
Adam Uttley ... grip
Katie Yu ... still photographer

Casting Department

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Alicia Jordan ... casting assistant

Costume and Wardrobe Department

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Brittany Elchuk ... set supervisor
Tina Wilson ... truck costumer

Location Management

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Geoffrey Dodd ... assistant location manager
Kent Sponagle ... location manager

Transportation Department

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Jim Papadogambros ... transportation captain

Additional Crew

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Ryan Doucette ... producers asssistant
Kelsey Fonda ... key production assistant
Colin House ... first assistant coordinator
Mark MacDonald ... second assistant production coordinator
Marnie Termuende ... Controller (as Marnie Termeunde)
Campbell Watson ... caterer: chef
Marnie Young ... business affairs

Production Companies

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Distributors

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Special Effects

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Other Companies

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Storyline

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Plot Summary

Brian Connor works as an executive in his family's San Francisco based multi-billion dollar tech business, Connor Tech. His focus on work looks to be the reason for the break-up with his fiancée, Julie, he missing their engagement party for work being the last straw for her in their five-year relationship. To get away from the memory of Julie, Brian decides to head to Seabrook, Maine - just outside of Portland - to work his magic on a recently acquired web hosting company. Uncertain of how long he will be in New England, he decides to lease a place to live in downtown Portland rather than rent or stay in a hotel. Against Brian's upscale urban sensibility, the realtor, Keenan O'Dwyer, convinces him to buy what looks to be a vastly undervalued rural cottage just outside of Seabrook. He buys it despite it being neglected due to not having been lived-in in years and thus not move-in ready, and both O'Dwyer and the owner, Mr. Kilgore, seeming to be a bit too eager to wash their hands totally of the property. Brian figures that he can make the necessary upgrades himself and thus net a tidy profit when he sells it and moves back to San Francisco. After signing the sale papers, he quickly learns that the secret of the property - the reason no one has lived there in years - is the inexplicable things that go bump in the night. He soon discovers that the noises are being made by Nora Hargrave, as Nora and Brian are living together in the house, fifty years apart, they being the only connection in the house between now and 1960. Nora, in 1960, is in a loveless marriage to tyrannical and emotionally abusive Thomas Hargrave. Nora ends up finding comfort in the time she spends with Brian, who is the only person to whom she can turn to in her isolation. Brian, in turn, believes he was meant to buy the house to help Nora through what is the tragedy of her marriage to Thomas, which includes her mysterious and tragic end. Through the process, Brian may come to some understandings about himself, his life and what was his engagement to Julie. Written by Huggo

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Additional Details

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Also Known As
  • The Edge of the Garden (Canada, English title)
  • The Edge of the Garden (Canada, French title)
  • Un demi-siècle nous sépare (France)
  • Amor verdadero (Spain)
  • The Edge of the Garden (Greece)
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Runtime
  • 89 min
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Filming Locations

Did You Know?

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Trivia Sadly Karen Elizabeth Austin who played the older Nora at the end died a month before the film was released. See more »
Goofs After moving to Maine, the first scenes show local cars having green license plates. Later in the movie local cars are shown having white license plates. Green is incorrect. White is correct. See more »

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